Ellen Ripley | the m0vie blog

259. Alien – Halloween 2021 (#52)

Posted on October 30, 2021 by Darren

Hosted by Andrew Quinn and Darren Mooney, and this week with special guests Doctor Bernice Murphy and Joey Keogh, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, a Halloween treat: Ridley Scott’s Alien.

A mysterious signal from deep space awakens the crew of the shipping vessel Nostromo. Following standing orders to respond, the crew find themselves drawn to a hostile and barren world. They track the signal to the wreckage of a strange and mysterious craft. However, there might just be something sinister stirring deep within that wreckage.

At time of recording, it was ranked 52nd on the list of the best movies of all time on the Internet Movie Database.

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Filed under: The 250 | Tagged: alien, bernice murphy, body horror, capitalism, Dan O'Bannon, doctor bernice murphy, Ellen Ripley, femininity, gender, halloween, horrorm, joey keogh, ridley scott, signourney weaver, space, The 250, the monstrous feminine, Veronica Cartwright, xenomorph | Leave a comment »

New Escapist Column! On James Cameron’s “Aliens” as a Challenge to Ridley Scott’s “Alien”…

Posted on July 5, 2021 by Darren

I published a new In the Frame piece at The Escapist this evening. James Cameron’s Aliens is thirty-five years old this July, so it seemed like a good opportunity to take a look back at one of the best sequels ever made.

Aliens works in large part because it’s smart enough to avoid directly challenging Alien, in that it avoids simply recycling the original formula with a shift in location or with a new cast. Instead, it offers a very different approach to the core material. More than that, James Cameron positions Aliens as a direct challenge to Alien, deliberately and pointedly inverting some of the core themes of the original film. This choice enriches both films, turning Alien and Aliens into a conversation.

You can read the piece here, or click the picture below.

Filed under: On Second Thought | Tagged: alien, aliens, Ellen Ripley, feminism, Fox, horror, james cameron, ridley scott, Ripley, science fiction, sequel, sequels, themes | Leave a comment »

Non-Review Review: Oz – The Great & Powerful

Posted on March 7, 2013 by Darren

Oz: The Great & Powerful is a fabulous production. A few minor misgivings aside, it looks and sounds fantastic. Sam Raimi has done the best job bringing Oz to the screen since the original version of The Wizard of Oz all those decades ago. In its best moments, there’s an enthusiasm and a lightness of touch that fits the material perfectly and captures the wonder that we associate with Oz. It’s very clear that a lot of love and care was put into the production design of the film, and that Sam Raimi’s hand moved with the utmost consideration and affection for the original film. It makes it a little disappointing, then, that the script to Oz: The Great & Powerful should feel so undercooked, more like an early draft than a finished screenplay.

Up in the air or down to earth?

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Filed under: Non-Review Reviews | Tagged: cgi, Dorothy Gale, Ellen Ripley, film, Great Comet, James Franco, Land of Oz, mila kunis, Movie, Movies, oz, oz the great and powerful, oz: the great & powerful, rachel weisz, Raimi, review, sam raimi, spider man, the great and powerful oz, tim burton, Wizard of Oz | 2 Comments »

On Second Thought: Alien Resurrection (Special Edition)

Posted on June 8, 2012 by Darren

To celebrate the release of Prometheus in the United States this week, we’ll be taking a look at the other movies in the Alien franchise.

So this is Earth, huh?

This is Earth.

– Call and Ripley try not to sound too disappointed…

I am not the biggest fan of Alien: Resurrection. I think it is, to be frank, a mess of a film – the result of a director and a writer who seem a very poor fit for one another, with Jeunet’s macabre design aesthetic at odds with Whedon’s sardonic irony. It would take a fairly radical reworking of the film to solve that fair fundamental tonal dissonance… and the Special Edition is not that much of a reworking. Indeed, Jeunet himself has gone of record stating that his own definitive version the film was the original theatrical cut. He introduces the Special Edition on the superb anthology collection with that confession, “The special edition version you are about to watch is not the director’s cut, because the director’s cut is the version you watched in theatres in 1997.”

So it’s no surprise that while the Special Edition does add a bit more shading, nuance and complexity to the film, it doesn’t salvage it.

Not quite what the doctor ordered…

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Filed under: Movies, On Second Thought | Tagged: alien, alien 3, Alien Resurrection, Computer-generated imagery, david fincher, directors cut, Eiffel Tower, Ellen Ripley, Jean-Pierre Jeunet, ridley scott, Ripley, United States, Walmart | Leave a comment »

Non-Review Review: Alien vs. Predator – Requiem

Posted on June 7, 2012 by Darren

To celebrate the release of Prometheus in the United States this week, we’ll be taking a look at the other movies in the Alien franchise.

Alien vs. Predator: Requiem is pretty close to indefensible. I’m not the biggest fan of the original Alien vs. Predator, but I’ll concede the film throws a few interesting ideas into a disappointingly generic and less-than-enthusiastic monster mash run-around. While the first film wasn’t original, it at least looked to acknowledge its hokeyness in places. In contrast, the sequel is just soul-destroyingly mundane, taking anything that had been unique or compelling or interesting about these two iconic movie monsters and rendering it all completely pointless as it devolves them to the equivalent of generic teenager slasher villains.

Death of a franchise…

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Filed under: Non-Review Reviews | Tagged: alien, alien vs. predator, Aliens vs. Predator: Requiem, Brothers Strause, Ellen Ripley, film, james cameron, Jason Voorhees, Jesus, Motion Picture Association of America film rating system, Movie, non-review review, Paul W.S. Anderson, predator, Prometheus, review, ridley scott | 13 Comments »

Non-Review: Alien Resurrection (Theatrical Cut)

Posted on June 1, 2012 by Darren

To celebrate the release of Prometheus this week, we’ll be taking a look at the other movies in the Alien franchise.

