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Non-Review Review: Extremely Loud and Incredibly Close

Stephen Daldry’s latest film, and surprise Best Picture nominee, looks lovely. It opens with a credit sequence that see Tom Hanks falling through the air like an even more stylish version of the Mad Men opening credits. The blue background is just the right shade, the picture is crisp, the focus is tight. Of course, that beautifully illustrative opening sequence exposes the primary flaw with Extremely Loud & Incredibly Close. Some things just aren’t meant to look pretty, and some events can’t be wrapped up inside a feel-good blanket with a tidy ribbon on the outside.

Not quite picture perfect...

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Non-Review Review: Minority Report

I don’t love Minority Report. Don’t get me wrong, it’s a well-made film – perfectly entertaining and cleverly directed by a director who is one of the best living today – but it just doesn’t feel consistent for me. The whole doesn’t necessarily add up to the sum of its parts, as it were.

They should probably screen their officers better...

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