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New Escapist Video! On the Theme Park Ride Appeal of “Raiders of the Lost Ark”…

So, as I have mentioned before, I am launching a new video series as a companion piece to In the Frame at The Escapist. The video will typically launch with every second Monday’s article, and be released on the magazine’s YouTube channel the following week. This is kinda cool, because we’re helping relaunch the magazine’s film content – so if you can throw a subscription our way, it would mean a lot.

This week, with Raiders of the Lost Ark celebrating its fortieth anniversary, it seemed like a good opportunity to take a look at the film. In particular, how Spielberg built Raiders of the Lost Ark as a cinematic spectacle. It is one of the purest blockbusters, but also a triumph of filmmaking.

“I Never Kid About Money”: Marty Goes Mainstream With “The Colour of Money”…

The podcast that I co-host, The 250, continued our belated Summer of Scorsese last week with a look at Goodfellas. Next week, we’ll looking at Casino. It is a fun and broad discussion that is well worth your time, but the season ends up largely avoiding Scorsese’s output during the 1980s. So I thought it might be worth taking a look back at The Colour of Money.

For Martin Scorsese, the eighties come sandwiched between two masterpieces: Raging Bull and Goodfellas.

These are two of the quintessential Martin Scorsese movies. They are frequently ranked among the best movies that Scorsese has made, and often included in lists of the best movies ever made. Indeed, there’s a famous Hollywood myth that director Brian de Palma reacted to a screening of Goodfellas by involking Raging Bull, proclaiming, “You made the best movie of the eighties and, God damn it, we’re barely into the nineties and you’ve already made the best movie of this decade, too!”

With that in mind, there’s a tendency of overlook Scorsese’s work during the eighties – to treat it as something equivalent to a cinematic lost decade largely defined by the failure of King of Comedy and the controversy over The Last Temptation of Christ. This is understandable, but it is also unfair. Indeed, recent years have seen a welcome push to reassess Martin Scorsese’s tumultuous journey through the era of excess.

Scorsese’s eighties might not have been the best decade or most productive decade in his filmography, but they were instructive. They were a time of growth and evolution for the filmmaker, a point at which the director seemed to finally figure out how to reconcile the movies that he wanted to make with movies that studios wanted to finance. Although often overlooked and ignored in this context, The Colour of Money is perhaps the most instructive of Scorsese’s films from this period.

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123. The Sting (#100)

Hosted by Andrew Quinn and Darren Mooney, this week joined by special guest Gerry Mooney, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This time, George Roy Hill’s The Sting.

When a simple con leads to horrific consequences, amateur con artist Johnny Hooker vows to avenge himself on crime boss Doyle Lonnegan. Enlisting the help of over-the-hill veteran Henry Gondorff and a motley crew of small-time hoods, Hooker sets in motion an elaborate con game with potentially disastrous consequences.

At time of recording, it was ranked the 100th best movie of all time on the Internet Movie Database.

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109. Star Wars (#22)

Hosted by Andrew Quinn and Darren Mooney, this week joined by special guests Marianne Cassidy and Grace Duffy, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This time, George Lucas’ Star Wars.

A long time ago in a galaxy far away, the Empire and the Rebellion struggle for control of the cosmos. Against this backdrop, three unlikely heroes ascend, embarking upon a mythic journey that will reveal dark secrets and promise new hope.

At time of recording, it was ranked the 22nd best movie of all time on the Internet Movie Database.

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