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New Escapist Video! On “Mortal Kombat: Annihilation” as the First Fan Service Blockbuster…

So, as I have mentioned before, I am launching a new video series as a companion piece to In the Frame at The Escapist. The video will typically launch with every second Monday article, and be released on the magazine’s YouTube channel the following week. This is kinda cool, because we’re helping relaunch the magazine’s film channel – so if you can throw a subscription our way, it would mean a lot.

This week, following the release of Mortal Kombat, we thought we’d give audiences what they really wanted. Yes, that’s right: a deep dive on Mortal Kombat: Annihilation.

New Podcast! The Escapist Movie Podcast – “Is Mortal Kombat a Knock-Out?”

The Escapist have launched a movie podcast, and I was thrilled to join Jack Packard and Jesse Galena for the thirteenth episode of the year, for a jam-packed discussion that covered Mank, the Oscars and Mortal Kombat.

You can listen to back episodes of the podcast here, click the link below or even listen directly.

New Escapist Column! On the “Mortal Kombat: Annihilation” as the First Fan Service Blockbuster…

I published a new In the Frame piece at The Escapist this evening. With the release of Mortal Kombat over the weekend, it seemed like as good a time as any to take a look back at the earlier nineties iteration of the cinematic franchise.

In particular, Mortal Kombat: Annihilation is a much more interesting movie than is often acknowledged. It is a complete disaster in just about every sense, but is a revealing one. Watched from remove of two decades, Annihilation often feels like a template for the sort of fan service blockbuster that we now take for granted, with its broad themes of “family” and its plot that serves primarily as an object on which continuity references and nostalgic shoutouts might be ornately arranged.

You can read the piece here, or click the picture below.

 

232. Mortal Kombat: Annihilation (-#78)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guests Richard Drumm and Niall Glynn, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, John R. Leonetti’s Mortal Kombat: Annihilation.

Liu Kang, Sonya Blade and Johnny Cage have just won the Mortal Kombat tournament, saving Earthrealm from Outworld. However, the villainous Shao Kahn does not accept victory so easily. Breaking the rules of the tournament, Kahn and his army of monsters launch a full-scale invasion of Earth. Can our heroes stop “the merger” in time?

At time of recording, it was ranked 78th on the list of the worst movies of all time on the Internet Movie Database.

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New Escapist Video! “Mortal Kombat – Review in 3 Minutes”

I’m thrilled to be launching 3-Minute Reviews on Escapist Movies. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a three-minute film review of the new Mortal Kombat movie that is now available in cinemas and on HBO Max.

New Podcast! The Escapist Movie Podcast – “Was Mortal Kombat a Video Game Movie Klassic?”

The Escapist have launched a movie podcast, and I was thrilled to join Jack Packard and KC Nwosu for the seventh episode of the year. We talk about the various permutations of Mortal Kombat and the Netflix movie Space Sweepers.

You can listen to back episodes of the podcast here, click the link below or even listen directly.

New Escapist Column! On the Appeal of Paul W.S. Anderson’s “Mortal Kombat”…

I published a new column at The Escapist yesterday. With the new trailer for the rebooted Mortal Kombat, it felt like the perfect opportunity to take a look back at Paul W.S. Anderson’s 1995 original.

Recent years have seen a reassessment of Anderson as a director, frequently celebrating his understanding of the field in which he operates. Anderson’s Mortal Kombat is unapologetic pulp, and pitches itself perfectly at that level. Anderson understands that the key to faithfully adapting Mortal Kombat is not fidelity to continuity, but instead an appreciation of what audience and players actually love about the series. It exists in marked contrast to the version that Mortal Kombat suggested by the new trailer.

You can read the piece here, or click the picture below.

New Podcast! The Escapist Movie Podcast – “Why Ruin a Cap on a Perfectly Good Tenure?”

The Escapist have launched a movie podcast, and I was thrilled to join Jack Packard and Will Cruz for the third episode of the year. We talked about the announced Wonka prequel film from Warner Bros., the rumours that Chris Evans might return to the Captain America role, and the difference in watching in a pandemic.

You can listen to the episode here, back episodes of the podcast here, click the link below or even listen directly.

Iron Fist – Immortal Emerges From Cave (Review)

Immortal Emerges From Cave might just be the best episode of the first season of Iron Fist.

Of course, Immortal Emerges From Cave is not a good episode of television. It is bedevilled by all the other issues with Iron Fist, from inconsistent characterisation to dead-end subplots to pacing issues. It even adds a few new problems of its own, especially with a ham-fisted and ill-judged attempt to bring the character of Bride of Nine Spiders into live action. Immortal Emerges From Cave is unlikely to make much of an impression, and it certainly doesn’t rank with the other best episodes of the Marvel Netflix series.

“Three men enter! One man (or two men) leave!”

At the same time, Immortal Emerges From Cave is the episode of Iron Fist that perhaps comes closest to fulfilling its own ambition. Immortal Emerges From Cave is a relatively self-contained narrative in the middle of the season, in which Danny finds himself forced to compete in a tournament against the Hand in order to save an innocent life. It is a hokey premise, but one that leads to a series of fairly middling set pieces in which Danny Rand works his way through various “levels” in pursuit of his goal.

Immortal Emerges From Cave feels very much like some forgotten z-list direct-to-video martial arts film from the nineties, a pulpy and absurd excuse to string together a collection of fight scenes. The result is not spectacular by any measure, but it is far more entertaining than the meandering story being told around it. Immortal Emerges From Cave might not succeed on general terms, or even on its own terms, but it at least has a strong sense of its own identity. That is enough to put it ahead of the rest of the season.

Glowing reviews.

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