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Rick Remender’s Venom (Review/Retrospective)

This April, to celebrate the release of The Amazing Spider-Man 2, we are taking a look at some classic and modern comics featuring Spider-Man (and friends). Check back daily for the latest review.

Venom demonstrates Rick Remender’s talent with nineties comic concepts. Like Remender’s work on Uncanny X-Force, there’s a sense that the author is taking a dysfunctional and somewhat outdated comic book concept and finding a way to make it work. Uncanny X-Force is the best use of the “X-Force” concept ever put on paper, and Remender’s Venom stands out as the best work to feature the Spider-Man baddie as a protagonist.

Venom doesn’t work quite as well as Uncanny X-Force. The run is a bit shorter and less well developed, and gets caught in a couple of crossovers that split focus a little. Still, the twenty-odd-issue run is a fascinating piece of work from Remender, who was one of Marvel’s most promising emerging talents at the time. Like Uncanny X-Force, it is fundamentally a story about fathers and sons. However Venom also feels like an examination of also-rans, a look at those characters who tend to get a little lost in the crossfire.

Can he swing from a web?

Can he swing from a web?

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Venom: Circle of Four (Review)

If you had told me that I would enjoy a Venom collection quite this much, I would have laughed. I picked up the oversized hardcover collection of Circle of Four after enjoying Rick Remender’s Venom issues tying into the Spider-Island crossover. Which, I guess, is one of the benefits of such spin-offs and crossovers, I suppose. Anyway, intrigued by Remender’s take on the character, I was curious enough to take a look at this collection, featuring a crossover between Venom, Red Hulk, X-23 and the new Ghost Rider. Of course, two of those books had been cancelled by the time the crossover rolled around, so the whole “mini-event” was rolled up into Remender’s Venom. While Circle of Four isn’t necessarily a groundbreaking comic book storyline, or even a truly exceptional event, it does demonstrate that even the most conventional premise can work well in the right hands.

Back in black, baby!

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Dan Slott’s Run on The Amazing Spider-Man – Spider-Island (Review/Retrospective)

Dan Sott’s Amazing Spider-Man run has been pretty well received by fans. Credited with giving the title a sense of fun after the continuity-tangling mess of One More Day, Slott has managed to inject some fun back into the franchise. Or so I’ve heard. Despite being a fan of Slott’s Mighty Avengers, I remain somewhat disappointed that there’s been no effort made to collect his Amazing Spider-Man run into either an omnibus or an oversized hardcover collection. Still, I recently had the pleasure of devouring Slott’s Spider-Island plotline in a nice oversized hardcover, and I have to admit that I was more than a little impressed with Slott’s epic “event” comic book.

New York, New York, it's a hell of a town!

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No Venom Intended: Thoughts on the Inevitable Amazing Spider-Man Spin-Off…

Apparently Sony is pressing full speed ahead with this Spider-Man license. I suspect they looked at the massive success that Marvel, Paramount and ultimately Disney have had with their series of Avengers films. Releasing a series of relatively independent superhero films that all tied together proved to be quite the financial success, becoming one of the biggest earners of all time. It’s easy enough to understand why other studios might want to follow the business model. The problem? Sony only really has the license to Spidey and his supporting cast. How do you build a multi-character franchise when you only own the rights to one admittedly iconic? You spin-off his supporting characters, of course. In this case, it’s the villain Venom, who is reportedly getting a film from director Josh Trank, who made quite the impression with his début directing Chronicle, and possibly tying into the sequel to The Amazing Spider-Man.

He’s coming right at you!

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