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180. Sorcerer – World Tour 2020, w/ The New Wave (#—)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Tony Black, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users.

This time, a special treat. William Friedkin’s Sorcerer. And we’re crossing over with The New Wave, as a bit of a teaser for their launch.

Four men drift idly around a deadend town in the heart of South America, when an unlikely opportunity strikes. A terrorist has caused a fire at an American oil well, and the company is offering a lavish payday to anybody who can help. The only catch is that to earn that money, these four men will have to drive extremely volatile nitroglycerine across some of the most treacherous terrain imaginable. Those who survive will have enough to escape the hell in which they’ve found themselves, and those who don’t won’t care.

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

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The Spirit Archives, Vol. 16 (Review/Retrospective)

We’re more than half-way through Will Eisner’s tenure on The Spirit, and I find myself struggling, just a bit, to come up with something novel to say about it. After all, I’ve gone on and on (and on and on) about how Eisner has handled the weekly strip for the bones of about 10,000 words at this point. As much as I like to examine each six-month period on its own terms and merits, there comes a point where I have to concede that this is just one giant project, and a lot of what I can say about it I have already said. Sure, there are some new themes and ideas, and Eisner always enjoys putting a new slant on old concepts, but I can’t help but feel that this extended bunch of reviews and retrospectives will wind up tripping over each other. (I say that as if they haven’t already.)

With that in mind, just because I might have a bit less to say about The Spirit Archives, Vol. 16 doesn’t mean that it isn’t a great collection of stories. We are, after all, in the middle of the most celebrated part of Eisner’s run. This collection is pretty consistently smart, funny and moving. Just because this reviewer is struggling not to cover old ground doesn’t mean that Eisner is any less of a master.

A web of deceit...

A web of deceit…

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Non-Review Review: Minority Report

I don’t love Minority Report. Don’t get me wrong, it’s a well-made film – perfectly entertaining and cleverly directed by a director who is one of the best living today – but it just doesn’t feel consistent for me. The whole doesn’t necessarily add up to the sum of its parts, as it were.

They should probably screen their officers better...

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