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12 Movie Moments of 2012: Chris Cooper Raps (The Muppets)

As well as counting down the top twelve films, I’m also going to count down my top twelve movie related “moments” of 2012. The term “moment” is elastic, so expect some crazy nonsense here. And, as usual, I accept that my taste is completely absurd, so I fully expect you to disagree. With that in mind, this is #1

If you ever need proof of how delightfully absurd The Muppets was, the sight of Oscar-winner Chris Cooper dancing and rapping across his desk, only to unleash a storeroom full of chorus girls while Jason Segel looks on in confusion should do the trick. It’s a fantastic moment because it’s so ridiculously surreal. Cooper is rapping for about a minute of screen-time, meaning that it’s over before it has really begun – leaving both the characters and the audience wondering what the hell just happened.

In a great way.

themuppets10

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Non-Review Review: The Phantom of the Opera (1943)

The Phantom of the Opera is something of an outlier in the Universal monster movie blu ray collection. It’s the only film in the collection available in colour but, more than that, it’s really the only film in the collection that doesn’t have a serious claim to being the definitive big screen adaptation of its source material. I have to admit I’m a bit disappointed that they didn’t include the 1925 adaptation starring Lon Chaney in the title role, as it’s certainly one of the forerunners to the subgenre that would be launched by Dracula in 1931. The 1943 version of Phantom of the Opera is easily the weakest film in the set. Although not without its charms, it feels just a little bit too mangled and messy to try be a classic horror film.

In the gutter, looking at the stars…

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The Amazing Spider-Man 101: Ultimate or Amazing…

Hey. With about a week to go until the release of The Amazing Spider-Man, we thought we’d publish a quick introductory guide to the latest adventure featuring the webcrawler, for those looking for a bit more trivia on the latest pending superhero release. I’ve had the pleasure of seeing it and, while reviews are embargoed until Friday (unless you’re a major publisher like The Guardian or The Hollywood Reporter apparently), here’s the skinny.

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Batman: Danny Elfman Film Music at the National Concert Hall (Review)

This event was held as part of the Jameson Dublin International Film Festival 2012.

One of the best aspects of the Jameson Dublin International Film Festival is the way that it extends beyond the cinema, into a wider appreciation of film and cinema all around Dublin. From the Jameson Cult Film Club screening of Reservoir Dogs through to the Dublin Film Critics’ Circle awards and even the Untitled screenwriting competition, the eleven-day celebration of cinema seems to encompass all the city and all walks of life. The wonderful folks at the RTÉ Concert Orchestra and the National Concert Hall have a long history of getting into the spirit of the festival, offering high-profile tributes to cinema. Last year, for example, they held a screening of The Four Horsemen of the Apocalypse with a live orchestral accompaniment. This year, they took the penultimate evening of the festival to host a tribute to Danny Elfman, undoubtedly one of the most iconic and influential composers working today. And it was an absolutely brilliant evening.

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