• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Non-Review Review: Les Misérables

It’s hard not to admire Les Misérables. It’s the first honest-to-goodness entirely sincere and mostly unironic big budget musical that we’ve seen released in quite some time. While song and dance will always be a part of the movies (The Muppets, for example, carrying many a dainty tune last year), there’s something quite impressive about seeing a music as epic and as iconic as Les Misérables carried across to the big screen. The stage musical became something of a cultural phenomenon on the West End, and Tom Hooper does an effective job of transitioning from stage to screen – even if he doesn’t consistently capitalise on the format shift.

There are some fundamental problems. The second half is a little too awkwardly paced and too disjointed to come together as well as it should, and Hooper seems to have a great deal pitching the right amount of camp (and humour) for an Oscar-bait musical about the aftermath of the French revolution. However, if you can look past those problems, the opening half is a superbly staged musical and the performances are impressive. Including the much maligned Russell Crowe, who might – hear me out – be the best thing about the film.

Sing when you're winning... or at least nominated...

Sing when you’re winning… or at least nominated…

Continue reading

12 Movie Moments of 2012: Chris Cooper Raps (The Muppets)

As well as counting down the top twelve films, I’m also going to count down my top twelve movie related “moments” of 2012. The term “moment” is elastic, so expect some crazy nonsense here. And, as usual, I accept that my taste is completely absurd, so I fully expect you to disagree. With that in mind, this is #1

If you ever need proof of how delightfully absurd The Muppets was, the sight of Oscar-winner Chris Cooper dancing and rapping across his desk, only to unleash a storeroom full of chorus girls while Jason Segel looks on in confusion should do the trick. It’s a fantastic moment because it’s so ridiculously surreal. Cooper is rapping for about a minute of screen-time, meaning that it’s over before it has really begun – leaving both the characters and the audience wondering what the hell just happened.

In a great way.

themuppets10

Continue reading

My 12 for ’12: The Muppets & Everything You Need, Right In Front Of You

I’m counting down my top twelve films of the year between now and January, starting at #12 and heading to #1. I expect the list to be a little bit predictable, a little bit surprising, a little bit of everything. All films released in the UK and Ireland in 2012 qualify. Sound off below, and let me know if I’m on the money, or if I’m completely off the radar. And let me know your own picks or recommendations.

This is #3

I can’t help but feel that The Muppets probably aren’t quite as popular over here as they really should be. After all, we had to wait about three months for the eventual release of the film in Irish cinemas. Even later this year, following all the publicity around the recent revival, I was only able to find one cinema in Dublin doing three screening of The Muppets’ Christmas Carol, despite the highly-publicised re-release. However, perhaps I shouldn’t take their international publicity for granted either. After all, Jason Segal spent six or seven years trying to guide everybody’s favourite felt performers to the big screen again.

Still, The Muppets demonstrated that the gang had lost absolutely nothing in transitioning out of retirement and back to the screen, demonstrating that all these sorts of characters need is a bit of sincere love and affection.

muppets6

Continue reading

Non-Review Review: The Five-Year Engagement

The Five-Year Engagement is the best romantic comedy of 2012 so far. Reuniting the talents of Jason Segel and Nicholas Stoller, the film manages to offer a refreshingly frank and honest perspective of romantic relationships. The interactions feel more organic, the third act crisis is rooted in something more primal and relevant than some idle miscommunication and the resolution isn’t based on the notion that people can inexplicably change. Like Segel and Stoller’s superb Forgetting Sarah Marshall, The Five-Year Engagement is predicated on the assumption that love must mean accepting and embracing your partner for who they are, rather than what you want them to be. It’s a little depressing that this moral feels almost subversive in this day-and-age of formulaic and generic romantic comedies, but there’s no denying that The Five-Year Engagement is head-and-shoulders above most of its competitors.

They’ll get married this year… in a pig’s eye…

Continue reading

Non-Review Review: Jeff Who Lives at Home

This film was seen as part of the Jameson Dublin International Film Festival 2012. As the movie’s getting a delayed Irish release this weekend, I thought I’d share it again.

There’s a common misconception about the films of Mark and Jay Duplass. It’s easy to confuse their films with comedies. Just look at the cast they assembled for Cyrus, including Jonah Hill and John C. Reilly (with Marisa Tomei taking home her Oscar for a comedic turn in My Cousin Vinny), or even the one they’ve gathered here. After all, Jason Segel is still most recognisable from How I Met Your Mother or The Muppets or Forgetting Sarah Marshall. Ed Helms’ filmography includes The Office and The Hangover and Cedar Rapids. While Jay and Mark Duplass include a wonderful amount of humour in their work, it tends to distract away from their core themes or ideas. Beneath the awkward triangle in Cyrus, there’s a coming-of-age family drama. Underneath the witty exterior of Jeff Who Lives at Home, there’s a sincere and optimistic romantic drama. And I’m a sucker for romantic drama.

