martial arts | the m0vie blog

334. John Wick: Chapter 4 (#181)

Posted on April 29, 2023 by Darren

Hosted by Andrew Quinn and Darren Mooney, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This time, Chad Stahelski’s John Wick: Chapter 4.

Still exiled and alone, John Wick wanders through the global criminal underworld. As his friends fall around him and the knives of the High Table close in around him, the assassin finds himself contemplating an uncomfortable question. What does he actually want? What can he actually accomplish?

At time of recording, it was ranked 181st on the list of the best movies of all time on the Internet Movie Database.

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Filed under: This Just In | Tagged: action, commentary, donnie yen, film, franchise fatigue, hiruyuki sanada, john wick, john wick: chapter 4, just the two of us, Keanu Reeves, martial arts, morality, Movie, nobody, podcast, rules, society, The 250, This Just In | Leave a comment »

322. Dragonball: Evolution (-#14)

Posted on February 4, 2023 by Darren

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Jonathan Victory, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, James Wong’s Dragonball: Evolution.

Goku is a teenage boy who has been trained in martial arts by his Grandpa Gohan, but also sworn to never use those skills for his own benefit. As Goku navigates his difficult teenage years, he finds himself drawn into an epic struggle when the villainous King Piccolo suddenly reappears with a plot to conquer the world using the seven mysterious dragon balls. With an unlikely team of allies, and a looming solar eclipse, Goku finds himself on an unlikely journey of self-discovery with the fate of the world in his hands.

At time of recording, it was ranked 14th on the list of the worst movies of all time on the Internet Movie Database.

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Filed under: The Bottom 100 | Tagged: anime, dragon ball, dragonball, dragonball: evolution, imdb, james marsters, James Wong, jonathan victory, justin chatwin, martial arts, Movie, podcast, The 250, The Bottom 100 | Leave a comment »

New Escapist Video! On “Shang-Chi” and “Blade” as Homages to Hong Kong Action Cinema…

Posted on September 21, 2021 by Darren

So, as I have mentioned before, I am launching a new video series as a companion piece to In the Frame at The Escapist. The video will typically launch with every second Monday’s article, and be released on the magazine’s YouTube channel the following week. This is kinda cool, because we’re helping relaunch the magazine’s film content – so if you can throw a subscription our way, it would mean a lot.

With the release of Shang-Chi and the Legend of Ten Rings, it seemed like a good opportunity to take a look at the latest Marvel Studios film. Shang-Chi and the Legend of the Ten Rings is loosely adapted from the seventies title Master of Kung Fu, and so it seems interesting to discuss the film in the context of another adaptation of a cult non-superhero seventies comic book: Blade.

Filed under: On Second Thought | Tagged: Blade, blaxploitation, escapist, escapist magazine, in the frame, martial arts, shang-chi, shang-chi and the legend of the ten rings, simu liu, the escapist, Wesley Snipes | Leave a comment »

New Escapist Column! On how “Blade” is a More Loving Tribute to Hong Kong Action Cinema Than “Shang-Chi and the Legend of the Ten Rings”…

Posted on September 13, 2021 by Darren

I published a new In the Frame piece at The Escapist this evening. With the release of Shang-Chi and the Legend of the Ten Rings, it seemed like a good opportunity to discuss the film.

In particular, Shang-Chi and the Legend of the Ten Rings has been packaged and sold as a love letter and tribute to classic Hong Kong action cinema. However, that seems somewhat unconvincing. As with virtually every film the Marvel Cinematic Universe, the house style exerts an inescapable gravity that warps the movie back around it and forces it to adhere to a familiar template. There’s a sad but revealing irony in the fact that Blade, the movie that quietly launched the modern superhero movie boom, feels like a more sincere and loving tribute to Hong Kong cinema than Shang-Chi and the Legend of the Ten Rings.

You can read the piece here, or click the picture below.

Filed under: On Second Thought | Tagged: Blade, Hong Kong, hong kong action, jackie chan, martial arts, shang-chi, shang-chi and the legend of the ten rings, simu liu, Wesley Snipes | Leave a comment »

New Escapist Column! On the “Karate Kid” Franchise as an Exploration of Hollywood’s Complicated History with the Martial Arts…

Posted on January 1, 2021 by Darren

I published a new In the Frame piece at The Escapist this evening. The new season of Cobra Kai launched on Netflix today, so it seemed like a good excuse to take a look back at the Karate Kid franchise.

