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American Nightmares, Part I: Old Frontiers… (The Revenant/The Hateful Eight)

Trying something new. Or rather something old. Been a while since we published an old-fashioned thinkpiece on here, and been thinking a lot about America as filtered through film in 2015-2016. We’ll be publishing a series of these articles in the coming week. If you’d like to see more of this sort of content, please comment or share or facebook or tweet, so we know you like it.

The United States of America is a relatively young country.

Like all other countries, it has its own history and mythology. As with many of those countries, that history and mythology intertwine. The European settlers may have inherited some of that mythology from their ancestors across the Atlantic or appropriated some from the indigenous population, but a lot of that history and mythology was cultivated wholesale. The American Dream. Manifest Destiny. The idea that this was a wild continent to be tamed through the sheer strength of will of those rugged early settlers.

westerns9

Britain has knights. Ireland has rebels. America has cowboys. It is tempting to look upon these archetypal mythic figures as something far removed from the modern day, something so far in the distant past that they may never have existed as all. Particularly given the historical decline of the western genre in recent decades, it is easy to consider the cowboy a historical artifact covered in centuries of dust and disconnected from the modern world. Billy the Kid does not seem so far removed from King Arthur, Wyatt Earp from Brian Boru.

Of course, the reality is much more complicated. The overlap between the history and mythology is striking; these stories seemed to be mythologised before they were allowed to fad into history. The Great Train Robbery was released in 1903, and generally considered to be the first cinematic western. Although past its prime, the era of the American frontier was still in progress. Oklahoma would only become a state in 1907, with Arizona and New Mexico would become states in 1912. There is a sense that the country was still forming as the mythology coalesced.

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Man Launches Attack on Pat Kenny; English Language

Well, the whole point of Frontline was to offer a more realistic and “grounded” discussion of current affairs, where anything could happen. So – in a way – the three-minute rant that Kenny was subjected to last night seems to be almost a proof of concept: this is no-holds-barred television, not choreographed or airbrushed. The rant seems to have split public opinion (at least from listening to Newstalk this morning), but I think we’ll all avoiding the real elephant in the room: if you’re going to hijack the spotlight on a current affairs show, at least make your point in a way that isn’t simply mashing up a handful of words (“hypocritical”, “600,000”, “eleven hours”, “credibility”, “pontificating”) in a variety of permutations for three minutes.

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Quite literally on the front line...

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Tommy Tiernan and the Art of Self-Censorship…

Ah, an Irish comedian has said something stupid and distasteful that has garnered massive media attention. Whodda thunk? This time quintessential Navan man Tommy Tiernan chose to make an ill-considered joke about efficiency and the Holocaust at Electric Picnic. Yep. As you can imagine – this being the country that now has an anti-blasphemy law – everyone has jumped all over it, and they’re right to. In fairness, most commentaries have been fairly reasoned, but I still roll my eyes when people talk about how we should have laws to stop these sorts of things. Yes, he shouldn’t have said what he said. But he should be able to.

Up to his neck in it...

Up to his neck in it...

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Lisbon 2 – The Sequel

I try not to get too political over here, seen as how this is a pop culture blog. I did happen to notice, however, that the Irish government has decided to expand the Lisbon Treaty debacle into a franchise. We’ve had economists, armchair pundits and politicians weighing in on the matter, but why don’t we ask the people who really count: the film critics? I humbly submit my thoughts on the proposed Lisbon 2.

Maybe you can go too European with the posters...

Maybe you can go too European with the posters...

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Blessed are the Geek, For They Shall Inherit the Earth…

It’s a good time to be a nerd. When exactly did it happen? How did Star Trek become cool again? When did nearly half of all blockbusters find their roots in the oft-mocked comic book artform? When did Comic Con become a major event in the Hollywood calendar? When did it become truly hip to be square?

Haute culture?

Haute culture?

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What we loved about the Nolan Batman movies…

Don’t get us wrong, we did enjoy the two Burton films (I have a soft spot for Batman Returns, despite fandom’s opinion of it). It’s just that the Nolan films – Batman Begins and The Dark Knight – managed to perfectly capture what it was about the Caped Crusader that we really loved. There was just something about them that really worked, and we thought we’d take a look at five of the reasons why we liked them so much.
Reason #243: excellent cinematography...

Reason #243: excellent cinematography...

I’m a Grinner, I’m a Lover, I’m a Sinner…

… I’m a Joker, I’m a Smoker, I’m a Midnight Toker

What is it about the Joker that makes him such a great villain. He’s appeared in just about every media form where Batman has appeared since Batman #1 way back in 1940. He is one of only two villains to appear in both of the more recent Batman film franchises and he seems to be the only character in the history of the Batman family who has survived every era of the character unblemished. Be it the light comic relief of the Dick Sprang era reflected in the Adam West show (where Ceasar Romero is clearly wearing a mustache under his makeup), the darker sense of humour of the animated Joker voiced by Mark Hamill in The Animated Series through to the anarchist/nihilist terrorist portrayed by Heath Ledger in The Dark Knight – none of these incarnations are any less in character than any of the others. What is it about the Joker that makes him one of the great villains of our time?

The world's leading cause of coulrophobia...

The world's leading cause of coulrophobia...

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The Love of Richard Nixon…

I’m not American, but I feel a strange fascination with Richard Milhouse Nixon. He’s a figure of almost Shakespearean complexity, driven to phenomenal heights and fantastic accomplishments, but never able to do enough to placate the insecurity gnawing at him. I had the pleasure of reading Conrad Black’s rather even-handed summary of his life and career last summer, and he seems as much a mystery as ever. The recent news item about another of his paranoid ramblings has grabbed media attention, but I’m amazed that there doesn’t seem to be much debate over the true impact of Nixon’s Presidency beyond the obvious shadow cast by Watergate. What is the American fascination with painting Nixon as a villain or a fiend? Why can he not embody something just a tad more complex?

Richard Nixon unsuccessfully attempts to distract from the Watergate scandal by declaring "It's behind you!" during a Press Conference...

Richard Nixon unsuccessfully attempts to distract from the Watergate scandal by declaring "It's behind you!" during a Press Conference...

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Bugs or Daffy?

A deleted scene from Tarantino’s Pulp Fiction suggests that there are two kinds of people: there are Elvis people and there a Beatles people. Sure, you can like both, but you’ll always like one better than the other. With my Looney Tunes: Golden Collection boxsets having arrived in the door last week, I’d like to add a collary: there are two kinds of people in the world, there are Bugs Bunny people and there are Daffy Duck people. Which are you?

Choose wisely...

Choose wisely...

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Why Bruce Wayne as Batman Should Rest in Peace

I’m not a comic book fan, I must admit. I own a few Absolute editions (Watchmen, Sandman, The Long Halloween) and a rare few prestige format books (The Green Lantern Archives and The Killing Joke), and I’m planning on bulk-buying Grant Morrison’s run on Batman in those nice hardcover editions to tide me over on my holiday this summer. So, what I’m about to say must be tempered with that little caveat. I’ve read relatively little of Batman lore, save what my parents would pick me up from the grocery store in Ghana when I was small (and – to further outline the differences between myself and your comics fan – I remember them merely for what they contained rather than by issue and series number; I fondly recall “the one where Swamp Thing meets Killer Croc” or “the retelling of The Riddler’s origin”). Still, on reading the coverage and preparing to jump headfirst into Grant Morrison’s magnum opus, one thought is running through my head: If they are threatening to end Bruce Wayne’s run as Batman, they should do it.
Na na na na na na, Batman!

Na na na na na na, Batman!

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