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New Escapist Column! On “The Last Jedi” as a Movie About Optimism in a Cynical Time…

I published a new piece at The Escapist over the weekend. Given that Star Wars: The Last Jedi just turned five years old, it seemed like a good opportunity to reflect on one of the most ambitious franchise films of the twenty-first century.

In the years since its release, a certain narrative has settled around The Last Jedi, arguing that the film is a subversion or deconstruction of the larger franchise. However, this seems unfair. At its core, The Last Jedi is a fundamentally optimistic movie, a celebration of the importance of standing against tyranny and a rejection of moral relativism in the face of oppression. It is an unabashedly earnest and sincere movie that believes that some things are worth fighting for, even when the situation seems grim and odds are stacked in opposition. It is an unapologetic love letter to the romance of Star Wars.

You can read the piece here, or click the picture below.

New Escapist Column! On What Disney Should Learn from Andor…

I published a new piece at The Escapist over the weekend. With Andor winding down its first season, it seemed like as good an opportunity to take a look at what Disney could and should learn from the best of their franchise streaming show.

While there is some suggestion that Andor might be less popular on initial release than other Star Wars streaming shows like The Mandalorian or The Book of Boba Fett, there is some sense that Disney recognises that they have created something very special and unique. So what is it that makes Andor so compelling? More than that, what can Disney do to capitalise on that success and replicate it?

You can read the piece here, or click the picture below.

264. Star Wars: Episode VIII – The Last Jedi (#—)

Hosted by Andrew Quinn and Darren Mooney, this week joined by special guests Luke Dunne, Alex Towers, Alexandra Harvey and Andy Melhuish, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This time, Rian Johnson’s Star Wars: Episode VIII – The Last Jedi.

A long time ago in a galaxy far away, the First Order and the Resistance struggle for control of the cosmos. Things are looking particularly grim, as the heroes find themselves divided; Rey is on a mission to recruit the lost Jedi master Luke Skywalker, Poe finds himself trying to hold the remnants of the fleet together, and Finn embarks on a journey to a wretched hive of scum and villainy.

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

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New Escapist Column! On How “Guardians of the Galaxy, Vol. 2” Updated the “Star Wars” Template For a New Generation…

I published a new In the Frame piece at The Escapist this evening. With the announcement that Will Poulter has been cast in Guardians of the Galaxy, Vol. 3, it seems like a good opportunity to take a look back at Guardians of the Galaxy, Vol. 2.

The Star Wars franchise was a frequent point of comparisons in discussions of the original Guardians of the Galaxy. However, it’s arguably the sequel that engaged most heavily with the core themes of George Lucas’ work. In particular, Guardians of the Galaxy, Vol. 2 was a story about fathers and sons. However, it is notable for taking that archetypal and generation-defining story, and filtering it through a twenty-first century lens. In doing so, it was a valid companion piece to both Blade Runner 2049 and Star Wars: Episode VIII – The Last Jedi.

You can read the piece here, or click the picture below.

New Escapist Video! On How the “Star Wars” Sequels Didn’t Need a Plan, “The Rise of Skywalker” Needed a Vision…

So, as I have mentioned before, I am launching a new video series as a companion piece to In the Frame at The Escapist. The video will typically launch with the Monday article, and be released on the magazine’s YouTube channel the following week.

With that in mind, here is last week’s episode, covering the frequent argument that Disney needed a “plan” for the sequel trilogy, when in fact Star Wars: Episode IX – The Rise of Skywalker just needed a vision. You can watch the pilot video here, and read the companion article here.

 

New Escapist Column! On “The Last Jedi”, “The Rise of Skywalker” and What Makes a Good Sequel…

I published a new In the Frame piece at Escapist Magazine on Friday.

It seems like the arguments over Star Wars: Episode IX – The Rise of Skywalker have at least entered that “justification” stage. This week, editors Maryann Brandon and Mary Jo Markey reopened the conversation by trying to shift the blame on to Star Wars: Episode VIII – The Last Jedi, claiming that it represented a betrayal of Star Wars: Episode VII – The Force Awakens. This is nonsense, of course, but it does invite a larger debate about what exactly makes for a good sequel. What does a follow-up owe to an original?

