You didn’t see the scam? You didn’t see what was goin’ on?
Well, there’s no way to determine that, Sam.
Yes, there is. An infallible way! They won!
Sam explains how Las Vegas works to Ward
If you ask a bunch of people to name their favourite Scorsese film, you’ll get a bunch of different answers. Some will go for his iconic gangster tale, Goodfellas. Others will go for the superb drama of Raging Bull. Some might even opt for the unforgettable Taxi Driver. I, on the other hand, am probably the only guy in the room who is going to opt for Casino. Conventional wisdom would argue that Casino is merely a bloated and over-loaded attempt to re-tread ground Scorsese already covered in Goodfellas, but I can’t bring myself to agree with that. While Goodfellas feels like a personal tale of greed and corruption, and the implosion that inevitably followed, there’s something grander to Casino. Offering the social history of Las Vegas, the rise and fall of the mob’s empire, it feels like large-scale tragedy. There’s just such an impressively epic scale to Scorsese’s film that I can’t help but admire it.
Filed under: Non-Review Reviews | Tagged: Associated Press, Atlantic City New Jersey, casino, fbi, Federal Bureau of Investigation, Frank Vincent, Fuck, Golden Nugget Las Vegas, goodfellas, Joe Pesci, las vegas, Las Vegas Nevada, Las Vegas Review-Journal, martin scorsese, Nevada, Online casino, ray liotta, Real estate, robert deniro, scorsese, Steve Wynn, United States, vegas, Yes (band) | 6 Comments »