Advertisements
    Advertisements
  • Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

  • Advertisements

Non-Review Review: A Late Quartet

This film was seen as part of the Jameson Dublin International Film Festival 2013.

Watching A Late Quartet, you can almost read the text the text of the “for your consideration” letters, advertisements and press releases. This is, after all, the story of a classical music quartet dealing with the fallout when their cellist discovers that he is suffering from Parkinson’s disease. The cellist’s announcement that he will be departing the group causes each of the other three members to question their role in the ensemble, and even where their lives have brought them. It is, very much, an invitation for melodrama, and the script takes up that invitation with considerable enthusiasm. However, despite (or perhaps because of) the script’s decision to embrace that melodrama, A Late Quartet serves as a fascinating showcase for a rather wonderful ensemble.

Music, sweet music...

Music, sweet music…

Continue reading

Advertisements

Stan Lee and John Romita’s Spider-Man – The Amazing Spider-Man Omnibus, Vol. 2 (Review/Retrospective)

I loved Stan Lee and Steve Ditko’s Amazing Spider-Man. In fact, I think it might be the most accessible Silver Age comic book that I’ve ever had the pleasure to read. However, all good things must come to an end, and Steve Ditko left the title after thirty-eight issues. As such, the title went through a transitional period, with John Romita Sr. taking over the art on the book. Romita would arguably end up a much more proactive guiding light on Amazing Spider-Man, doing a lot of work outside the main title that undoubtedly helped cement the character’s place in popular culture. There’s a wonderfully “sixties pop” feelings to the issues collected here, even if they feel a bit more conventional than Ditko and Lee’s collaboration. Still, it’s easy to see why The Amazing Spider-Man is among Marvel’s longest-running books.

Reflecting on a fun run…

Continue reading

Dan Slott’s Run on The Amazing Spider-Man – Ends of the Earth (Review)

While Ends of the Earth might not work quite as well as Dan Slott’s other epic from his Amazing Spider-Man run, Spider-Island, it does succeed in playing to the writer’s strengths with the character. It seems like Slott is fascinated with how Spider-Man interacts with the world – both in terms of the other fictional constructs of the shared Marvel Universe, but also in how the character tries to make his world a better place through more than beating up bad guys. Apocryphally, Stan Lee once argued that comic book fans don’t want change, but “the illusion of change”, and Slott manages to do something which almost seems impossible. He offers a take on the web-crawling wonder that is by turns classic and yet boldly new.

The last sand…

Continue reading

J. Michael Straczynski’s (and Mike Deotado’s) Run on the Amazing Spider-Man – The Best of Spider-Man, Vol. 4-5 (Review/Retrospective)

Opinion is somewhat divided on J. Michael Straczynski’s Amazing Spider-Man run. the general consensus is that started strong, but that it lost its way somewhere along, before culminating in the much-maligned One More Day arc that effectively wiped decades of character development for Peter Parker and his cast. More importantly for the author of One More Day, it also completely wiped out a large volume of his contributions to the character – which is a bit of a shame. Straczynski’s Amazing Spider-Man would get tied up in various crossover “event” storylines like The Other, Civil War and Back in Black, to the point where Straczynski’s run went from being driven by the author’s own ideas to being dictated by editorial whim.

The start of the writer’s work with artist Mike Deodato seems to be where Straczynski was placed on a somewhat tighter editorial leash, with Sins Past mangled in the back-and-forth between author and editorial, perhaps a sign of things to come. It’s telling that it remains one of the most controversial facets of Straczynski’s run, even today.

Is it still a blast?

Note: This review or retrospective covers Straczynski’s run with artist Mike Deodato up until the “Other” crossover event. It doesn’t take up the full fourth hardcover, but it starts with the Sins Past story arc. Just so you know.

Continue reading

J. Michael Straczynski’s (and John Romita Jr.’s) Run on the Amazing Spider-Man – The Best of Spider-Man, Vol. 3-4 (Review/Retrospective)

I honestly believe that had J. Michael Straczynski’s Amazing Spider-Man run ended with his collaborator John Romita Jr., his time on Marvel’s iconic web-crawler would have gone down as one of the great runs. Sure, it is flawed – sometimes significantly so. However, if you divorce it from Sins Past and the mess of crisis crossover tie-in issues and awkward continuity reboots that followed, Straczynski’s early run was bold, exciting and entertaining enough to get away with doing something relatively new to Peter Parker. Given that the run includes the five hundredth issue headlined by the hero, that’s quite an accomplishment in-and-of itself. It’s not perfect, and I don’t think it’s as strong as many of the runs happening simultaneously at Marvel, but it is an intriguing direction for the pop culture icon.

How many iconic villains do you spy dere?

Note: The fourth hardcover also includes the start of Mike Deodato’s run. I am going to cover those issues separately. This review or retrospective is going to be concerned with the second half of the collaboration between John Romita and J. Michael Straczynski, culminating in The Amazing Spider-Man #508.

Continue reading

J. Michael Straczynski’s (and John Romita Jr.’s) Run on the Amazing Spider-Man – The Best of Spider-Man, Vol. 1-2 (Review/Retrospective)

It’s easy to forget just how iconoclastic that early parts of the new millennium were at Marvel. The comic company was in the midst of recovering from its bankrupcy, and was going throw a massive creative shake-up. Many would argue that the late nineties represented the company’s creative nadir, and there was a very definite sense of change in the air. Some of that change involved a radical restructuring of core concepts, placing them in the hands of more radical creators.

The early part of the last decade gave us Peter Milligan on X-Force, Grant Morrison on New X-Men and Garth Ennis on Marvel Knights: Punisher. It also saw a number of big-name creators working on these characters. Kevin Smith wrote the introductory arc of the new Daredevil book. While J. Michael Straczynski’s Amazing Spider-Man has a controversial and divisive legacy, it was a product of those times. While it was flawed even in its early days, it’s still a bold re-working of an iconic comic book mythos.

King of the swingers…

Continue reading

The Amazing Spider-Man by David Michelinie & Todd McFarlane Omnibus (Review/Retrospective)

The Amazing Spider-Man by David Michelinie & Todd McFarlane Omnibus is a fun comic book collection. Todd McFarlane was one of the rising stars at Marvel in the late eighties, and it’s no exaggeration to suggest that his work on The Amazing Spider-Man (along with Jim Lee’s work on Uncanny X-Men) had a massive influence on how the company would develop during the nineties. McFarlane’s artwork still looks absolutely superb, but it’s easy to forget that McFarlane worked for an extended period with author David Michelinie, crafting stories for the iconic web-crawler. While the stories and characterisation might not have been as strongly influential as McFarlane’s artwork, they still remain impressive until today. This might not be the finest or most important collection of Spider-Man adventures ever collected, but it reads incredibly fluidly and has a great sense of fun behind it.

Itsy-bitsy Spider...

Continue reading