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Non-Review Review: Blancanieves

This film was seen as part of the Jameson Dublin International Film Festival 2013.

Blancanieves feels like either a film that has its finger firmly on the pop culture zeitgeist, or the victim of the worst timing. It appears less than a year after The Artist won the Best Picture Oscar, becoming a massive critical and popular success. Given the relative dearth of high-profile silent black-and-white films, Blancanieves is somewhat trapped within that shadow. More than that, though, it emerges following a year that demonstrated popular culture’s fixation on the Snow White story. 2012 saw the release of both Mirror Mirror and Snow White & The Huntsman, both reimaginings of the classic tale. Blancanieves is, for its own part, an adaptation of the fairy tale, and it seems like the story was weighing on the popular imagination.

In any other context, Blancanieves would seem like a breath of fresh air. An affectionate homage to the classic era silent cinema, retelling the Snow White story in an unfamiliar setting, there’s a lot to recommend it. Indeed, Blancanieves is easily the best Snow White adaptation of the past year. Unfortunately, it suffers because it’s not quite as charming, witty and well-constructed as The Artist.

Dark materials...

Dark materials…

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Non-Review Review: Shrek the Third

The biggest problem with Shrek the Third is arguably reflected in its lead character. Despite producing two sequels, making a boatload of money and establishing a massively iconic franchise, it seems like the creators are unwilling to accept their changed reality. Much like the title character refuses to adapt to his new-found circumstances, and the possibility that he will become a father, Shrek the Third refuses to admit that it has essentially become the fairy-tale establishment that it so sorely ridiculed and mocked. The wry and subversive take of fairy tales championed by the original Shrek is no longer on the outside looking in, but on the inside looking out. Shrek the Thirdjust stubbornly refuses to accept that.

Has the franchise lost direction?

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Non-Review Review: Snow White and the Huntsman

Snow White and the Huntsman can’t help but feel like it misses the mark. Its intentions are clear, its objectives very firmly set. It’s an attempt to “reclaim” the age old fairytale for a more modern audience, to revisit all the tropes and the plot devices from the story we all know and rework them so that they speak to today. The result is a massive misfire, as the attempt to craft a feminist fable from the story of Snow White makes the same fatal misstep as Tim Burton’s Alice in Wonderland: just because you put a sword in the hand of your leading female, and just because she wears a suit of armour, does not immediately reinvent her as a feminist icon.

Not quite queen of our hearts…

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Win! Snow White & The Huntsman Goodie Bags!

The wonderful folk over at Universal Pictures Ireland have given us two Snow White and the Huntsman goodie bags to give away. Each goodie bag contains:

  • an Apple clutch bag
  • a T-Shirt
  • an Apple Charm; and
  • a Huntsman bag

They’ve also sent on the following behind-the-scenes videos. They aren’t too spoiler-y (everybody’s familiar with the basic myth) and are actually quite insightful when on the. I have to say, I’m looking forward to seeing how director Rupert Sanders brings the story to life – it certainly looks to have a wonderfully gothic production design.

Purely as an aside, I’m still not used to Chris Hemsworth’s normal speaking voice.

To be in with a chance to win one of the prize packs, fill out the form below.

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Non-Review Review: Mirror, Mirror

With Mirror, Mirror, director Tarsem Singh’s record remains unbroken. He’s still a director with a unique and appealing visual style that is struggling to find a proper output. Here, Singh’s stylish direction struggles against a somewhat tired premise and lazy script, managing to create a feast for the eyes that feels strangely lacking in substance. It’s a bit disappointing, if only because there are some interesting and fascinating ingredients, but they’re overwhelmed by tired cliché, a weak central performance, and a script that feels like it was filmed on the first draft.

Belle Swan...

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Snow White & The Huntsman Trailer

Hi there. Just a quick one. The guys at Universal sent over the new Snow White & The Huntsman trailer earlier, and I’ve included it below. It’s certainly a bit darker and grittier than the other Snow White reimagining being released this year, Mirror Mirror. I’m actually looking forward a bit to both films, if only because they have two very distinct visual identities, and I am interested in fairytale reimaginings and deconstructions. I have to admit to quite liking the imagery with Charlize Theron in the bath of milk. While some might argue two Snow White films within the space of a month is over-saturating the market, I suspect make an interesting comparison. What do you guys think? The trailer’s below.

John Carter: A Disney Prince of Mars

It looks like John Carter didn’t make enough of a splash at the box office to justify a sequel. To tell the truth, I am more than a little disappointed, because I actually enjoyed the cheesy throw-back charm of a science-fantasy epic that didn’t feel the need for irony or wry self-awareness. However, it’s interesting to look at the movie as part of the Disney canon, and measured against the big Disney films released over the last couple of years (and planned through the end of this one). John Carter seems to fit alongside Tron: Legacy as part of a concentrated effort by the studio in recent years to shift away from their traditional “princess”-orientated features and to produce movies aimed at boys.

Boys are from Mars...

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