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New Podcast! Your Feature Presentation – “Ranking the Live-Action Batmen from Worst to Best”

The Escapist have launched a new pop culture podcast, and I was thrilled to join Jack Packard for the sixth episode. Jack and I get to rank the live action Batmen, in preparation for the upcoming release of The Batman.

New Podcast! The Movie Palace – “Batman! (1966)”

I’m currently caught up in the middle of the Virgin Media Dublin International Film Festival, but it’s not all festival coverage this week.

I had the pleasure of joining the great and generous Carl Sweeney on his excellent classic Hollywood podcast The Movie Palace. Recovering a bit from last weekend’s Oscars, Carl decided to take things a bit lighter this week, and so invited me on to talk a little bit about Batman!, the classic Adam West adaptation of the Caped Crusader, and one of the defining images of the Dark Knight in popular culture.

The discussion was quite broad, covering everything from the origins and appeal of the Caped Crusader to the charm of Adam West, and the lasting impact of the various “special guest villains” on later interpretations of the characters. The whole thing was a delight from beginning to end. It’s always a pleasure to talk films with Carl, but especially to talk Batman.

You can listen to the episode here, back episodes of the podcast here, click the link below or even listen directly.

Mike W. Barr and Alan Davis’ Run on Detective Comics (Review/Retrospective)

23rd July is Batman Day, celebrating the character’s 75th anniversary. To celebrate, this July we’re taking a look at some new and classic Batman (and Batman related) stories. Check back daily for the latest review.

When DC comics published Crisis on Infinite Earths, it was a brave new world. Everything was new again. Nothing could be taken for granted. The company had the opportunity to start again with its characters and properties, offering a new beginning to iconic heroes that would hopefully welcome new readers while learning from prior successes and past failures. It was an exciting time in the industry, one bristling with potential.

In many respects, the defining Batman story in the immediate aftermath of Crisis on Infinite Earths was Batman: Year One. Even today, Year One remains a foundational text for Batman, one of the best (and most influential) stories ever told using the character. It defined Batman for the eighties and nineties, and beyond. Frank Miller offered readers a new and updated origin for the Caped Crusader that teased a new way of looking at Gotham City and its inhabitants.

"It's a trap!"

“It’s a trap!”

Meanwhile, a more quiet revolution was in progress over on Detective Comics. Writer Mike W. Barr and Alan Davis began their run on Detective Comics in the immediate aftermath of the now-all-but-forgotten Legends crossover. Although the duo were lucky enough to work on the book over the fiftieth anniversary of Detective Comics, their work was somewhat overshadowed by the publication of Year One in their sister publication – to the point that their run culminates in Year Two, a sequel to Year One.

Still, while it never got the attention that it deserved, Barr and Davis did a lot to offer an alternative to Miller’s gritty and grounded reimagining. Featuring death traps and puns and brainwashing and dodgy jokes, Barr and Davis seem almost subversive. It is as if the duo are working hard to import all the stuff that might otherwise be washed away by Crisis on Infinite Earths, reminding readers that with world of Batman has always been absurd, and that is not necessarily a bad thing.

Talk about making an entrance...

Talk about making an entrance…

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Batman: The Brave and the Bold – Battle of the Superheroes (Review)

To celebrate the release of Man of Steel this month, we’re going Superman mad. Check back daily for Superman-related reviews.

Batman and Superman. It’s a great combination, like cookies and cream or spaghetti and meatballs or… feel free to insert your own analogy here. The two characters are two of the oldest and most enduring superheroes, both owned by the same company. They also both embody two very different ideals. Batman is a pulp action hero in a silly outfit with gothic trappings, while Superman is an alien from another world dressed in primary colours. Pairing the two up to compare and contrast is great fun.

Battle of the Superheroes focuses on Batman and Superman as friends and colleagues, a portrayal which seems somewhat dated. After all, ever since Frank Miller wrote The Dark Knight Returns, the tendency has been to treat the pair as grudging allies rather than bosom buddies. Still, the Silver Age aesthetic of The Brave and the Bold suits this approach well, and it’s hard not to get swept up in the wry enthusiasm of it all.

Superhero team-up time...

Superhero team-up time…

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Batman: The Animated Series – Nothing to Fear (Review)

This September marks the twentieth anniversary of Batman: The Animated Series, and the birth of the shared DC animated universe that would eventually expand to present one of the most comprehensive and thorough explorations of a comic book mythology in any medium. To celebrate, we’re going back into the past and looking at some classic episodes.

In many respects, Nothing to Fear feels like more of a proper pilot and introduction to the world of Batman: The Animated Series than the first episode, On Leather Wings, actually did. It feels like something of a mission statement for the series, offering a very rough outline of what the show would learn to do very well, illustrating the approach that the series would take in handling the lead character and his world. While the finer details aren’t necessarily present, and there are more than a few missteps along the way, Nothing to Fear serves as a fitting welcome to this definitive animated Batman.

