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266. Spider-Man: No Way Home – This Just In (#8)

Hosted by Andrew Quinn and Darren Mooney, this week joined by special guests Graham Day, Luke Dunne and Bríd Martin, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This time, Jon Watts’ Spider-Man: No Way Home.

Peter Parker returns home from a school trip to discover that his deepest secret has been revealed to the world: thanks to the villain Mysterio, now everybody knows that the teenage is the vigilante known as Spider-Man. Peter races to put the genie back in the bottle, but discovers that his plans might have unforeseen consequences.

At time of recording, it was ranked 8th on the list of the best movies of all time on the Internet Movie Database.

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New Escapist Column! On the Tangled Ethics of “Spider-Man: No Way Home”…

I published a new In the Frame piece at The Escapist this evening. This weekend marks the release of Spider-Man: No Way Home, so it seemed like a good idea to take a look at the movie’s big themes and ideas.

On the surface, No Way Home feels a lot like recent nostalgia plays like Star Wars: Episode IX – The Rise of Skywalker and Ghostbusters: Afterlife, in that it’s very much an appeal to the memory of a pop culture object. However, No Way Home has certain advantages over these movies, in that it’s a film that seems to be trying to be about more than just recycled imagery. However, it never seems like No Way Home is entirely sure what exactly it is about and what exactly it is trying to say about that.

You can read the piece here, or click the picture below.

Non-Review Review: Spider-Man – Far From Home

Spider-Man: Far From Home cannot help but exist in the shadow of Avengers: Endgame.

Indeed, one of the problems marketing Far From Home was the manner in which the entire emotional premise of the film served as a spoiler for Endgame, which meant that the film had to wait quite late in the game to release its second trailer. This sets up an interesting tension with Far From Home, which finds itself in the the seemingly contradictory position of being both the last movie in the current “phase” of the Marvel Cinematic Universe and also a film actually being produced by a company other than Marvel Studios.

Masking his feelings.

This weird push-and-pull runs through Far From Home, which seems caught between existing as a coda and epilogue to Endgame and working as a Spider-Man movie in its own right. To a certain extent, this was always going to be a tension within Far From Home, even before Endgame set its sights on becoming the biggest movie of all time. Endgame was always going to exert a gravity on Far From Home, given its plot mechanics and its character decisions. Writers Chris McKenna and Erik Sommers, along with director Jon Watts, were always going to be reacting to narrative and character choices that they never made.

As such, the most interesting thing that Far From Home can do is to literalise that tension.

Night Monkey Moves.

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36. Spider-Man: Homecoming – This Just In (#–)

Andrew Quinn and Darren Mooney host This Just In, a subset of the fortnightly The 250 podcast looking at notable new arrivals on the list of the 250 best movies of all-time as voted for by Internet Movie Database Users.

This time, Jon Watts’ Spider-Man: Homecoming.

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