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186. Det Sjunde inseglet (The Seventh Seal) – World Tour 2020 (#155)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Phil Bagnall, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users.

This time, Ingmar Bergman’s Det Sjunde inseglet.

Death stalks the countryside of medieval Sweden. Antonius Block is a knight returning home after a long crusade to the Middle East, and horrified to find that the black death is ravaging his homeland. On the beach, Block is confronted by the spectral figure of the Grim Reaper himself. Block challenges Death to a game of chess, hoping that he might escape his opponents glare. As Block continues his journey home, he tries to make sense the fleeting nature of human existence and seeks desperate reassurance that something – anything – lies waiting beyond.

At time of recording, it was ranked 155th on the list of the best movies of all time on the Internet Movie Database.

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153. The Exorcist – Halloween 2019 (#–)

Hosted by Andrew Quinn and Darren Mooney, and this week with Doctor Bernice Murphy, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users.

This time, a Halloween treat. William Friedkin’s The Exorcist.

At time of recording, it was not ranked the list of the best movies of all time on the Internet Movie Database.

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Non-Review Review: Extremely Loud and Incredibly Close

Stephen Daldry’s latest film, and surprise Best Picture nominee, looks lovely. It opens with a credit sequence that see Tom Hanks falling through the air like an even more stylish version of the Mad Men opening credits. The blue background is just the right shade, the picture is crisp, the focus is tight. Of course, that beautifully illustrative opening sequence exposes the primary flaw with Extremely Loud & Incredibly Close. Some things just aren’t meant to look pretty, and some events can’t be wrapped up inside a feel-good blanket with a tidy ribbon on the outside.

Not quite picture perfect...

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Non-Review Review: Minority Report

I don’t love Minority Report. Don’t get me wrong, it’s a well-made film – perfectly entertaining and cleverly directed by a director who is one of the best living today – but it just doesn’t feel consistent for me. The whole doesn’t necessarily add up to the sum of its parts, as it were.

They should probably screen their officers better...

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