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On Second Thought: Alien Resurrection (Special Edition)

To celebrate the release of Prometheus in the United States this week, we’ll be taking a look at the other movies in the Alien franchise.

So this is Earth, huh?

This is Earth.

– Call and Ripley try not to sound too disappointed…

I am not the biggest fan of Alien: Resurrection. I think it is, to be frank, a mess of a film – the result of a director and a writer who seem a very poor fit for one another, with Jeunet’s macabre design aesthetic at odds with Whedon’s sardonic irony. It would take a fairly radical reworking of the film to solve that fair fundamental tonal dissonance… and the Special Edition is not that much of a reworking. Indeed, Jeunet himself has gone of record stating that his own definitive version the film was the original theatrical cut. He introduces the Special Edition on the superb anthology collection with that confession, “The special edition version you are about to watch is not the director’s cut, because the director’s cut is the version you watched in theatres in 1997.”

So it’s no surprise that while the Special Edition does add a bit more shading, nuance and complexity to the film, it doesn’t salvage it.

Not quite what the doctor ordered…

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On Second Thought: Aliens (Director’s Cut)

To celebrate the release of Prometheus in the United States this week, we’ll be taking a look at the other movies in the Alien franchise.

It seems that James Cameron’s Director’s Cut of Aliens is the only alternate cut of an Alien film preferred by any of the directors. Ridley Scott has gone on record stating that he considers Alien: The Director’s Cut to be an “alternative” cut of the film intended for long-time fans. David Fincher has explained that the only way he’d produce a version of Alien³ that he’d be happy with was if he were to shoot it from scratch. Jean-Pierre Jeunet believes that the theatrical cut of Alien: Resurrection is his preferred version of the film. So it seems that Cameron is the only director who has been able to successfully reintegrate material to produce what he feels to be a definitive version of the film.

And, to be honest, I’d agree. Aliens: The Director’s Cut is probably the best example of how to enhance an already superb film through the addition of previously excised material.

On LV-426, everyone can hear you scream…

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Non-Review: Alien Resurrection (Theatrical Cut)

To celebrate the release of Prometheus this week, we’ll be taking a look at the other movies in the Alien franchise.

I always feel a little hint of trepidation when I return to a movie that I know I didn’t like the first time. Part of me is reluctant to watch it again, even for the purposes of examining what exactly went awry during production, while some small part of me holds out hope that the film might be redeemed – that I might somehow magically get it the second time around. So, completing a marathon rewatch of Ridley Scott’s Alien and the sequels it spawned, I left Alien: Resurrection until last.

Unfortunately, it was just as flawed and messy as I remember it.

Reflecting on his behaviour…

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Non-Review Review: Amélie

I feel a little bit heartless in confessing this, but Amélie (or Le fabuleux destin d’Amélie Poulain, to use its original title), never really connected with me. Don’t get me wrong, I can appreciate the film’s wonderful visual style, and those amazing opening scenes with a young Amélie growing up the way she did thanks to the strange and particular set of circumstances around her, but I couldn’t maintain that emotional connection through the film. Which is a shame, because the movie is a wonderful technical accomplishment, from its heavily saturated primary colours through to its distinctive score, and the manner at which it plays with the fourth wall.

Making a splash...

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