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New Escapist Column! On How “The Matrix Resurrections” Utilises Franchise Nostalgia…

I published a new In the Frame piece at The Escapist on Friday. With the release of The Matrix Resurrections on HBO Max and in theatres, it seemed like a good opportunity to take a look at the film and its themes, in particular its relationship with the earlier films in the franchise.

The Matrix Resurrections exists as part of a larger wave of long-delayed nostalgic sequels to older franchises, from Space Jam: A New Legacy to Ghostbusters: Afterlife to Spider-Man: No Way Home. However, what distinguishes The Matrix Resurrections from these other examples is the way in which it uses nostalgia to a very specific purpose. It’s a film that is aware of both the passage of time since the original film and very engaged with the debate over the reason for its own existence. The result is a movie that has something meaningful to say about the modern movie landscape… and much beyond.

You can read the piece here, or click the picture below.

New Escapist Column! On “The Matrix Resurrections” and the Rejection of False Binaries…

I published a new In the Frame piece at The Escapist this evening. With the release of The Matrix Resurrections on HBO Max and in theatres, it seemed like a good opportunity to take a look at the film and its themes, in particular its relationship with the earlier films in the franchise.

The Matrix Resurrections is a movie that exists very much in conversations with the previous films in the series, expanding and developing the core themes that made the original such a hit. In some cases, director Lana Wachowski has taken the opportunity to expand upon and develop the big ideas in the previous films. In particular, The Matrix Resurrections is a film that rejects the idea of rigid boundaries – the red and blue pills, the black-and-white green-tinted filter, “us and them”, even Neo and Trinity. It’s a very thoughtful and considered update of the ideas that underpin the larger franchises.

You can read the piece here, or click the picture below.

New Podcast! Your Feature Presentation – “What Worked and Didn’t Work in Spider-Man: No Way Home”

The Escapist have launched a new pop culture podcast, and I was thrilled to join Jack Packard and KC Nwosu or the first episode. With the recent release of Spider-Man: No Way Home and Hawkeye, it seemed like a good opportunity to talk about the recent Marvel Studios productions.

267. Some Like It Hot – Christmas 2021 (#136)

Hosted by Andrew Quinn and Darren Mooney, with special guests Charlene Lydon and Rioghnach Ní Ghrioghair, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT.

This time, Billy Wilder’s Some Like It Hot.

In late 1920s Chicago, band members Joe and Jerry witness a brutal mob hit. Forced to flee for their lives, the pair disguise themselves as women and join an all-female band taking a trip down to Florida for the winter. However, things very quickly become complicated when the duo encounter a blonde bombshell Sugar Kowalczyk and attract the romantic attentions of a lonely millionaire named Osgood Fielding III. Hilarity ensues.

At time of recording, it was ranked 136th on the list of the best movies of all time on the Internet Movie Database.

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New Escapist Column! On Making Sense of “For the Fans”…

I published a new column at The Escapist earlier this week. With the recent releases of Star Wars: Episode IX – The Rise of SkywalkerGhostbusters: Afterlife and Spider-Man: No Way Home, it seemed like a good opportunity to reflect on the argument that franchise brand extensions exist “for the fans.” What does that even mean?

As a fan myself, I find myself unsettled and disturbed by the idea that these sorts of properties should exist primarily for the satisfaction and consumption of the existing fanbase, not least because it means validating certain kinds of fans above others and pushes franchises towards an aesthetic conservativism that often strangles them. Perhaps the best thing to do “for the fans” is simply to make media as good as possible and let history sort the rest out.

You can read the piece here, or click the picture below.

New Escapist Video! “The Matrix Resurrections Is a Winning Franchise Revival – Review”

I’m thrilled to be launching movie reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a three-minute film review of The Matrix Resurrections, which is in cinemas and on HBO Max now.

266. Spider-Man: No Way Home – This Just In (#8)

Hosted by Andrew Quinn and Darren Mooney, this week joined by special guests Graham Day, Luke Dunne and Bríd Martin, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This time, Jon Watts’ Spider-Man: No Way Home.

Peter Parker returns home from a school trip to discover that his deepest secret has been revealed to the world: thanks to the villain Mysterio, now everybody knows that the teenage is the vigilante known as Spider-Man. Peter races to put the genie back in the bottle, but discovers that his plans might have unforeseen consequences.

At time of recording, it was ranked 8th on the list of the best movies of all time on the Internet Movie Database.

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New Podcast! Scheduled Programming – “Succession (Season 3)”

Scheduled Programming is a podcast looking at modern television. I was thrilled to be invited to join host Baz Greenland for a discussion of the third season of Succession.

Succession is one of the best shows on television at the moment, and it was fun to get to discuss what makes this show about horrible people doing terrible things so compelling, how wonderfully constructed it is, and how it manages to make wealth and excess seem strangely isolating and lonely.

You can listen to the episode here, or click the link below.

New Escapist Video! “The King’s Man Gets the Job Done – Review”

I’m thrilled to be launching movie reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a three-minute film review of The King’s Man, which is in cinemas now.

New Escapist Column! On Willem Dafoe as the Stealth MVP of “Spider-Man: No Way Home”…

I published a new In the Frame piece at The Escapist this evening. This weekend marks the release of Spider-Man: No Way Home, so it seemed like a good idea to take a look at the movie. In particular, its best and most interesting performance.

No Way Home marks the return of several classic villains from early franchise iterations. Among them is Willem Dafoe, returning as Norman Osborn from Spider-Man and Spider-Man II. It’s a wonderful reminder of how Dafoe codified a lot of the modern comic book movie supervillain, establishing a template that has rarely been equalled in terms of quality across the ensuing decades. However, it’s to the credit of No Way Home that the film manages to use the character of Norman Osborn in a way that enriches and explores the villain.

You can read the piece here, or click the picture below.