• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

The X-Files – Terma (Review)

This February and March, we’re taking a trip back in time to review the fourth season of The X-Files and the first season of Millennium.

Tunguska and Terma borrows the structure that made the show’s early mythology episodes so effective. Tunguska is full of intriguing and compelling questions, implications that would seem to broaden or deepen the mythology. However, instead of resolving any of the major threads, Terma simply turns itself into a roller-coaster thrill ride. A cynical observer might compare the weaker mythology episodes to a shell-game: the potential of an interesting premise, lost in a shuffle designed to disorientate and catch the viewer off-guard.

It is an approach that has served the show well. Ascension avoided answering too many of the questions posed by Duane Barry, barrelling along with the momentum of a runaway freight train. Similarly, End Game did not dwell too heavily on the questions posed by Colony, instead serving as a series of high-momentum chase sequences with Mulder following the Alien Bounty Hunter to the ends of the Earth. Paper Clip moved so quickly that the viewers never wondered why the documents recovered in Anasazi were no longer earth-shattering, but merely macguffins.

Things are really heating up...

Things are really heating up…

The X-Files is very good at this sort of dynamic mile-a-minute plotting. The production team are very good at what they do. There is a sleek professionalism to these episodes that makes them easy to watch. Although filmed in Vancouver, there were few shows in the nineties ambitious enough to send their character to a Russian gulag for human experimentation. However, the cracks are starting to show. Herrenvolk demonstrated how frustrating a lack of answers could become. Terma struggles to balance a number of potentially interesting plot threads.

There are a lot of elements of Terma that might have worked well, if they had been given more room to breath. Sadly, the episode spends most of its run time trying to build up momentum towards the inevitable scene where proof narrow slips through Mulder’s fingers one more time.

Evil oil...

Evil oil…

Continue reading

Blood on Film: Violence and Morality…

I am always fascinated about discussions over violence in movies. Mostly because it’s one of those “hot button” issues which always comes up in some context or another and is typically portrayed as an argument with two extremes. This week, while promoting his new movie Faster, actor Billy Bob Thornton offered his own opinion of modern movie-making:

In our current state of affairs, especially in the entertainment business, we’re living in a time when we’re making — in my humble opinion — the worst movies in history.

They’re geared toward the video game-playing generation. And these video games, which I’m on my son about constantly, these games are people killing for fun, and I think traditionally in movies, there’s always been some kind of lesson in the violent movies.

In fairness, Thornton is a typically controversial figure (for example, recently alienating Canadian fans), but it’s an interesting idea to look at – the assumption that violence (and specifically how it is handled) can contribute to a movie’s quality (or lack thereof). Is he being just a little melodramatic?

Well, it is the second of December...

Continue reading