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New Escapist Column! On “Babylon” As the Evil Twin of “Once Upon a Time… in Hollywood”…

I published a new In the Frame piece at The Escapist earlier this week. With the release of Babylon over Christmas, it seemed like a good opportunity to take a look at Damien Chazelle’s latest feature film.

Babylon is a movie that obviously exists in the context of great Hollywood movies about Hollywood. In particular, Chazelle draws overtly and heavily from Singin’ in the Rain in this parable about Hollywood’s migration from silent films to talkies. However, Chazelle does something interesting, stripping out a lot of the romance of these narratives in favour of something approaching brutal honesty. Chazelle rejects a lot of the romantic nostalgia of these sorts of films, instead offering a much grittier take. At times Babylon feels like the coke-addled evil twin of something like Once Upon a Time… in Hollywood.

You can read the piece here, or click the picture below.

217. Sherlock Jr. (#198)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Andrew Max Tohline, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, Buster Keaton’s Sherlock Jr.

In a small town, a movie projectionist (and janitor) falls in love with a beautiful woman. He dreams of ways in which he might win her love, turning to detective fiction and the silver screen for inspiration. However, sometimes the boundaries between reality and fantasy are more porous than they might appear.

At time of recording, it was ranked 198th on the list of the best movies of all time on the Internet Movie Database.

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Non-Review Review: 21

21 is a solid middle-of-the-road coming-of-age tale. It isn’t something as deep or insightful as Good Will Hunting or The Dead Poets Society, but it doesn’t aspire to be. It sets its ambitions relatively averagely: it wants to entertain and amuse rather than stimulate or provoke. Does it succeed at these somewhat modest ambitions? Somewhat.

"You know what I'm capable of... You seen se7en, right? 21 is three times se7en. You do the math."

"You know what I'm capable of... You seen se7en, right? 21 is three times se7en. You do the math."

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Nazi-ploitation! Or How We Treat Nazi Germany in Modern Cinema…

I moaned last week about the loss of the two-dimensional evil Nazi. Brushed aside in a tide of political correctness or extreme sensitivity. I think it’s time to talk about what Hollywood has presented us with in its stead. I think it’s interesting to discuss the general trend in the presentation of the Third Reich that we’ve seen emerge in the past year or so.

Tom Cruise played a vision-impaired conflicted German during the Third Reich... Where's his Oscar?

Tom Cruise played a vision-impaired conflicted German during the Third Reich... Where's his Oscar?

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Who Am I to Argue with History?

What do Hollywood film makers owe to history? I’ve had this question on my mind because I’ve been seeing quite a few historical films lately – The Reader, Chaplin, and Frost/Nixon will hopefully be arriving in my mailbox today – and I just wondered how faithful it was reasonable to expect a Hollywood film to be to real life events.

Contrary to popular belief, the missing 18 minutes from the Watergate tapes do not feature Richard Nixon practicing jazz hands...

Contrary to popular belief, the missing 18 minutes from the Watergate tapes do not feature Richard Nixon practicing jazz hands...

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