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Non-Review Review: Fanboys

Fanboys is a film that is borderline mediocre, but the tragedy is that it actually could have been really good. It’s quite strange, because the movie seems intent to straddle two audiences – aiming at once for both cult geek cred and mainstream appeal. Of course, the paradox of such an approach is that it frequently ends up alienating both core groups. The film is arguably too deeply entrenched in geek culture to ever find a large mainstream audience, but it’s also far too bland, safe and stereotypical for a geek audience. So it clearly hopes to please everyone, but winds up satisfying no one. Which is a shame, because it seems like it’s actually having a great deal of fun.

Indulge your Dark Side...

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Farewell to Nerds: The Big Studios & Comic Con…

Last year, around this time, I was discussing how great it was to be a nerd or a geek. Hell, Comic Con in San Diego seemed like an obligatory stop-off point for the major studios promoting their latest blockbusters to an overly geeky crowd, debuting the trailer for Tron: Legacy or announcing the cast of The Avengers, not to mention footage and panels based around any number of big-screen blockbusters designed to cater towards the geeks and nerds in the movie-going audience. So it feels like a rather dramatic shift that very few of the major movie studios appear to be planning much for the iconic (or, at least, briefly iconic) Hall H in San Diego this year.

Does this mean that the era of the geek is over?

Will Stars stop Trekking to Hall H?

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What Does Box Office Failure Even Mean these Days?

It’s already happening. We’re already calling Kick-Ass a failure. Even though it managed to narrowly slide into first place at the US Box Office over the weekend, there are tonnes of pundits ready to dogpile on top of it and describe it as the most epic kind of failure. It seems to be a cyclical experience every time that a big geek film emerges, that has experienced a large amount of pre-release hype on the old interweb: Snakes on a Plane, Watchmen and Grindhouse among others. So how come Hollywood keeps pandering to a niche that never seems to show up?

Did Kick-Ass get its ass kicked? Should we call it Ass-Kick?

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Is Avatar Addictive?

I read an interesting article on Avatar over at CNN last week, which basically suggested that some audience members were feeling a deep depression on returning home from the cinema. Since my dislike of the film appears to a very minority view (a borderline fringe view, to be completely honest), I will assume it has nothing to do with the poor storytelling of the movie. Instead, they seem to depressed at the prospect of leaving Pandora, having been so immersed in the 3D world that James Cameron had created.

Did the end of Avatar leave you feeling blue?

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The Difference Between a Nerd and a Geek…

This is something I was quite surprised to actually learn, as it had been bothering me for quite some time. Anyway, I found an article which handily summates the differences here.

Geeks or nerds? Or both?

Geeks or nerds? Or both?

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Blessed are the Geek, For They Shall Inherit the Earth…

It’s a good time to be a nerd. When exactly did it happen? How did Star Trek become cool again? When did nearly half of all blockbusters find their roots in the oft-mocked comic book artform? When did Comic Con become a major event in the Hollywood calendar? When did it become truly hip to be square?

Haute culture?

Haute culture?

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