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Non-Review Review: interMission

interMission is a fantastic piece of Irish cinema, a broadly accessible exploration of intersecting and overlapping life in Dublin with a witty script lending the film some distinctly Irish flavour. The structure owes a little bit of a debt to Tarantino’s Pulp Fiction or even Altman’s Short Cuts, capturing a variety of perspectives on life from a reasonably-sized ensemble who only occasionally overlap with one another. It’s a funny, clever, well-acted and well-directed slice of life.

Drive of your life...

Drive of your life…

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Telling Vision: The Digital Age and Freedom…

We’ve been digital now for about five years. I have to admit, as much as I might have admired the scavenger sensibility that standard ten-channel Irish television might have taught me, I find it hard to imagine what it must have been like. It’s like the way I can’t imagine a world without easy-to-carry mobile phones, even though I lived in it for quite a while, or I can’t remember what the world was like without access to the information super-highway (though I do remember when we used to use dial-up internet… oh the pain). Digital television is a wonderful invention, and one that I truly treasure. It’s been heard so often that it’s become something of a truism to remark that we get 999 channels, but there’s never anything to watch… but I think that people who feel like that simply aren’t trying hard enough.

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Non-Review Review: Short Cuts

Short Cuts is perhaps “the” big defining ensemble drama. Even those who haven’t seen it are familiar with Robert Altman’s epic three-hour twenty-two-character crisscrossing drama about life modern Los Angeles. It’s bold, ambitious and challenging. Personally, I prefer Altman’s skewering the studio system in The Player, there’s no denying that this big drama has its charms.

Altman casts a long shadow...

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