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285. Trainspotting (#173)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Emma Kiely, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, Danny Boyle’s Trainspotting.

Using heroin to numb the pain of simply existing, Mark Renton drifts through a series of episodic adventures in nineties Edinburgh. Renton and his friends find themselves caught up in a web of sex, violence, drug abuse and existential malaise, grappling with challenges both large and small as they struggle to make it out the other side of their experiences.

At time of recording, it was ranked 173rd on the list of the best movies of all time on the Internet Movie Database.

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Non-Review Review: interMission

interMission is a fantastic piece of Irish cinema, a broadly accessible exploration of intersecting and overlapping life in Dublin with a witty script lending the film some distinctly Irish flavour. The structure owes a little bit of a debt to Tarantino’s Pulp Fiction or even Altman’s Short Cuts, capturing a variety of perspectives on life from a reasonably-sized ensemble who only occasionally overlap with one another. It’s a funny, clever, well-acted and well-directed slice of life.

Drive of your life...

Drive of your life…

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Non-Review Review: Brave

Brave is certainly a significant improvement upon Cars 2, even if it doesn’t necessarily measure up the finest films in the Pixar stable. Part of the problem is the sense that, for the first time, the studio is telling a story that isn’t really their own. I know that particular films in the studio’s history owe a great deal to certain influences (The Incredibles to The Fantastic Four, for example), but Brave really feels like the studio is very much trying to put its own take on the conventional “Disney Princess” movie. While the results are certainly interesting, it never feels like Braveis entirely comfortable with itself. While the film is, technically speaking, quite impressive, it does feel like it never quite strikes the right balance.

The right to bear arms…

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