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New Escapist Video! On the Snyder Cut and the Future of Pandemic Cinema…

So, as I have mentioned before, I am launching a new video series as a companion piece to In the Frame at The Escapist. The video will typically launch with the Monday article, and be released on the magazine’s YouTube channel the following week. This month, it will be releasing on the Thursday.

With that in mind, here is last week’s episode, covering the long-looming release of The Snyder Cut of Justice League, and why this might represent an attractive model for studios desperately looking for new (and affordable) content in the midst of a pandemic.

New Escapist Column! On the Snyder Cut and the Future of Pandemic Production…

I published a new In the Frame piece at The Escapist this evening. With news that Zack Snyder will be reuniting with actors like Henry Cavill, Ben Affleck and Gal Gadot to shoot new scenes for his long-gestating cut of Justice League.

Although there’s been some understandable confusion at the news that Snyder will be shooting new footage to extend his planned film into a miniseries, the reality of Justice League is that it represents one possible path through the pandemic for Hollywood studios, allowing for the production of a blockbuster-level spectacle both for a reasonable budget and in relative safety. As the industry braces for an uncertain future, Zack Snyder’s Justice League might represent an unlikely model for the medium-term.

You can read the piece here, or click the picture below.

New Escapist Column! On “The Snyder Cut” and Superhero Apocrypha…

I published a new In the Frame piece at The Escapist this evening. Over the weekend, some new details came to light about Zack Snyder’s plans to restore his original vision for Justice League, particularly the assertion that it would not be “canon” with Warners’ other superhero films.

To a certain extent, this is obvious. There is no way to make Snyder’s version of Justice League fit with the films that followed, like Aquaman or Shazam! However, it’s a somewhat bolder statement. Since the emergence of the Marvel Cinematic Universe, the shared universe has been treated as a romantic ideal towards which these films should aspire. Indeed, a large part of the justification for recutting Snyder’s film was to protect the brand. As such, it seems appropriate that The Snyder Cut rejects the idea of the canon for apocrypha.

You can read the piece here, or click the picture below.

New Escapist Column! On How “The Snyder Cut” Went From Impossibility to Inevitability…

I published a new In the Frame piece at Escapist Magazine this evening. The big news this past week has been that Zack Snyder has been given $30m to finish his cut of Justice League.

This is quite a complicated matter. There’s a lot of discussion and debate around it, about what this means for the future of Hollywood. However, the news about the release of The Snyder Cut is down to a number of unique factors aligning in completely unpredictable ways, meaning that a project like this one went from being the last thing that Warners would want to being exactly what they needed. In the course of a few months, the Snyder Cut morphed from seeming impossibility to inevitability. That is an incredible turnaround.

You can read the piece here, or click the picture below.

 

New Podcast! Talking “Justice League” with Speakin’ Geek!

So, much to the relief of Andrew Quinn, Justice League did not make The 250.

Nevertheless, the wonderful Graham Day thought it might be interesting to discuss it with me. He very kindly invited me to guest on his podcast Speakin’ Geek for a follow-up to our discussion of Man of Steel and Batman vs. Superman on the crossover episode between Speakin’ Geek and The 250.

You can hear what I thought about Justice League below.

Non-Review Review: Justice League

The Parademons, the monstrous zombie bugs at the heart of Justice League, smell fear. It is a lucky thing that they don’ smell desperation, because otherwise they’d eat the movie alive.

Justice League is not a movie so much as a two-hour attempt at atonement. It is an extended apology from Warner Brothers to the most vocal internet denizens, an obvious attempt to backpedal away from the controversial and divisive (and provocative) attempts to jump-start their shared comic book universe with Man of Steel and Batman vs. Superman. Richard Donner’s Superman inspired audiences to believe that a man could fly; Justice League serves as evidence that a film franchise can grovel.

The Just Us League.

Justice League is contrite and submissive. Anything resembling a jagged edge has been carefully sanded down, anything resembling a unique identity stripped from the film. Justice League has listened to the internet’s overblown criticisms of Man of Steel and Batman vs. Superman, and decided that the best response is to offer something generic and appeasing. Justice League has the feeling of a studio mandated checklist captured on celluloid, a list comprised primarily of “don’t”s; don’t run over two hours, don’t be so dark, don’t be pretentious, don’t be political.

The result is a movie that feels defined by what it isn’t, an empty space much larger than that created by the absence of Superman. It is a movie without any ambition or any personality. It wants so desperately to be loved, but ultimate feels hollow.

Out of their League.

