I published a new In the Frame piece at The Escapist this evening. With the release of Spider-Man: Across the Spider-Verse this weekend, it seems like as good an opportunity as any to take a look back at Spider-Man: Into the Spider-Verse.
Into the Spider-Verse is arguably the best superhero movie of the previous decade. A large part of the film’s appeal is that it is a superhero movie built around the understanding that its audience has seen other superhero movies and understands the classic beats of the superhero origin story. As such, it can speed them up and slow them down, iterate over them and subvert them, using the audience’s familiarity to create a postmodern meditation on the very idea of Spider-Man.
You can read the piece here, or click the picture below.
Filed under: Movies | Tagged: Conventions, in the frame, meaning, memes, memetic, Narrative, pop culture, postmodern, rhythm, sony, spider man, spider-verse, storytelling, tropes, viral | Leave a comment »


























334. John Wick: Chapter 4 (#181)
Hosted by Andrew Quinn and Darren Mooney, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.
This time, Chad Stahelski’s John Wick: Chapter 4.
Still exiled and alone, John Wick wanders through the global criminal underworld. As his friends fall around him and the knives of the High Table close in around him, the assassin finds himself contemplating an uncomfortable question. What does he actually want? What can he actually accomplish?
At time of recording, it was ranked 181st on the list of the best movies of all time on the Internet Movie Database.
Continue reading →
Filed under: This Just In | Tagged: action, commentary, donnie yen, film, franchise fatigue, hiruyuki sanada, john wick, john wick: chapter 4, just the two of us, Keanu Reeves, martial arts, morality, Movie, nobody, podcast, rules, society, The 250, This Just In | Leave a comment »