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Looking at it Sideways: 2012, The Year of Unconventional Franchise Narratives…

By now I think we’ve all become quite familiar with the cycle of Hollywood movie franchises. I’m not inherently opposed to the concept – I think that Sturgeon’s Law applies at least as much to original and independent films as it does to big-budget franchise films. The prospect of movie sequels, reboots, prequels and remakes isn’t a new thing, after all. Hollywood has always had a tendency to emulate financially successful movies, finding a way to exploit the movie property to maximise the profit off the back of it. It’s an inherently commercial prospect, but virtually any form of mass media must be in order to be viable. However, I’ve been fascinated with how the Hollywood franchise train seems to be working this year – it seems like we’ve been getting stuff that’s a little different than the conventional reboots, sequels and remakes.

It’s a whole other universe out there…

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Non-Review: Alien Resurrection (Theatrical Cut)

To celebrate the release of Prometheus this week, we’ll be taking a look at the other movies in the Alien franchise.

I always feel a little hint of trepidation when I return to a movie that I know I didn’t like the first time. Part of me is reluctant to watch it again, even for the purposes of examining what exactly went awry during production, while some small part of me holds out hope that the film might be redeemed – that I might somehow magically get it the second time around. So, completing a marathon rewatch of Ridley Scott’s Alien and the sequels it spawned, I left Alien: Resurrection until last.

Unfortunately, it was just as flawed and messy as I remember it.

Reflecting on his behaviour…

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Non-Review Review: Prometheus

Prometheus is an impressive science fiction thriller. Indeed, its weakest link is its attempt to “line-up” with Scott’s original Alien, as its own interesting ideas end up caught up in an attempt to throw knowing winks and nods towards an overly eager audience. “look! green gooey possibly acidic blood!” the movie seems to cry or “gee! that illustration looks familiar!” The problem is that these feel like distractions from a plot that is compelling and fascinating when explored on its own merits. Still, it feels like a worthy science fiction film in its own right, a fitting hybrid of Scott’s Alien with his Blade Runner, daring to pose interesting existential and philosophical questions about humanity’s place in the universe.

David is a piece of work…

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Non-Review Review: Snow White and the Huntsman

Snow White and the Huntsman can’t help but feel like it misses the mark. Its intentions are clear, its objectives very firmly set. It’s an attempt to “reclaim” the age old fairytale for a more modern audience, to revisit all the tropes and the plot devices from the story we all know and rework them so that they speak to today. The result is a massive misfire, as the attempt to craft a feminist fable from the story of Snow White makes the same fatal misstep as Tim Burton’s Alice in Wonderland: just because you put a sword in the hand of your leading female, and just because she wears a suit of armour, does not immediately reinvent her as a feminist icon.

Not quite queen of our hearts…

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Non-Review Review: Moonrise Kingdom

I’ve always felt that Wes Anderson sees the world through the eyes of child. Events take on a surreal larger-than-life significance, characters are exaggerated, emotional interactions are somewhat simplistic, yet peppered with nuance and hidden depth. To be entirely honest, I’ve found this has a tendency to make Anderson’s adult characters difficult to relate to and his movies difficult to engage with. That’s why I think The Fantastic Mr. Fox worked so well, because it was a childish view of an adult work through the prism of a children’s story.

That’s also why, I think, Moonrise Kingdom works just as well as Anderson’s quirky foray into the world of stop motion animation. While many of Anderson’s films are tragedies about overgrown children living in the bodies of adults, Moonrise Kingdom is more keenly focused on how adults and children interact with one another – giving the movie a depth to complement Anderson’s unique stylistic vision, and heart to go with its cynical wit.

“Well, we know where we’re going…”

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Non-Review Review: To Catch a Thief

To Catch a Thief is unique among Hitchcock films. It’s the only Hitchcock film produced by Paramount to remain distributed by Paramount. The rest reverted to Hitchcock and are now distributed by Universal. More than that, however, the film feels remarkably “light” as measured against some of his other work. It feels almost like Cary Grant and Grace Kelly are just supporting players, with the French Riviera serving as the headlining star of the film. That not to dismiss To Catch a Thief entirely – it’s still a beautiful and well constructed piece of cinema from a master director, just one that feels a little shallow compared to his better work.

The short kiss goodnight…

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Non-Review Review: Aliens (Theatrical Cut)

To celebrate the release of Prometheus this week, we’ll be taking a look at the other movies in the Alien franchise.

I think Aliens might be my favourite James Cameron movie. Of course, the guy has any number of iconic movies vying for that position – The Terminator and Terminator 2 both come to mind, for example – but I can’t help but admire how efficiently the director constructed his first big budget motion picture. Regardless of its place within an iconic science-fiction franchise, Aliens is practically a guidebook on how to effectively construct a movie, from writing the script to directing the action and absolutely everything in between. It’s hard to look at Aliens as anything less than a complete triumph, no matter which angle you examine the film from.

Queen bee…

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Photos from the Jameson Cult Film Snatch (Cork) Screening…

Hi,

Just a quick one to start the week. The guys over at the Jameson Cult Film Club sent on some photos from their Cork screening of Snatch last week. I wasn’t able to attend, but I hear it was a good night for all involved. Anyway, I thought I’d share the pictures, and remind any film fans reading that the tickets are given away free to members who join via their website, here. Anyway, I hope everybody who went along enjoyed it, and congratulations to the team on taking the show on the road.

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Non-Review Review: Falling Down

Falling Down is something of a cult classic. It, along with Phone Booth, stands as proof that Joel Schumacher is actually a rather wonderful director, as much as his failures might occasional overshadow his accomplishments. Filmed in the midst of the Los Angeles riots, Falling Down manages to speak to a lot of the anger of urban living, as William “D-Fens” Foster takes out his frustration on an urban environment that has gone completely mad. Almost twenty years after it was originally released, Falling Down is still a potent little film.

The best D-FENS…

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More Than You Embargoed For: Thoughts on Review Embargoes…

I know I’m a bit late on this one, but I’ve been thinking a bit about movie review embargoes of late. For those unaware, embargoes are those restrictions on when a reviewer can publish a review. They’re normally enforced by studios, limiting the publication of reviews to within a one week window of the movie’s release. I’ve had the fortune over the past few months to be invited to screenings of The Avengers and Pirates! In An Adventure With Scientists long before the window, and have held my review until it’s okay to publish. Still, I can’t help but feel a little uneasy at the prospect.

Nothing to get too Fury-ous about…

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