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New Escapist Column! On Versatility and Adaptability as Batman’s True Superpowers…

I published a new In the Frame piece at Escapist Magazine this evening. It’s been a busy couple of weeks with actors talking about the role of Batman. Val Kilmer discussed it in a long-form interview with The New York Times and Robert Pattinson brought it up in his GQ quarantine profile.

Kilmer argued that the actor playing Batman was unimportant in irrelevant, which is both true in the general case and false in this specific situation. In a general sense, Hollywood is moving away from movie stars and towards intellectual property. However, Batman remains one of the few established brands that is flexible enough to allow a unique approach shine through; Adam West, Kevin Conroy, Michael Keaton, Christian Bale, Will Arnett and Ben Affleck have all offered distinctive takes on the Caped Crusader, each finding a different window to explore the cultural icon.

There is no single “right” interpretation of Batman, and this has contributed to the character’s ubiquity and endurance. Indeed, it’s arguable that Superman has struggled to remain relevant precisely because he doesn’t have that same flexibility. Superman remains largely stuck in a template defined by the Richard Donner movies, unable to escape their gravity and the pull of the nostalgia around them. Batman can be anything that he needs to be – and that is why he remains as popular as ever.

You can read the piece here, or click the picture below.

New Escapist Column! On the Franchise Revanchism in “Star Wars”, “Doctor Who” and “Star Trek”…

I published an In the Frame piece at Escapist Magazine on Friday, looking at one of the more interesting (and frustrating) trends in modern franchise storytelling.

New ideas in existing franchises have always been controversial. After all, fans were taken aback by the changes made to existing properties in films like Star Trek II: The Wrath of Khan and Star Wars: Episode V – The Empire Strikes Back. So the controversy around things like the first season of Star Trek: Discovery or Star Wars: Episode VIII – The Last Jedi are nothing new. What is new, however, is the way in which these properties now seem to be swayed by fan anxieties, retreating from bold ideas into the safety of familiarity. This leads an emptiness, and runs the risk of letting these properties stagnate.

You can read the piece here, or click the picture below.