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Non-Review Review: (Seeking) Justice

The premise of Justice (or Seeking Justice, as it is named in the States) is not fundamentally unworkable. The basic plot seems almost like an affectionate homage to Hitchcock, with people essentially trading motivations for murder, with a mysterious organisation (known as “the Organisation”) offering people a chance for revenge against the person who hurt them – but with a caveat. If they do you a favour, you will have to do them a favour later on. It’s not a bad premise for a revenge thriller, but the problem with Justiceis that it takes itself far too serious, and expects us to do the same. What could have been a cheesy-yet-enjoyable thriller becomes an overly long and self-important waste of time.

Cage rage!

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Looking at it Sideways: 2012, The Year of Unconventional Franchise Narratives…

By now I think we’ve all become quite familiar with the cycle of Hollywood movie franchises. I’m not inherently opposed to the concept – I think that Sturgeon’s Law applies at least as much to original and independent films as it does to big-budget franchise films. The prospect of movie sequels, reboots, prequels and remakes isn’t a new thing, after all. Hollywood has always had a tendency to emulate financially successful movies, finding a way to exploit the movie property to maximise the profit off the back of it. It’s an inherently commercial prospect, but virtually any form of mass media must be in order to be viable. However, I’ve been fascinated with how the Hollywood franchise train seems to be working this year – it seems like we’ve been getting stuff that’s a little different than the conventional reboots, sequels and remakes.

It’s a whole other universe out there…

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Non-Review: Alien Resurrection (Theatrical Cut)

To celebrate the release of Prometheus this week, we’ll be taking a look at the other movies in the Alien franchise.

I always feel a little hint of trepidation when I return to a movie that I know I didn’t like the first time. Part of me is reluctant to watch it again, even for the purposes of examining what exactly went awry during production, while some small part of me holds out hope that the film might be redeemed – that I might somehow magically get it the second time around. So, completing a marathon rewatch of Ridley Scott’s Alien and the sequels it spawned, I left Alien: Resurrection until last.

Unfortunately, it was just as flawed and messy as I remember it.

Reflecting on his behaviour…

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