Rub a dub dub, two men in a tub…

Continue reading

Minor Miracles: Supporting Characters & The Lesson of Hannibal Lecter

“Less is more.” Or so we’re often told at least. It generally seems to be used in a polite way to limit our exposure to things we don’t like. However, I can’t help but wonder if it is true of supporting characters. After all, those interesting side characters in movies that happen to capture our imaginations with a relatively minor roles. Indeed, I reckon that I could probably name more supporting characters I took a shine to, rather than iconic lead characters. While we undoubtedly relish every moment they appear on-screen, and perhaps lament that we only get so limited an exposure to them, I can’t help but wonder of that somewhat restricted presence might be precisely what makes them so appealing in the first place.

Bloody brilliant…

Continue reading

Non-Review Review: Jeff Who Lives at Home

This film was seen as part of the Jameson Dublin International Film Festival 2012.

There’s a common misconception about the films of Mark and Jay Duplass. It’s easy to confuse their films with comedies. Just look at the cast they assembled for Cyrus, including Jonah Hill and John C. Reilly (with Marisa Tomei taking home her Oscar for a comedic turn in My Cousin Vinny), or even the one they’ve gathered here. After all, Jason Segel is still most recognisable from How I Met Your Mother or The Muppets or Forgetting Sarah Marshall. Ed Helms’ filmography includes The Office and The Hangover and Cedar Rapids. While Jay and Mark Duplass include a wonderful amount of humour in their work, it tends to distract away from their core themes or ideas. Beneath the awkward triangle in Cyrus, there’s a coming-of-age family drama. Underneath the witty exterior of Jeff Who Lives at Home, there’s a sincere and optimistic romantic drama. And I’m a sucker for romantic drama.

Rub a dub dub, two men in a tub...

Continue reading

Non-Review Review: The Muppets

It’s interesting to imagine what the reaction in the room must have been after Jason Segal was asked to name his next project, building off the success of Forgetting Sarah Marshall. The fast-rising actor and writer could have had his pick of any number of features, and yet he chose to work on a revival of The Muppets. After all, these were a group of characters who had enjoyed a reasonable revival with The Muppets Christmas Carol and Muppet Treasure Island in the early-to-mid-nineties, but had seen their fame quickly eroded with a string of poorly-received television and movie projects. It’s easy to imagine discussions being had about the “relevance” of the Muppets in the era of reality television and pandering television, as the film portrays with a fictional executive portrayed by Rashida Jones. It seemed like there was a lot of weight riding on the project, both for Segal and the studio, and for Jim Henson’s creations themselves.

I think they can all be extremely proud. I think it’s safe to describe the finished product as the best family film of the past year.

Brush with greatness?

Continue reading

Out With the New: What’s Wrong With A Little Reimagining…?

I have to admit, I’m looking forward to The Muppets. That makes it all the more unfair that I’ll have to wait until 2012 to see it in a cinema – something that breaks my heart just a little bit. However, I’ve been fascinated by some of the discussions generated by the film, particularly with classic “muppet” staff coming out of the woodwork to comment on what they’ve seen of the rebooted muppets so far. Frank Oz has even offered some pretty harsh commentary:

“I wasn’t happy with the script,” he said about his decision to turn down the film. “I don’t think they respected the characters. But I don’t want to go on about it like a sourpuss and hurt the movie.”

There’s been quite a bit of focus around Fozzie the Bear’s “fart shoes” featured in one trailer:

“We wouldn’t do that; it’s too cheap. It may not seem like much in this world of [Judd] Apatow humor, but the characters don’t go to that place,” said one Muppets veteran. Another laments, “They’re looking at the script on a joke-by-joke basis, rather than as a construction of character and story.” Another is even concerned about stepping outside the established mythology saying that the upcoming film “creates a false history that the characters were forced to act out for the sake of this movie.”

I can certainly understand the feeling. However, part of me wonders if we are too concerned with preserving the “integrity”of classic franchises and stories, and if trying to limit the risks taken with them might ultimately be counterproductive.

Driving the franchise to ruin?

Continue reading

Non-Review Review: Despicable Me

I think that, as a general trend, the quality of computer-animated films has increased significantly over the past number of years. I think there are a variety of reasons for this – the most obvious being that it seems to be easier to do, and so more companies are trying; but also because there’s an increasing body of work that offers hints on what to do and how to do it. While Pixar remain the undisputed champions of computer-generated animation, I think we’ve seen an increasing number of high-quality releases from all studios in the past few years. Despicable Mesees a new studio throwing their hat into the ring and it makes for an impressive debut. While there’s still room for improvement, Despicable Me is fast and fun, and remarkably uncynical for a children’s movie about super-villains.

Aiming for the moon...

Continue reading