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129. Avengers: Endgame – This Just In (#6)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Tony Black, This Just In is a subset of The 250 podcast, looking at notable new arrivals on the list of the 250 best movies of all-time, as voted for by Internet Movie Database Users.

This time, Joe and Anthony Russo’s Avengers: Endgame.

At time of recording, it was ranked 6th on the list of the best movies of all time on the Internet Movie Database.

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Cullen Bunn’s Run on Captain America & … (Review)

This March, to celebrate the release of Captain America: The Winter Soldier, we’ll be taking a look at some classic and not-so-classic Avengers comic books. Check back daily for the latest updates!

Following Ed Brubaker on a Captain America book was always going to be tough, even if Brubaker had simply been providing the story for his last couple of Captain America & Bucky issues. Indeed, Cullen Bunn took over for Brubaker on one of three on-going Captain America books; with Brubaker still writing Captain America and Winter Soldier. As such, Bunn is somewhat trapped. He can’t really continue Brubaker’s still-unfolding story, but he can’t strike out with his own bold direction like Rick Remender would on a relaunched Captain America.

So it’s no surprise that Bunn’s thirteen issue Captain America & … run feels fairly indistinct. It’s a competently-produced piece of comic book writing, but it doesn’t stand out in the way that it needs to, feeling neither weighty nor fun enough to make the book stand out from the crowd.

He always said Cap was a dinosaur...

He always said Cap was a dinosaur…

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West Coast Avengers Omnibus, Vol. 1 (Review/Retrospective)

To celebrate the release of Thor: The Dark World towards the end of next month, we’ll be looking at some Thor and Avenger-related comics throughout September. Check back weekly for the latest reviews and retrospectives.

I’ve never been especially fond of the classic Avengers. The group has always seemed particularly insular and self-centred for a comic book superhero team, with so much emphasis on their by-laws and regulations, their posh fifth avenue mansion and the strange sense of pride that second-tier characters like Hawkeye seem to place on their own importance within the Avengers franchise. There have been great runs, and there have been comics that I have enjoyed a great deal, but I will concede that I am not a fan of the Silver and Bronze Age Avengers aesthetic.

West Coast Avengers is a clear attempt to develop the franchise, to give Marvel a second high-profile Avengers book. Launched in 1984 and running for a decade, the book followed the establishment of a second superhero team branded on the classic Avengers model. Of course, part of me suspects that this was all just a plan to get Hawkeye out of the mansion (“you and Mockingbird can relocate quickly… and the sooner you do — the sooner our west coast team is operational — the better!” Vision insists).

There are moments of wry self-awareness in West Coast Avengers, but far too much of it reads far too earnestly.

And yet somehow this guy has appeared in two of the biggest superhero blockbusters of the past five years...

And yet somehow this guy has appeared in two of the biggest superhero blockbusters of the past five years…

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Ultimate Comics: Hawkeye (Review)

To celebrate the release of Thor: The Dark World towards the end of next month, we’ll be looking at some Thor and Avenger-related comics throughout September. Check back weekly for the latest reviews and retrospectives.

Ultimate Comics: Hawkeye is pretty much a companion piece to Jonathan Hickman’s Ultimate Comics: Ultimates run. Unlike other miniseries like Ultimate Comics: Thor or Ultimate Comics: Captain America, Hawkeye isn’t designed to be read on its own. It is clearly intended as a story to be read in parallel with Hickman’s on-going Ultimates narrative, unfolding at the same time alongside that particular story. As such, it’s a weird miniseries to read on its own terms, doing a rather excellent job of fleshing out the global scale of Hickman’s Ultimates work, but never really working on its own terms.

Broken arrow...

Broken arrow…

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Brian Michael Bendis’ Avengers – Avengers Assemble (Review/Retrospective)

To get ready for Iron Man 3, we’ll be taking a look at some Iron Man and Avengers stories, both modern and classic. We hope to do two or three a week throughout the month, so check back regularly for the latest update.

How do you cash in on the success of a big-budget blockbuster comic movie? Especially a film that has gone on to be the most successful film of 2012, and one of the most successful films of all time? It’s a tough question, and I’d like to imagine that Marvel thought long and hard about how to capitalise off the success of The Avengers. After all, comics are a medium that have been trying any number of desperate ploys to maintain sales and to attract fans over the past decade, so it would be stupid not to try to turn some of the cinema-goers into comic book fans. I made the transition, so it can’t be that tough.