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Geoff Johns’ Run on Justice League – Throne of Atlantis (Review/Retrospective)

23rd July is Batman Day, celebrating the character’s 75th anniversary. To celebrate, this July we’re taking a look at some new and classic Batman (and Batman related) stories. Check back daily for the latest review.

Geoff Johns on Justice League should be one of the defining superhero comic books of the twenty-first century.

After all, Johns has done a lot to define DC over the past decade or so. Johns is one of the defining voices in superhero comics. He has enjoyed long and successful runs on iconic characters. His work sells well and has generally garnered positive reviews over the course of his career. Johns knows how to “centre” a character and to help cut to their core. 52 is generally regarded as a high watermark of twenty-first century DC comics, and Johns is the only one of the four authors still consistently working at DC comics.

Everybody out of the water!

Everybody out of the water!

So putting Geoff Johns on Justice League is a no-brainer. Indeed, many fans had been expecting a high-profile run from Geoff Johns on the title long before the “new 52” relaunch. Given Johns’ successful runs on Action Comics, Green Lantern and The Flash, writing all of these characters together should be a recipe for success. When it was announced that writer Geoff Johns and artist Jim Lee would be handling the relaunched Justice League title, it seemed like a veritable worldbeater of a title.

In sales terms, Johns’ Justice League remains a success. However, it has been less satisfying from a creative standpoint. Artist Jim Lee departed the book after a year – with several fill-in artists along the way. However, even with DC drafting Ivan Reis to replace Lee, Justice League is not as satisfying as it should be. There are lots of reasons for this, but the biggest problem with Johns’ Justice League is that it always seems so fixated on what is happening next that it never appreciates the moment.

She really sweeps him off his feet...

She really sweeps him off his feet…

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Mark Waid’s Run on Justice League of America – Tower of Babel (Review/Retrospective)

23rd July is Batman Day, celebrating the character’s 75th anniversary. To celebrate, this July we’re taking a look at some new and classic Batman (and Batman related) stories. Check back daily for the latest review.

Although actually published in 2000, Tower of Babel is the third definitive Batman story of the nineties. Running only four issues instead of a massive sprawling crossover across an entire line of comic books, Tower of Babel is certainly more condensed than either Knightfall or No Man’s Land, hitting on many of the same themes and concepts. It is very much constructed as a cautionary tale – a warning about taking a particularly cynical approach to Batman to its logical extreme.

Due to his stand-off-ish nature, the nineties iteration of Batman is sometimes affectionately (or not so affectionately) referred to a “Batjerk.” This version of the character has a wonderful knack of pushing his friends and allies away, making enemies, and escalating problems due to arrogance and ego. In many respects, Tower of Babel is a quintessential “Batjerk” story, where Batman’s anti-social tendencies lead to the humiliation and defeat of the entire Justice League using his own plans.

The last temptation of Batman...

The last temptation of Batman…

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Batman: The Brave and the Bold – Battle of the Superheroes (Review)

To celebrate the release of Man of Steel this month, we’re going Superman mad. Check back daily for Superman-related reviews.

Batman and Superman. It’s a great combination, like cookies and cream or spaghetti and meatballs or… feel free to insert your own analogy here. The two characters are two of the oldest and most enduring superheroes, both owned by the same company. They also both embody two very different ideals. Batman is a pulp action hero in a silly outfit with gothic trappings, while Superman is an alien from another world dressed in primary colours. Pairing the two up to compare and contrast is great fun.

Battle of the Superheroes focuses on Batman and Superman as friends and colleagues, a portrayal which seems somewhat dated. After all, ever since Frank Miller wrote The Dark Knight Returns, the tendency has been to treat the pair as grudging allies rather than bosom buddies. Still, the Silver Age aesthetic of The Brave and the Bold suits this approach well, and it’s hard not to get swept up in the wry enthusiasm of it all.

Superhero team-up time...

Superhero team-up time…

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Justice League: The Nail (Review)

To celebrate the release of The Man of Steel this month, we’re going Superman mad. Check back daily for Superman-related reviews.

What would comics look like without Superman? The character is so iconic and influential and omnipresent that it’s a fun thought experiment to take him out of the DC universe and watch the narrative threads unravel. Alan Davis is a pretty incredible artist. He’s done great work with writers like Mike W. Barr (on an underrated Detective Comics run) and Chris Claremont (on Excalibur). However, he may not have been the best choice to write this three-part Justice League of America Elseworld. It’s a great concept, but the execution leaves a little to be desired.

Is somebody missing?

Is somebody missing?

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