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Non-Review Review: Alien vs. Predator – Requiem

To celebrate the release of Prometheus in the United States this week, we’ll be taking a look at the other movies in the Alien franchise.

Alien vs. Predator: Requiem is pretty close to indefensible. I’m not the biggest fan of the original Alien vs. Predator, but I’ll concede the film throws a few interesting ideas into a disappointingly generic and less-than-enthusiastic monster mash run-around. While the first film wasn’t original, it at least looked to acknowledge its hokeyness in places. In contrast, the sequel is just soul-destroyingly mundane, taking anything that had been unique or compelling or interesting about these two iconic movie monsters and rendering it all completely pointless as it devolves them to the equivalent of generic teenager slasher villains.

Death of a franchise…

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Non-Review Review: Alien vs. Predator

To celebrate the release of Prometheus in the United States this week, we’ll be taking a look at the other movies in the Alien franchise.

I like cheesy movies. I have a fondness for those old fashioned mix-and-match creature features from back in the day. I have a remarkable tolerance for some of those incredibly awkward B-movie adventures featuring relatively bland characters trapped in a strange and slightly illogical situations. As such, I’m probably a bit fonder of Paul W.S. Anderson’s creature-feature fight-night beat-’em-up schlock-fest Alien vs. Predator. I’m not so fond that I’d argue it’s a good movie – in fact, I’d readily concede that it’s a disappointing lifeless husk of a movie. However, I will concede that there are some interesting concepts and ideas buried quite deeply in the middle of that film.

Natural born predators…

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Non-Review Review: The Three Musketeers (2011)

“Guilty pleasure.” That’s a phrase that feels strangely appropriate when referring to Paul W.S. Anderson’s The Three Musketeers. It’s silly and daft, and has two fairly fundamental flaws, on top of the cheesiness that’s going to divide audiences straight down the middle. However, despite these fairly central and hard-to-avoid problems, it also features a knowing self-awareness, an appealingly straight-forward approach to the fact that is so very silly, a (mostly) great cast and some rather wonderful steam-punk production design. It’s not going to appeal to everybody, but I actually warmed quite a bit to it.

Four of a kind?

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