Posted on March 27, 2017 by Darren
K’un Lun is a notable void at the heart of Iron Fist, even before the closing moments of Dragon Plays With Fire.
There are any number of terrible mistakes that were made during the production of Iron Fist, fundamental flaws that could easily have been avoided by a more competent and committed creative team. The series was assigned a showrunner with a horrific track record. The production team cast a lead actor without any raw charisma and who was incapable of doing his own stunts, while refusing to put the character in a mask. The series focused more on board room antics than kung fu fun. The Hand were used as the primary antagonist.
You shall not pass.
However, one of the most grating disappointments is the simple fact that a lot of the really fun and interesting stuff about Danny Rand happens long before he stumbles back into New York in Snow Gives Way. There is a solid argument to be made that Danny Rand is a third- or fourth-tier comic book character, but there undeniable cool parts of the Iron Fist mythos. None of them take place in the offices of Rand Industries. Iron Fist is the story of a man who gained his power by punching a dragon in a heart. Whatever an adaptation of Iron Fist should be, it should never be boring.
And, yet, for whatever reason, the first season of Iron Fist makes a point to consciously shoot around the more impressive and distinctive parts of the Iron Fist mythos, reducing its title character to a cut-rate (and ironically trust-fund) Matt Murdock. Danny left K’un Lun behind, and it was a terrible mistake.
The watcher on the pass.
Filed under: Television | Tagged: appropriation, asian, cheap, danny rand, Dragon, finn jones, iron fist, k'un lun, racism | Leave a comment »
Posted on March 22, 2017 by Darren
Immortal Emerges From Cave might just be the best episode of the first season of Iron Fist.
Of course, Immortal Emerges From Cave is not a good episode of television. It is bedevilled by all the other issues with Iron Fist, from inconsistent characterisation to dead-end subplots to pacing issues. It even adds a few new problems of its own, especially with a ham-fisted and ill-judged attempt to bring the character of Bride of Nine Spiders into live action. Immortal Emerges From Cave is unlikely to make much of an impression, and it certainly doesn’t rank with the other best episodes of the Marvel Netflix series.
“Three men enter! One man (or two men) leave!”
At the same time, Immortal Emerges From Cave is the episode of Iron Fist that perhaps comes closest to fulfilling its own ambition. Immortal Emerges From Cave is a relatively self-contained narrative in the middle of the season, in which Danny finds himself forced to compete in a tournament against the Hand in order to save an innocent life. It is a hokey premise, but one that leads to a series of fairly middling set pieces in which Danny Rand works his way through various “levels” in pursuit of his goal.
Immortal Emerges From Cave feels very much like some forgotten z-list direct-to-video martial arts film from the nineties, a pulpy and absurd excuse to string together a collection of fight scenes. The result is not spectacular by any measure, but it is far more entertaining than the meandering story being told around it. Immortal Emerges From Cave might not succeed on general terms, or even on its own terms, but it at least has a strong sense of its own identity. That is enough to put it ahead of the rest of the season.
Filed under: Television | Tagged: exploitation, fatality, finn jones, iron fist, kung-fu, mortal kombat, RZA, Television | 2 Comments »
Posted on March 18, 2017 by Darren
Who is Danny Rand?
It is a question that any television show should be asking of its lead. The audience will be spending an extended period of time with this character in this world, so the character needs to be interesting and compelling in their own right. The other Netflix Marvel shows made a point of answering this challenge out of the gate. Into the Ring made it clear that Matt Murdock was a ball of repressed rage buried beneath Catholic Guilt. AKA Ladies’ Night established Jessica Jones as a self-destructive super-strong survivor. Moment of Truth sets up Luke as the immovable object.
There are probably easier ways to make sure that Finn Jones stops giving interviews.
There is a recurring sense that Iron Fist understands that establishing its lead character is an important thing to do. Certainly, Snow Gives Way spends enough time on Danny Rand asserting his identity as the sole heir of the Rand Corporation. Shadow Hawk Takes Flight locks Danny in a psychiatric institution in which he is forced to prove his identity to people who believe that he has lost his mind. These are all plot points that, in theory, hinge upon Danny demonstrating who he is. They are, in theory, a solid way to introduce the character to audiences.
However, in practice, there is a recurring sense that Iron Fist simply doesn’t care about making Danny Rand interesting. Iron Fist seems to think that it is enough that the character exists and loosely resembles a superhero. Just like Iron Fist seems to think that it is enough that the show exists and loosely resembles a superhero show.
Not quite a glowing endorsement.
Filed under: Television | Tagged: arkham asylum, characters, comic books, danny rand, finn jones, iron fist, psychiatric institution, serious | 4 Comments »
Posted on March 17, 2017 by Darren
So, what is Iron Fist about?
To be fair, it is a tough question to answer. The final Netflix series, publicised as “the Last Defender”, seems to have been a hard sell. Indeed, the emphasis on the show’s position as “the Last Defender” recalls the marketing of Captain America: The First Avenger. In both cases, Marvel was selling a property that posed a creative challenge by tethering it to a looming mass-market crossover, counting on its position as “the last piece of the puzzle” to draw in audiences that might otherwise hold little interest in the material.
And, by and large, Iron Fist is defined by these outside demands. Any audience member trying to figure out what Iron Fist is or what purpose it serves will arguably get a better sense of that by tracing the outline established by the other Marvel Netflix shows. Iron Fist is not a television show that defines itself, instead existing in a narrative and marketing space that has already been defined for it by the demands of other multimedia. Iron Fist is not so much a television show as a bunch of stuff that fits in that space before The Defenders.
That much is evident even as early as Snow Gives Way, the first episode of the Netflix series. The pilot is arguably as instructive in what it fails to do as it is in what it actually accomplishes. It eats up fifty minutes of airtime without providing the audience with any real sense of who these people are, what they want, or what the series is trying to say that isn’t on the agenda already set up by the other Marvel Netflix shows.
He’s acting. Really hard.
Filed under: Television | Tagged: danny rand, finn jones, iron fist, marvel, netflix, pop culture, the defenders, the immortal iron fist | 6 Comments »