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92. The Prestige (#49)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Phil Bagnall, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT, with the occasional bonus episode thrown in.

This time, Christopher Nolan’s The Prestige.

On the cusp of the twentieth century, an obsession brews between two magicians. Alfred Borden and Robert Angier compete to surpass one another on the London stage; lives will be lost, illusions will be shattered, and reality itself might fray along the edges.

At time of recording, it was ranked the 49th best movie of all-time on the Internet Movie Database.

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87. La battaglia di Algeri (The Battle of Algiers) (#–)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Phil Bagnall, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT, with the occasional bonus episode thrown in.

This time, Gillo Pontecorvo’s La battaglia di Algeri.

Unfolding primarily between November 1954 and December 1957, La battaglia di Algeri follows the chaos in the streets of Algiers as revolutionary nationalist forces struggle against the control of the French colonial forces.

At time of recording, it was not actually ranked on the Internet Movie Database, having dropped out between its selection as a film to be covered and the recording of the of the episode.

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75. Amadeus (#82)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Phil Bagnall, The 250 is a trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT, with the occasional weekend off.

This time, Miloš Forman’s Amadeus.

Following a failed suicide attempt, ageing composer Antonio Salieri is consigned to psychiatric institution while babbling incoherently. When a young priest comes to visit, Salieri offers an account of his life. In particular, he elaborates upon a confession that he made on the night that he tried to take his life, that he murdered an illustrious young rival by the name of Wolfgang Amadeus Mozart.

At time of recording, it was ranked the 82nd best movie of all time on the Internet Movie Database.

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