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Non-Review Review: Bad Neighbours

Bad Neighbours is a serviceable – if unexceptional – comedy. The story of two young parents engaged in a turf war with the college fraternity next door, Bad Neighbours feels somewhat slight, even for its abbreviated ninety-seven minute runtime. The laughs are there, and the movie never outstays its welcome, but there’s a sense that the film spends a considerable amount of its runtime in neutral – ramping up for some wonderful sequences, but never building enough momentum to truly take off.

So you think you can dance...

So you think you can dance…

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Non-Review Review: The Five-Year Engagement

The Five-Year Engagement is the best romantic comedy of 2012 so far. Reuniting the talents of Jason Segel and Nicholas Stoller, the film manages to offer a refreshingly frank and honest perspective of romantic relationships. The interactions feel more organic, the third act crisis is rooted in something more primal and relevant than some idle miscommunication and the resolution isn’t based on the notion that people can inexplicably change. Like Segel and Stoller’s superb Forgetting Sarah Marshall, The Five-Year Engagement is predicated on the assumption that love must mean accepting and embracing your partner for who they are, rather than what you want them to be. It’s a little depressing that this moral feels almost subversive in this day-and-age of formulaic and generic romantic comedies, but there’s no denying that The Five-Year Engagement is head-and-shoulders above most of its competitors.

They’ll get married this year… in a pig’s eye…

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Minor Miracles: Supporting Characters & The Lesson of Hannibal Lecter

“Less is more.” Or so we’re often told at least. It generally seems to be used in a polite way to limit our exposure to things we don’t like. However, I can’t help but wonder if it is true of supporting characters. After all, those interesting side characters in movies that happen to capture our imaginations with a relatively minor roles. Indeed, I reckon that I could probably name more supporting characters I took a shine to, rather than iconic lead characters. While we undoubtedly relish every moment they appear on-screen, and perhaps lament that we only get so limited an exposure to them, I can’t help but wonder of that somewhat restricted presence might be precisely what makes them so appealing in the first place.

Bloody brilliant…

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Non-Review Review: The Muppets

It’s interesting to imagine what the reaction in the room must have been after Jason Segal was asked to name his next project, building off the success of Forgetting Sarah Marshall. The fast-rising actor and writer could have had his pick of any number of features, and yet he chose to work on a revival of The Muppets. After all, these were a group of characters who had enjoyed a reasonable revival with The Muppets Christmas Carol and Muppet Treasure Island in the early-to-mid-nineties, but had seen their fame quickly eroded with a string of poorly-received television and movie projects. It’s easy to imagine discussions being had about the “relevance” of the Muppets in the era of reality television and pandering television, as the film portrays with a fictional executive portrayed by Rashida Jones. It seemed like there was a lot of weight riding on the project, both for Segal and the studio, and for Jim Henson’s creations themselves.

I think they can all be extremely proud. I think it’s safe to describe the finished product as the best family film of the past year.

Brush with greatness?

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