I always feel a little hint of trepidation when I return to a movie that I know I didn’t like the first time. Part of me is reluctant to watch it again, even for the purposes of examining what exactly went awry during production, while some small part of me holds out hope that the film might be redeemed – that I might somehow magically get it the second time around. So, completing a marathon rewatch of Ridley Scott’s Alien and the sequels it spawned, I left Alien: Resurrection until last.

Unfortunately, it was just as flawed and messy as I remember it.

Reflecting on his behaviour…

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Filed under: Non-Review Reviews | Tagged: alien, Alien Resurrection, Brad Dourif, business, Ellen Ripley, film, Franchising, Girl With the Dragon Tattoo, james cameron, Jean-Pierre Jeunet, joss whedon, Movie, non-review review, Opportunities, Prometheus, review, ridley scott, Ripley, sigourney weaver, Weyland-Yutani | 2 Comments »

On Second Thought: Alien³ (The Assembly Cut)

Posted on May 31, 2012 by Darren

To celebrate the release of Prometheus this week, we’ll be taking a look at the other movies in the Alien franchise.

Alien and Aliens are, quite rightly, considered classics of the science-fiction horror subgenre, superbly constructed examinations of the monsters lurking in the darkness. Unfortunately, the two sequels, Alien³ and Alien Resurrection are not so highly regarded. One would imagine that producing a film about a monster in the future really wouldn’t be that difficult, but the films were both dogged by their own pre-production turmoil. In particular, this third film went through several painful iterations before reaching the big screen – and, even then, there was a sense that nobody was especially happy with the result.

However, this series of films has also benefited from a great deal of affection, attention and examination from both creators and fans. As such, it isn’t really a surprise that even the creators have returned to help patch them up from time to time, lovingly repairing and restoring and updating the installments in this landmark franchise. While Alien³: The Assembly Cut is not a literal Director’s Cut, it does afford the viewer a rare insight into what David Fincher’s version of the film might have looked like.

Back against the wall…

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Filed under: On Second Thought | Tagged: alien, alien 3, alien 3: the assembly cut, Alien³, Celibacy, Clemens, Clerical celibacy, david fincher, Dillon, directors cut, Ellen Ripley, film, Fincher, Health, james cameron, Legion of Christ, People, ridley scott, Ripley, sexuality, Shopping, sigourney weaver, the assembly cut | 12 Comments »

Non-Review Review: Aliens (Theatrical Cut)

Posted on May 29, 2012 by Darren

To celebrate the release of Prometheus this week, we’ll be taking a look at the other movies in the Alien franchise.

I think Aliens might be my favourite James Cameron movie. Of course, the guy has any number of iconic movies vying for that position – The Terminator and Terminator 2 both come to mind, for example – but I can’t help but admire how efficiently the director constructed his first big budget motion picture. Regardless of its place within an iconic science-fiction franchise, Aliens is practically a guidebook on how to effectively construct a movie, from writing the script to directing the action and absolutely everything in between. It’s hard to look at Aliens as anything less than a complete triumph, no matter which angle you examine the film from.

Queen bee…

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Filed under: Non-Review Reviews | Tagged: alien, aliens, avatar, Banquette, bishop, Blu-ray Disc, Burke, Cameron, Christopher Nolan, David Giler, Ellen Ripley, film, hicks, james cameron, List of Alien characters, Marine, Michael Biehn, Movie, non-review review, review, ridley scott, Ripley, Ripley's Believe It or Not!, sigourney weaver, space, terminator, Terraforming, United States, United States Marines | 3 Comments »

On Second Thought: Alien (Director’s Cut)

Posted on May 28, 2012 by Darren

To celebrate the release of Prometheus this week, we’ll be taking a look at the other movies in the Alien franchise.

Alien: The Director’s Cut is a curious beast. It’s more of an alternate cut than a director’s cut of Ridley Scott’s iconic Alien. It actually runs a few seconds shorter than the original theatrical cut of the film, although it contains more than five minutes of different footage. While five minutes of footage can have a significant impact on the final cut of a film, I’d be hard-pressed to argue that they add considerable depth to Scott’s science-fiction masterpiece. Aliens: The Special Edition re-inserted scenes that expanded and developed the themes of Cameron’s sequel, while Alien³: The Assembly Cut offers a glimpse of a movie far different from the one released. In contrast, Alien: The Director’s Cut… doesn’t really do much of anything. It’s just an alternative to the theatrical edition.

Ship shape?

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Filed under: On Second Thought | Tagged: alien, blade runner, Dallas, directors cut, Ellen Ripley, james cameron, List of Alien characters, Prometheus, Ridley, ridley scott, Ripley, Scott, sigourney weaver | 15 Comments »

Post-Modern Prometheus: Ridley Scott’s Alien “Prequel” and Shared Universes…

Posted on February 1, 2011 by Darren

So, what exactly is Ridley Scott’s upcoming Prometheus? The director was all set to make an Alien prequel a few months ago, but all the rumours coming out of the production seem to be throwing me for a loop – I’m not quite sure what to make of them. To quote Scott himself:

While Alien was indeed the jumping off point for this project, out of the creative process evolved a new, grand mythology and universe in which this original story takes place. The keen fan will recognize strands of Alien’s DNA, so to speak, but the ideas tackled in this film are unique, large and provocative. I couldn’t be more pleased to have found the singular tale I’d been searching for, and finally return to this genre that’s so close to my heart.

We’ll spot “strands of Alien’s DNA”, but it’s a “new, grand mythology”? I’m not quite sure what to expect of it. And that, to be honest, excites me quite a bit.