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More Thoughts on the Best Picture/Best Director Voting Divergence

I read an interesting article over at The LA Times which suggested that we may be able to spot how radically the new voting rules have changed the way that the Academy awards people and films.

Going for gold...

Going for gold...

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Non-Review Review: 21

21 is a solid middle-of-the-road coming-of-age tale. It isn’t something as deep or insightful as Good Will Hunting or The Dead Poets Society, but it doesn’t aspire to be. It sets its ambitions relatively averagely: it wants to entertain and amuse rather than stimulate or provoke. Does it succeed at these somewhat modest ambitions? Somewhat.

"You know what I'm capable of... You seen se7en, right? 21 is three times se7en. You do the math."

"You know what I'm capable of... You seen se7en, right? 21 is three times se7en. You do the math."

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Star Trek (X)II: The Search for Issues?

This could go either way… or nowhere at all.

Recent quotes from JJ Abrams and Roberto Orci seem to suggest that the sequel to this year’s Star Trek could “reflect the things that we are all dealing with today”. It’s certainly interesting, suggesting that the movie series could reflect the goings on in the real world – but it would require a damn fine writing staff to pull it off.

Kirk will have issues...

Kirk will have issues...

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The Queen is Dead? Long Live the Queen? Is Oprah’s Reign Coming to an End?

We don’t really do chat shows in this part of the world. Well, that’s a lie. We don’t do them well. And when we do do them, they are Prime Time shows like The Late, Late Show and are more often than not cheap imitations of chatshows from the States – we’re looking at you, Tubridy Tonight. In recent years we’ve tried the morning and afternoon chatshows and they haven’t really caught on – there’s a crisis at the RTE Afternoon Show even at the moment. In the States it’s different. Oprah Winfrey is the most powerful person on television. She saved Whitney Heuston. She makes or breaks best selling novels. Oprah is powerful. So the rumours that Oprah’s time as queen of the afternoon come as a bit of a surprise to me. As do many of the suggested reasons…

O, my god!

O, my god!

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Riddle Me This… Is The Riddler Really An Ideal Choice for Batman 3?

Last week I outlined why I didn’t think that Harvey Dent should be brought back for the sequel to The Dark Knight. If Nolan comes back, I trust him to do whatever he feels like doing with the franchise – he’s demonstrated that he knows what he’s doing when it comes to directing Batman. If he wants to recast the role of the Joker – or if he doesn’t – that’s fine with me. So, it’s ultimately futile to speculate about films that haven’t even entered production, but that’s never really stopped me before, has it? It keeps coming down to the Riddler – Johnny Depp or Eddie Murphy or whoever. It seems that everyone is expecting The Riddler to be the villain (or at least play a supporting role) in the next film. But I’m skeptical.

When the Riddler heard he was the new host of Bullseye, he didn't know that people would take the title so literally...

When the Riddler heard he was the new host of Bullseye, he didn't know that people would take the title so literally...

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Bah Humbug! Are We Past the Point Where Technical Wizardry Can Amaze?

Hmm… I bet Robert Zemickas was expecting a somewhat bigger reaction for the release of the first trailer for his version of A Christmas Carol (aka Jim Carrey plays almost everyone), the follow-up to The Polar Express (aka Tom Hanks plays everyone), than the collective ‘meh’ that it received. I’ve watched the trailer and it looks technically magnificent (and I’m sure it’ll be even more technically impressive in 3D) – but why should I care? If I’m going to put on a pair of glasses and look at something beautiful until it give me a mild headache, shouldn’t I at least be looking at something interesting and intriguing of itself? Are we past the point where technical wonders alone are enough to lure the geeks out in droves?

Here's hoping Santa can bring Zemickis a 150% return on his investment...

Here's hoping Santa can bring Zemickis a 150% return on his investment...

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Lisbon 2 – The Sequel

I try not to get too political over here, seen as how this is a pop culture blog. I did happen to notice, however, that the Irish government has decided to expand the Lisbon Treaty debacle into a franchise. We’ve had economists, armchair pundits and politicians weighing in on the matter, but why don’t we ask the people who really count: the film critics? I humbly submit my thoughts on the proposed Lisbon 2.

Maybe you can go too European with the posters...

Maybe you can go too European with the posters...

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The Killing Joke

Hmm… Understandably quite a controversial comic (Alan Moore himself reportedly has very little time for it), The Killing Joke remains the most definitive comic to examine the dynamic between the Caped Crusader and his polar opposite. It also reveals a bit of twisted logic to the character, providing an almost logical motivation for his countless heinous actions. It also features some of the best artwork that you are liable to see on a Batman comic.

The Joker didn't get he was meant to bleach his HAIR...

The Joker didn't get he was meant to bleach his HAIR...

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Non-Review Review: Star Trek – First Contact

I love it when the movie channels have an unexpected treat for me. Like coming home from work on Saturday and finding Star Trek: First Contact playing in high definition on Sky movies. Also known as “the only good Next Generation movie”, the film stands the test of time well and is – thus far – the only movie in the franchise that all my family can agree on. It is awesome.

"You're all astronauts... on some kind of... Star Trek?"

"You're all astronauts... on some kind of... Star Trek?"

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Non-Review Review: Angels & Demons

Well, the only way to go from The DaVince Code was up, right? Good, because this doesn’t go too far up, lest you get all excited. It’s a fairly run-of-the-mill chase movie without any charm or wit or intelligence (and severely lacking in logic, one might add). It commits the cardinal sin (he he, cardinal… geddit?) of thinking that it is far smarter than it actually is, and it never manages to be particularly exciting or engaging. Still, Ron Howard can’t completely hide his talent amid a jumble of half-baked action sequences and illogical clues.

Try as you may, you can't outrun the inevitable threequel, Hanks!

Try as you may, you can't outrun the inevitable threequel, Hanks!

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