I published a new In the Frame piece at The Escapist this evening. The year’s awards season has a whiff of decadence about it. Movies seem to be getting longer. Directors are making autobiographical movies about their own childhoods. There’s a fascination with tearing down old Hollywood myths.
Perhaps the most obvious example of this is the re-emergence of water tank movies, of expensive blockbusters set in and around water. After all, water is expensive and dangerous. More than that, there’s no real evidence that audiences are particularly enthused or excited by water, it’s simply something that costs a lot of money to do. Throughout Hollywood’s history, whenever the blockbuster industry drives itself into a heated frenzy, movies embrace the water. James Cameron has always been riding te crest of that particular wave.
You can read the piece here, or click the picture below.
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