Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first and second seasons. Check back daily for the latest review or retrospective.
We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.
Dark Mirror was released a few mere months before Crossover was broadcast – one of those moments of pop culture synergy where it turns out that two different individuals can have the same idea, but with infinitely different nuance or emphasis. Indeed, the timing syncs up so well that Crossover actually aired between the hardcover and soft cover printings of Dark Mirror, suggesting that a return to the mirror universe was something of an inevitability for Star Trek, in one form or another.
Duane’s approach to the mirror universe is markedly different to that of writers Michael Piller and Peter Allan Fields, with both Dark Mirror and Crossover taking the ending of Mirror, Mirror and running with it in opposite directions. Piller and Fields used the aftermath of Kirk’s meddling as a means to explore the consequences of interference in a culture that Kirk didn’t quite understand – a mechanism to explore the way that the original Star Trek didn’t seem to grasp moral relativity, and to explore political complexities outside Kirk’s value system.
In contrast, Dark Mirror is a more philosophical meditation on the nature of good and evil, a more metaphysical exploration of a fictional world built around the concept of selfishness and strength, and how such a universe would have to work on different physical laws than that of Star Trek: The Next Generation.
Filed under: The Next Generation | Tagged: crossover, Dark Mirror, Duane, Michael Piller, mirror, picard, Star Trek Next Generation, star trek: deep space nine, StarTrek | 2 Comments »
the m0vie blog 