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Non-Review Review: Les Misérables

It’s hard not to admire Les Misérables. It’s the first honest-to-goodness entirely sincere and mostly unironic big budget musical that we’ve seen released in quite some time. While song and dance will always be a part of the movies (The Muppets, for example, carrying many a dainty tune last year), there’s something quite impressive about seeing a music as epic and as iconic as Les Misérables carried across to the big screen. The stage musical became something of a cultural phenomenon on the West End, and Tom Hooper does an effective job of transitioning from stage to screen – even if he doesn’t consistently capitalise on the format shift.

There are some fundamental problems. The second half is a little too awkwardly paced and too disjointed to come together as well as it should, and Hooper seems to have a great deal pitching the right amount of camp (and humour) for an Oscar-bait musical about the aftermath of the French revolution. However, if you can look past those problems, the opening half is a superbly staged musical and the performances are impressive. Including the much maligned Russell Crowe, who might – hear me out – be the best thing about the film.

Sing when you're winning... or at least nominated...

Sing when you’re winning… or at least nominated…

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