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New Irish Independent Column! On “Willow” and Disney’s Fantasy Pitch…

I published a new piece at The Irish Independent this evening. With the release of Willow on Disney+ this week, it seemed like a good opportunity to take a look at what the show means for the Disney brand, and why it is so important to the company going forward.

The past couple of decades have seen an explosion in fantasy film and television: Harry Potter, Lord of the Rings, Game of Thrones. However, studios have quickly discovered that audiences aren’t necessarily enthusiastically engaged with fantasy, struggling to connect with the genres. Studios like Disney have invested millions trying to tap into that audience, with numerous high-profile failures. Willow represents the latest attempt by Disney to craft a live action fantasy universe with a built-in fanbase, and the company is using the same playbook that it did with Star Wars.

You can read the piece here, or click the picture below.

New Escapist Video! On “Black Adam” and the Debate Over Superheroes Killing…

We’re thrilled to be launching a fortnightly video companion piece to In the Frame at The Escapist. The video will typically launch every second Monday, and be released on the magazine’s YouTube channel. And the video will typically be separate from the written content. This is kinda cool, because we’re helping relaunch the magazine’s film content – so if you can throw a subscription our way, it would mean a lot.

This week, we took a look at the debate over superheroes killing, which is a major thematic point in the recent blockbuster Black Adam. It’s an interesting point of discussion, but one that often overlooks and misses the larger trend within the superhero genre. That sort of debate doesn’t happen over other pulp heroes, like cowboys or gangsters or pirates, so what is it that makes superheroes a special case?

New Podcast! Vampire Videos – “Shadow of the Vampire (2000)”

I was thrilled to be invited to join the great Dan Owen and Hugh McStay for an episode of their new podcast, Vampire Videos.

It was a thrill to get to talk about, and revisit, Shadow of the Vampire. It was the first time I had watched the meta horror commentary in decades, so it was fascinating to return to it with new eyes and a deeper understanding of the film’s historical context. It’s a movie that ties together the history of the vampire and origins of cinema as a medium, constructing a pitch black horror comedy about the paradox of the movie camera as an instrument that both steals life and grants immortality.

You can listen directly to the episode below or by clicking here.

New Podcast! The Recap – “We Finally Got Some Real Action and Answers in The Rings of Power…”

We’re thrilled to be launching a weekly multimedia podcast at The Escapist, called The Recap. I’m hoping to be a regular fixture of it, stremaing live every Tuesday evening. This is kinda cool, because we’re helping relaunch the magazine’s film content – so if you can throw a subscription our way, it would mean a lot.

This week, we took a look at the splurge of recent news from Marvel Studios, including new trailers, new writer announcements, the first big reveals about Deadpool 3, directorial departures, and streaming shows that are becoming movies. We also caught up with our opinions on Rings of Power, House of the Dragon and Andor. It’s a fun discussion. Check it out.

302. Requiem for a Dream (#84)

Hosted by Andrew Quinn and Darren Mooney, with special guest Richard Drumm, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

This week, Darren Aronofsky Requiem for a Dream.

Four Brooklyn residents navigate addiction and isolation in its various forms, through Summer, Fall and Winter. There is no Spring.

At time of recording, it was ranked 84th on the list of the best movies of all time on the Internet Movie Database.

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New Escapist Column! On “The Northman”, and the Desire to Make Movies Weird Again…

I published a new In the Frame piece at The Escapist this evening. With the release of The Northman in the United Kingdom this week and in the United States next week, it seemed like an opportunity to take a look at the welcome return of weird to the blockbuster arena.

Modern blockbusters are frustratingly generic. As budgets have ballooned and intellectual property has trumped high concepts, studios have grown increasingly conservative with their larger projects. This is part of what makes The Northman so interesting. It’s great to see a director like Robert Eggers receive a reasonable budget and a sizable platform in order to make a movie that speaks very specifically to his own aesthetic. It’s refreshing to see a movie this expensive that is this committed to its aesthetic.

You can read the piece here, or click the picture below.

New Escapist Video! “The Northman is a Breathtaking Blockbuster”

I’m thrilled to be launching movie reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a three-minute film review of The Northman, which is in theatres in the U.K. and Ireland now and in the United States next week.

277. The Batman – This Just In (#67)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guests Graham Day and Niall Glynn, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, a new entry: Matt Reeves’ The Batman.

Bruce Wayne is in the second year of his war on crime in Gotham, and things are not improving. Indeed, the city is thrown into anarchy when a new villain calling themselves the Riddler begins targetting city officials and threatening to unmask the city’s darkest secrets. Can Bruce survive what is coming? Can the Batman? Can Gotham?

At time of recording, it was ranked 67th on the list of the best movies of all time on the Internet Movie Database.

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New Podcast! Your Feature Presentation – “Ranking the Live-Action Batmen from Worst to Best”

The Escapist have launched a new pop culture podcast, and I was thrilled to join Jack Packard for the sixth episode. Jack and I get to rank the live action Batmen, in preparation for the upcoming release of The Batman.

275. The Godfather (#2)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Philip Bagnall, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, Francis Ford Coppola’s The Godfather.

Michael Corleone has spent most of his life running away from his family connections, enlisting in the United States Marines to avoid the siren call of his father’s organised crime empire. However, when Michael returns home for his sister’s wedding, events conspire to draw the prodigal son back into the family business.

At time of recording, it was ranked 2nd on the list of the best movies of all time on the Internet Movie Database.

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