Avengers Assemble, an eight-issue miniseries, seems to have been created as an answer to that question. Not only does it carry the name used by the film in several international markets, it uses the iconic roster from the film, tries to tell what appears to be a continuity-light tale and comes from a high-profile creative team. Unfortunately, these factors all feel rather cynical, rather than a genuine attempt to court new readers.

Hey, it's that guy, from that thing!

Hey, it’s that guy, from that thing!

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The Avengers: The Crossing Omnibus (Review/Retrospective)

“One of the nineties’ most notorious narratives!”

– well, the back cover wasn’t lying

The Crossing has become a watch-word for nineties excesses. Essentially a gigantic crossover between The Avengers and the various Iron Man books (including War Machine and Force Works), it is renowned for its clumsy editorial mandate: the event was designed to replaced Tony Stark with a younger version of himself. Fans have come to reflect on The Crossing as one of the most awful comic book storylines ever concocted, an example of the mess that Marvel had made of their line of books during a decade not exactly renowned for its taste.

I know it’s fashionable to trash The Crossing, and I know that it is every bit as ridiculously nineties and forced as its editorial mandate would suggest, but I can’t help but think there are some nice ideas to be found here, if one wades in deep enough into the crap. Don’t get me wrong, there’s not nearly enough to justify the tangled bloated mess of a plot, and I’m not going to argue the consensus is wrong, but I do think the massive catastrophic failure of The Crossing was one of execution, rather than one of ideas.

Shockingly bad?

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Brian Michael Bendis’ Avengers – Disassembled (Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.” Today and tomorrow we’ll be taking a look at the two Brian Michael Bendis events that kick-started the writer’s work on the franchise.

Avengers: Disassembled welcomed Brian Michael Bendis to the Avengers franchise. The super-star writer had enjoyed long and well-received runs on Ultimate Spider-Man and Daredevil, but his tenure on the Avengers franchise proved much more divisive. Taking over for a three issue arc on the main Avengers title, Bendis literally destroyed the team. Not only did he demolish a lot of the iconography associated with the bunch of superheroes, he also launched a fairly scathing deconstruction of the stalwart superhero team. Bendis wasn’t just going to adopt a caretaker position on the series, he clearly planned some very serious remodelling. That meant that some walls had to get knocked down. In many ways, Disassembled feels like a brutal demolition.

Things come apart…

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Ultimate Comics Avengers by Mark Millar Omnibus (Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.”

Read our review of The Avengers here. And because it’s release day in the rest of the world, here’s a second Avengers-related review. And it’s a long one.

They say you can’t go home again. The Ultimates was easily one of the best comics of the past decade, and perhaps the comic that really got me into the medium. A clever, timely, astute and well-considered exploration of the superhero in the twenty-first century, Mark Millar and Bryan Hitch undoubtedly had a massive influence on everything that followed. Of course, all this would seem to be for nothing when Jeph Loeb took over the franchise for Ultimates 3 and Ultimatum, two stories that were very poorly received and damaged the franchise quite considerably. So Millar’s return to write four six-issue miniseries of Ultimate Comics: Avengers seemed like a breath of fresh air. Critical and fan reaction to his twenty-four issue run has been somewhat muted, and there’s no denying that a lot of the magic from that origin story was lost. That said, I’ll concede to finding it an interesting, complex and occasionally compelling examination of Millar’s views on superheroes.

Not quite the ultimate Avengers comic…

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Brian Michael Bendis’ Avengers – New Avengers Vol. 3-4 (Hardcover) (Review/Retrospective)

This is the eighth in a series of comic book reviews that will look at the direction of Marvel’s continuity (and, in particular at their “Avengers” franchise) over the past five or so years, as they’ve been attempting to position the property at the heart of their fictional universe. With The Avengers planned for a cinematic release in 2012, I thought I’d bring myself up to speed by taking a look at Marvel’s tangled web of continuity.

And now we’re entering a continuity-heavy area. You have been warned. As if we’ve been in a continuity-free zone for the past couple of weeks, remarks you, trusted reader. This is where my little experiment to venture deep into the heart of Marvel’s comic book continuity becomes a little bit more complicated and a little bit more difficult. Whereas the first part of Bendis’ run on New Avengers was relatively stand-alone (while still drawing on decades of events and continuity), it’s at this point the series becomes irrevocably intertwined with the on-going events at the heart of the Marvel Universe. It’s been described as “a spine”, and that’s pretty much exactly what it is: it’s a support structure which ties together the big Marvel events year-on-year, a thread that joins events like Civil War and Secret Invasion and Siege to each other and the greater fictional universe.

Wolverine learns the hard way not to bring claws to a gun fight...

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