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Non-Review Review: Narc

Joe Carnahan’s Narc is a visceral and powerful film. It’s less concerned with plot and character than it is with mood, crafting a suffocating visceral aesthetic that seems to almost smother the viewer. Set in snow-bound Detroit, it creates a world that feels closed in upon itself, the white sheets of snow clearing into dirty mounds to allow passage within the city, but suggesting that there’s nothing but white space beyond the world we explore. While Narc tells a story we’ve seen many times before, practically revelling in the familiar plot points of a police movie about the drug trade, Carnahan’s direction gives the movie a bit of an edge – and a powerhouse performance from Ray Liotta makes it much more engaging than it might otherwise be.

That’s a whole Liotta gun…

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Non-Review Review: Casino

You didn’t see the scam? You didn’t see what was goin’ on?

Well, there’s no way to determine that, Sam.

Yes, there is. An infallible way! They won!

Sam explains how Las Vegas works to Ward

If you ask a bunch of people to name their favourite Scorsese film, you’ll get a bunch of different answers. Some will go for his iconic gangster tale, Goodfellas. Others will go for the superb drama of Raging Bull. Some might even opt for the unforgettable Taxi Driver. I, on the other hand, am probably the only guy in the room who is going to opt for Casino. Conventional wisdom would argue that Casino is merely a bloated and over-loaded attempt to re-tread ground Scorsese already covered in Goodfellas, but I can’t bring myself to agree with that. While Goodfellas feels like a personal tale of greed and corruption, and the implosion that inevitably followed, there’s something grander to Casino. Offering the social history of Las Vegas, the rise and fall of the mob’s empire, it feels like large-scale tragedy. There’s just such an impressively epic scale to Scorsese’s film that I can’t help but admire it.

No dice...

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Non-Review Review: Observe and Report

It seems that, despite Watchmen and Avatar, 2009 may not have been the year of the almost completely naked blue people. Between Paul Blart: Mall Cop and Observe and Report, it was the year of the shopping mall security officer. There was a lot of discussion branding this as the ‘grown up’ Paul Blart movie. If ‘grown up’ means in awful taste and incredibly soul-destroyingly depressing while featuring a heap of sex, violence and drug use, then yes – this is a grown up film. And when it works, it does beautifully. But it simply doesn’t work consistently enough.

Ronnie really needs to 'cop' on to himself... no?

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