You can read the piece here, or click the picture below.

New Escapist Column! On the Franchise Revanchism in “Star Wars”, “Doctor Who” and “Star Trek”…

I published an In the Frame piece at Escapist Magazine on Friday, looking at one of the more interesting (and frustrating) trends in modern franchise storytelling.

New ideas in existing franchises have always been controversial. After all, fans were taken aback by the changes made to existing properties in films like Star Trek II: The Wrath of Khan and Star Wars: Episode V – The Empire Strikes Back. So the controversy around things like the first season of Star Trek: Discovery or Star Wars: Episode VIII – The Last Jedi are nothing new. What is new, however, is the way in which these properties now seem to be swayed by fan anxieties, retreating from bold ideas into the safety of familiarity. This leads an emptiness, and runs the risk of letting these properties stagnate.

You can read the piece here, or click the picture below.

New Escapist Column! On Servicing the Wrong Fans in “The Rise of Skywalker”…

I published a new In the Frame piece at Escapist Magazine a few weeks back, looking at the ways in which Star Wars: Episode IX – The Rise of Skywalker worked so hard to erase Star Wars: Episode VIII – The Last Jedi, and in doing so played to the worst aspects of fandom. It proved controversial.

It is hard to determine exactly what The Rise of Skywalker is about, beyond the vague hope of parents that their radicalised children might be redeemed. Indeed, The Rise of Skywalker is largely defined by reaction. It exists primarily as a rejection of The Last Jedi, often feeling as though it was written from a beat sheet punctuated by angry replies to Rian Johnson over the past two years. The result is a movie that knows what it isn’t, but desperately unsure of what it actually is.

You can read the piece here, or click the picture below.

 

New Escapist Column! Luke Skywalker, “The Last Jedi” and “Star Wars” as a Saga of Generational Failure…

I published a new In the Frame piece at Escapist Magazine this week, looking at the (in some quarters controversial) handling of Luke Skywalker in The Last Jedi.

The Star Wars saga has always been – at its heart – a story of generational failure, about how the older generation inevitably fails the younger one. This was true of the prequels with characters like Qui-Gon Jinn, Mace Windu and Count Dooku. It was also true of the original trilogy with Obi-Wan Kenobi, Darth Vader and Yoda. “We are what they grow beyond,” Yoda tells Luke in The Last Jedi, and that has always been the franchise’s core philosophy. The only problem is that some of the audience grew up with Luke, and are not yet ready to grow beyond him.

You can read the piece here, or click the picture below.

New Podcast! Scannain Podcast (2018) #37!

It’s time for the latest Scannain podcast!

This week, I join Jason Coyle, Ronan Doyle and Graham Day to discuss the week in film. As usual, we talk about the top ten and the new releases, as well as what we’ve watched this week. In this episode, Graham gives us a peak at upcoming cinematic delights including First Man and Mandy, Ronan discusses the underrated emotional appeal of Mamma Mia!: Here We Go Again, and Jay expounds upon his controversial “automatic four star film theory” as it relates to directors like Jeremy Saulnier and S. Craig Zahler.

We also talk about the best ways to celebrate a cinematic Halloween in Dublin, looking at both the Season of the Witch at the Lighthouse and the Horrorthon at the IFI, discuss the recently scheduled release date of The Lonely Battle of Thomas Reid, and the revelation that Russian bots have been stirring dissent around Star Wars: Episode VIII – The Last Jedi.

The top ten:

  1. The Little Stranger
  2. Hotel Transylvania 3: A Monster Vacation
  3. Mile 22
  4. Christopher Robin
  5. The Nun
  6. Crazy Rich Asians
  7. A Simple Favour
  8. Black ’47
  9. The House With A Clock In Its Walls
  10. Night School

New releases:

You can download the episode here, or listen to it below.