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The Whole Truth: How “True” Are “True Stories”?

Something that has always made me wonder is how close to reality film and television are or are not. Sometimes this is expressed in abstract terms – for example whether Baltimore is really as bad as it is made out to be in The Wire. However, it’s much more direct when one looks at what claims to be a true story. Reality isn’t film. Things don’t always break down to key “moments”. Events play out over the long term, and sometimes subtly. There isn’t always a bad guy or an antagonist. There certainly always isn’t a happy ending. So naturally amendments need to be made, because these events need to be translated to drama. But where is the line? How far can you stretch the truth until it breaks?

Staying true to yourself...

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Non-Review Review: Calendar Girls

Calendar Girls is that sort of wonderfully quirky comedy that only the British can pull off. Based on the true story of a bunch of Yorkshire middle-aged women who stripped off for a calendar to raise funds for the local hospital, it’s a wonderfully wry and witty sort of tale that can really be split into two halves: the first exploring the societal pressures and prejudices which surrounded the construction of the calendar and the second an exploration of the consequences of the fundraiser’s success. While the first half is certainly more entertaining than the second, it’s a charming and endearing little film.

Get a load of those buns...

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The “True Story” Behind A Nightmare of Elm Street…

Halloween is coming up soon and we plan to celebrate it in style here at the m0vie blog. We’ll be looking at all manner of scary archetypes and horror conventions as that day approaches. Evidently, I’m already in the right frame of mind. I just found out that the original A Nightmare on Elm Street is based (very loosely, I must admit) on a true story. I’m not kidding, it’s actually quite freaky.

One, two... Freddy's coming for you...

One, two... Freddy's coming for you...

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Non-Review Review: 21

21 is a solid middle-of-the-road coming-of-age tale. It isn’t something as deep or insightful as Good Will Hunting or The Dead Poets Society, but it doesn’t aspire to be. It sets its ambitions relatively averagely: it wants to entertain and amuse rather than stimulate or provoke. Does it succeed at these somewhat modest ambitions? Somewhat.

"You know what I'm capable of... You seen se7en, right? 21 is three times se7en. You do the math."

"You know what I'm capable of... You seen se7en, right? 21 is three times se7en. You do the math."

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