Posted on February 15, 2017 by Darren
Fences is a superb play, with a great cast, that makes for a reasonably solid film.
Fences was adapted by playwright August Wilson from his 1983 Pulitzer-Prize-winning stage play. Although Wilson passed away in 2005, the resulting film is very faithful to that stage-bound sensitivity. Perhaps out of respect for the writer, or out of respect for the story’s origin on the stage, director Denzel Washington never really pushes Fences beyond its source material. Fences has a superb A-list cast, but it never quite feels like a feature film adaptation.
Living life to the Maxson.
Instead, Fences feels like it is trapped somewhere in the limbo between stage and screen, feeling like one of those adaptations from the earliest days of television when the medium never knew exactly where it fell between those two pillars. Fences retains a tight cast and a very fixed location, much like the stage play. It retains monologues and confrontations that play out over extended scenes that recall theatre rather than taking advantage of cinema’s ability to let time lapse.
To be fair, the cast superb and the source material is impressive. It is easy to understand why Washington adopted such a reverent and respectful approach to the cinematic adaptation. However, Fences never feels like anything more than the sum of its very impressive parts. In fact, it might feel like a little less.
Tightly-knit family unit.
Filed under: Non-Review Reviews | Tagged: denzel washington, fences, non-review review, review, viola davis | Leave a comment »
Posted on September 17, 2013 by Darren
Prisoners is very much a game of two halves. Feeling like two separate films grafted together, Prisoners feels at once like a psychological exploration of American masculinity and also a far more conventional serial killer film. Indeed, had director Denis Villeneuve and writer Aaron Guzikowski decided to cut suddenly to black two-thirds of the way through Prisoners, we’d have a frustrating but much more cohesive atmospheric drama.
Instead, it seems like the duo conspired to surgically attach the last act from a far more conventional thriller on to their robust framework. The result is intriguing, but disappointing – the conventional paint-by-numbers final third diminishing a lot of the richness to be found in the first section of the film.
Somebody is about to get Jack(man)ed…
Filed under: Non-Review Reviews | Tagged: Aaron, Alex Jones, Denis Villeneuve, Detective Loki, hugh jackman, jack bauer, Jake Gyllenhaal, Jóhann Jóhannsson, Keller, Paul Dano, Roger Deakins, serial killer, The Mythical Detective Loki Ragnarok, United States, viola davis | Leave a comment »
Posted on February 15, 2012 by Darren
Stephen Daldry’s latest film, and surprise Best Picture nominee, looks lovely. It opens with a credit sequence that see Tom Hanks falling through the air like an even more stylish version of the Mad Men opening credits. The blue background is just the right shade, the picture is crisp, the focus is tight. Of course, that beautifully illustrative opening sequence exposes the primary flaw with Extremely Loud & Incredibly Close. Some things just aren’t meant to look pretty, and some events can’t be wrapped up inside a feel-good blanket with a tidy ribbon on the outside.
Not quite picture perfect...
Filed under: Non-Review Reviews | Tagged: Academy Award, Academy Award for Best Picture, Asperger syndrome, Extremely Loud & Incredibly Close, film, Jonathan Safran Foer, max von sydow, Movie, new york, non-review review, Oskar, Reader, review, sandra bullock, stephen daldry, tom hanks, viola davis | 3 Comments »
Posted on January 25, 2012 by Darren
That was… underwhelming. I mean, I think I’m relatively happy with most of the nominees, and there’s very little I can vehemently object to as completely unworthy in yesterday’s Oscar nominations, but still… Yesterday’s Oscar nominations felt decidedly insular, as if the Academy had taken a complete U-turn on any of the amendments that had recently been made in an attempt to broaden the Academy’s horizons. The Oscars have always been a party thrown by the movie industry to celebrate themselves, but this year’s nominations feel increasingly isolated, with nominations and lists populated with the safest and most predictable choices. This is the first year in quite some time that there hasn’t been anything as pleasantly refreshing as the Best Picture nomination for District 9 or Toy Story 3.
Filed under: Movies | Tagged: Academy Award, Extremely Loud & Incredibly Close, gary oldman, Melissa McCarthy, meryl streep, oscar, Rooney Mara, viola davis | 5 Comments »
Posted on December 12, 2011 by Darren
The Help is a well made film with a solid script, decent direction, and some very good performances from a superb ensemble. It’s hard not to get swept up in the drama as it unfolds, as the movie takes a harsh look at some of the prejudice festering in Mississippi during the sixties, where the phrase “hippie!”was an accusation that could destroy anyone’s social standing, it was not appropriate to fraternise with the help, and even raising the suggestion of racial equality was to open one’s self to prosecution for breaking the law. It’s powerful stuff. I was moved by it, particularly by the wonderful work put in by the cast. And, yet, I couldn’t help but feel that there was something very cynical unfolding before my eyes. The Help is a movie that seems built to fill a particular void, carefully measured and constructed to keep its audience well within their comfort zones, and a movie that feels like it might be sacrificing some of its depth for fear of actually challenging its audience.
Fraternising with the help...
Filed under: Non-Review Reviews | Tagged: Africa, African American, Allison Janney, Bryce Dallas Howard, Emma Stone, Help, Hilly, Jessica Chastain, Minny, Mississippi, non-review review, Octavia Spencer, review, Sissy Spacek, The Help, The Help (book), the Help (film), United States, viola davis | 2 Comments »
Posted on July 20, 2009 by Darren
Doubt is quite possibly the best movie I’ve seen this year. It’s a fantastic adaptation of a hit play with a cast to die for. It’s also a stunning portrayal of a religious institution at a time of great upheaval, both internally and externally.
Asked about her doubts, Meryl said she had nun...
Filed under: Non-Review Reviews | Tagged: amy adams, catholic church, doubt, film, john patrick shanley, meryl streep, Movies, non-review review, philip seymour hoffman, play, review, sisters of charity, viola davis | 5 Comments »