Advertisements
    Advertisements
  • Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

  • Advertisements

Look! Star Trek Reimagined in the Pixar Style!

The wonderful folks over at The Minion Factory have reimagined the classic Star Trek characters in the style of Pixar. It’s a fun collection of images (feel free to also check out the artist’s superhero gallery), and rendered with obvious affection for the show’s decidedly sixties aesthetic. I especially love the affection demonstrated in chosing the background images. Anyway, take a look and click to enlarge.

Advertisements

Non-Review Review: Wreck It Ralph

Wreck It Ralph is a charming animated film, and one with all manner of interesting ideas. It teases a fascinating take on the archetypal children’s movie narrative – the notion that perhaps roles in stories cannot be so easily devolved into “good guy” and “bad guy” stereotypes. It raises all manner of insightful possibilities, drawing on a diverse cast of characters to offer us what amounts to the story of two outcasts dealing with the fact that they don’t necessarily get to be part of narratives that might make them a hero.

Unfortunately, there’s only so far you can bend this sort of hero’s journey before it breaks – or snaps back in your face, if you’re watching a slapstick cartoon. Wreck It Ralph compromises a bit too much in its final act, undermining a lot of what had been its appeal in order to offer a staggeringly conventional ending. It’s a shame, because it’s willingness to subvert so many narrative norms is a large part of the appeal of the film.

Sometimes life isn't two-dimensional...

Sometimes life isn’t two-dimensional…

Continue reading

My 12 for ’12: The Muppets & Everything You Need, Right In Front Of You

I’m counting down my top twelve films of the year between now and January, starting at #12 and heading to #1. I expect the list to be a little bit predictable, a little bit surprising, a little bit of everything. All films released in the UK and Ireland in 2012 qualify. Sound off below, and let me know if I’m on the money, or if I’m completely off the radar. And let me know your own picks or recommendations.

This is #3

I can’t help but feel that The Muppets probably aren’t quite as popular over here as they really should be. After all, we had to wait about three months for the eventual release of the film in Irish cinemas. Even later this year, following all the publicity around the recent revival, I was only able to find one cinema in Dublin doing three screening of The Muppets’ Christmas Carol, despite the highly-publicised re-release. However, perhaps I shouldn’t take their international publicity for granted either. After all, Jason Segal spent six or seven years trying to guide everybody’s favourite felt performers to the big screen again.

Still, The Muppets demonstrated that the gang had lost absolutely nothing in transitioning out of retirement and back to the screen, demonstrating that all these sorts of characters need is a bit of sincere love and affection.

muppets6

Continue reading

Non-Review Review: Shrek the Third

The biggest problem with Shrek the Third is arguably reflected in its lead character. Despite producing two sequels, making a boatload of money and establishing a massively iconic franchise, it seems like the creators are unwilling to accept their changed reality. Much like the title character refuses to adapt to his new-found circumstances, and the possibility that he will become a father, Shrek the Third refuses to admit that it has essentially become the fairy-tale establishment that it so sorely ridiculed and mocked. The wry and subversive take of fairy tales championed by the original Shrek is no longer on the outside looking in, but on the inside looking out. Shrek the Thirdjust stubbornly refuses to accept that.

Has the franchise lost direction?

Continue reading

Non-Review Review: Brave

Brave is certainly a significant improvement upon Cars 2, even if it doesn’t necessarily measure up the finest films in the Pixar stable. Part of the problem is the sense that, for the first time, the studio is telling a story that isn’t really their own. I know that particular films in the studio’s history owe a great deal to certain influences (The Incredibles to The Fantastic Four, for example), but Brave really feels like the studio is very much trying to put its own take on the conventional “Disney Princess” movie. While the results are certainly interesting, it never feels like Braveis entirely comfortable with itself. While the film is, technically speaking, quite impressive, it does feel like it never quite strikes the right balance.

The right to bear arms…

Continue reading

No Venom Intended: Thoughts on the Inevitable Amazing Spider-Man Spin-Off…

Apparently Sony is pressing full speed ahead with this Spider-Man license. I suspect they looked at the massive success that Marvel, Paramount and ultimately Disney have had with their series of Avengers films. Releasing a series of relatively independent superhero films that all tied together proved to be quite the financial success, becoming one of the biggest earners of all time. It’s easy enough to understand why other studios might want to follow the business model. The problem? Sony only really has the license to Spidey and his supporting cast. How do you build a multi-character franchise when you only own the rights to one admittedly iconic? You spin-off his supporting characters, of course. In this case, it’s the villain Venom, who is reportedly getting a film from director Josh Trank, who made quite the impression with his début directing Chronicle, and possibly tying into the sequel to The Amazing Spider-Man.

He’s coming right at you!

Continue reading

John Carter: A Disney Prince of Mars

It looks like John Carter didn’t make enough of a splash at the box office to justify a sequel. To tell the truth, I am more than a little disappointed, because I actually enjoyed the cheesy throw-back charm of a science-fantasy epic that didn’t feel the need for irony or wry self-awareness. However, it’s interesting to look at the movie as part of the Disney canon, and measured against the big Disney films released over the last couple of years (and planned through the end of this one). John Carter seems to fit alongside Tron: Legacy as part of a concentrated effort by the studio in recent years to shift away from their traditional “princess”-orientated features and to produce movies aimed at boys.

Boys are from Mars...

Continue reading