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Star Trek: Deep Space Nine – Profit and Lace (Review)

Profit and Lace is a disastrous misfire, a late-season catastrophe that many would consider to be the absolute nadir of Star Trek: Deep Space Nine. At best, it is an episode that belongs in conversation with Meridian, Prophet Motive, Let He Who Is Without Sin… and The Emperor’s New Cloak. It is a very bad piece of television. It could reasonably be argued that the toxicity of Profit and Lace is not even quarantined. The episode is so bad that it becomes a retroactive taint upon Deep Space Nine‘s attempts to develop and flesh out the Ferengi.

Some of the show’s best episodes focus on the Ferengi characters, like House of Quark or Family Business or Little Green Men or The Magnificent Ferengi, not to mention all manner of very solid stories like The Nagus or Bar Association or Body Parts. The writers on Deep Space Nine did a tremendous job developing and humanising the Ferengi, but the late one-two punch of Profit and Lace and The Emperor’s New Cloak erases all of that good will. Suddenly, the Ferengi are appearing in episodes as tone-deaf and ill-advised as The Last Outpost.

How Ishka got her groove back.

There are any number of reasons why Profit and Lace is so horrible. On a very basic level, it is a comedy episode that is simply not funny. The script is built around jokes that were already tired by the standards of fifties Hollywood, but refuses to do anything interesting or compelling with them. It is uncomfortably backwards-looking and regressive, its sexual politics feeling horribly outdated. The direction veers wildly between something approaching earnest world-building and broad slapstick, resulting a tonal mismatch that is toxic to the touch.

Profit and Lace is a stinker, by just about any measure.

A Quarky installment.

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