Bruce’s insecurity is cause for grave concern…

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Batman: The Animated Series – Beware the Grey Ghost (Review)

This September marks the twentieth anniversary of Batman: The Animated Series, and the birth of the shared DC animated universe that would eventually expand to present one of the most comprehensive and thorough explorations of a comic book mythology in any medium. To celebrate, we’re going back into the past and looking at some classic episodes.

Adam West’s Batman! occasionally gets a bit of a hard time. Opinion has softened somewhat in the past decade or so, as pop culture has seemed increasingly willing to embrace camp, but there was a time when the sixties television show was unfairly dismissed and mocked for its bright and cheerful portrayal of the Caped Crusader. I’ve always found that a bit unfair, as Batman owes a considerable amount of his pop culture cache to that show, as an entire generation grew up with Adam West’s ham-tastic take on the Dark Knight. Evidently, Bruce Timm and the producers of Batman: The Animated Series understood that, and Beware the Grey Ghost is an affectionate shout-out to that earlier iteration, effectively allowing Kevin Conroy’s grizzled Caped Crusader to recognise Adam West as one of his defining influences.

Shades of Grey…

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Whatever Will Happen to the Caped Crusader? Thoughts on Batman After Nolan…

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

So, what now?

Christopher Nolan has rounded out his Batman trilogy with The Dark Knight Rises, tying up and resolving the arc he set up for Bruce Wayne in Batman Begins almost a decade ago. It has been a long and rewarding journey. I certainly think that Nolan’s accomplishments here deserve to be compared to other truly exceptional pop culture trilogies like The Lord of the Rings or even Star Wars. He told a complete story for the character, from the beginning through to the end. So, a week after he released the final part of his trilogy, people are wondering: what now? How do you follow a series of Batman movies like that? What next for the Dark Knight and Warner Brothers?

Speaking for myself, I can only hope that it’s something completely different.

Out of Nolan’s land…

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Recommended Batman Comics 104: Adam West’s Batman!

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

I know that movies traditionally have a minimal impact on comic book sales, but to celebrate the release of The Dark Knight Rises, I thought I’d make a list of accessible jumping-on points for fans of Batman in mass media. There are several wonderful things about Batman. There are two especially relevant to this article. First, Batman is an infinitely adaptable character. He can literally be anything to anybody. It is entirely possible for somebody to love one interpretation of Batman while loathing others. So I’ll be breaking down my recommendations by source, so you can look at your favourite interpretation of Batman and find the most thematically and tonally relevant jumping-on points:

The second factor is that Batman is one of the few characters blessed with a back catalogue of accessible runs and stories, so there’s quite a few recommendations for each. It’s as simple as finding one that works for you.

Finally, we’re going to take a bit of a leap backwards and dig into one of the first truly iconic representations of Batman outside of comics. No, I’m not talking about the film serial. I’m talking about the camp-tastic Adam West Batman! television show.

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Non-Review Review: Batman! (1966)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

I have to confess, I think that Adam West’s Batman! gets a bit of an unfair time from comic book aficionados, movie fans and even casual pundits. In the years since the iconic movie and television show, fans have acted like camp and comedy are elements that have no place in the world of the Caped Crusader. There is – of course – a reason for that. Darker portrayals have since come dominate Batman’s characterisation, from Tim Burton’s Batman to Frank Miller’s The Dark Knight Returns to Christopher Nolan’s The Dark Knight. However, I think one of the most endearing aspects of Batman as a pop culture icon is his ability to adapt. “I’m whatever Gotham needs me to be,” Batman tells Gordon at the climax of The Dark Knight. Sure, sometimes we need him to be a staunch and iconic hero triumphing against adversity. Other times we simply need him to whip out the Bat Shark Repellent.

Batman was “Urk-ed” by the Penguin’s plan…

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Batman Live at the O2 (Review)

I had the chance to check out the new Batman Live stage show at the O2 (the Point) this evening, fresh off the british leg of its world tour. It was very much Batmanas camp pantomime, which isn’t necessarily a bad thing – it is, after all, a show to bring the whole family to. Still, I couldn’t help wondering if the show was looking to the wrong sources for inspiration. After all, batman has been many things to many people over his seventy years of existence, so there’s a lot of stuff to draw on no matter what angle you choose to take. So I found it quite a bit strange that the stage show opted to draw on Tim Burton’s darkly gothic Gotham when offering light family entertainment, especially when one suspects the Adam West iteration of the character might have suited the tone of the material better.

Joker's wild...

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