The Karate Kid franchise is often overlooked in discussions of the American action movie, particular the American martial arts movie. However, the films offer a fascinating snapshot of the tension that existed within Hollywood around martial arts during the seventies and into the eighties. The genre was largely imported from East Asia, however it was quickly reworked and reinvented as an American genre. Indeed, one of the recurring tensions within the Karate Kid franchise is the idea of appropriation – of who karate “belongs” to and what happens when others try to take it.

You can read the piece here, or click the picture below.

Filed under: On Second Thought | Tagged: appropriation, bruce lee, cobra kai, in the frame, martial arts, pop culture, the karate kid, vietnam | Leave a comment »

Non-Review Review: Paradox

Posted on February 27, 2018 by Darren

This film was seen as part of the Audi Dublin International Film Festival 2018.

The obvious point of comparison for Paradox is Taken.

Of course, Taken is so archetypal an action film that it has become a stock point of comparison for any gritty action movie with a paternal protagonist. However, the similarities to Paradox are quite apparent. Both Paradox and Taken are the stories of fathers who discover that their daughters have been kidnapped while holidaying abroad, and who inevitably use their investigative skills (and their capacity for violence) in order to track down their lost loved one while venturing into a disturbing subculture that exists for the gratification of the rich and the privileged.

Paradox follows veteran Hong Kong police negotiator Lee Chung-Chi when his daughter is kidnapped in Thailand. It quickly becomes clear that the girl has been targeted by illegal organ dealers to provide a heart transplant for the corrupt local mayor, meaning that the father is caught in a desperate race against time to pull back the layers of corruption and indifference that serve to insulate those responsible. Along the way, he teams up with local police inspector Tsui Kit to crack the case.

However, much like the obvious comparison to Taken, the simple plot description does not do justice to the weirdness and tonal awkwardness of Paradox. It is perhaps most accurate to describe Paradox as a film quite like Taken, if Taken featured a scene in which one character dangles another off the roof by their penis.

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Filed under: Non-Review Reviews | Tagged: adiff, dick dangling, diff, film, Hong Kong, martial arts, melodrama, Movie, non-review review, paradox, review, taken, Thailand | 2 Comments »

Iron Fist – Bar the Big Boss (Review)

Posted on March 28, 2017 by Darren

It’s impossible to talk about Iron Fist without talking about cultural appropriation.

There are multiple reasons for this. The most obvious are baked into the character himself, from his origin all the way back in Marvel Premiere as a white guy who travels to a mystical Asian city and becomes better at kung fu than any of the inhabitants before returning to America. There’s also very much the conversation that has been happening around the television series, which has prompted larger debates about the role of Asian performers and culture in Hollywood. Finally, there’s the fact that show so expertly puts its foot in its mouth.

Shaping up…

Bar the Big Boss is the perfect point at which to address this. Again, for multiple reasons. The most obvious is that it represents the last point at which the most obvious aspects of Asian exoticism are in play; barring the closing scene of Dragon Plays with Fire, this episode is the end of the Hand and K’un Lun as narrative forces in the context of the larger narrative. It is also an episode that effectively allows Davos to lightly touch upon the issue of cultural appropriation before brushing his concerns aside by turning him into a stock villain.

But, really, the issue is so firmly baked into the Iron Fist mythos that it is impossible to talk about in isolation.

Warding off evil spirits.

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Filed under: Television | Tagged: bruce lee, cultural appropriation, danny rand, ethnicity, fish out of water, iron fist, kung-fu, lewis tan, martial arts, mysticism, orientalism, race, Roy Thomas | 7 Comments »

Non-Review Review: Headshot

Posted on February 27, 2017 by Darren

This film was seen as part of the Audi Dublin International Film Festival 2017.

The obvious (and easy) comparison for Headshot is The Raid.

Part of that is down to the superficial similarities. Both are relatively straightforward Indonesian action movies starring Iko Uwais with an emphasis on martial arts. Even beyond that, The Raid was a breakout hit and exists as one of the defining modern martial arts movies for wider audiences. Even without the similar stuntwork and the combination of lead actor and genre, The Raid would be a stock point of comparison for Headshot. The film even seems to invite and encourage the comparison, with directors Kimo Stamboel and Timo Tjahjanto consciously evoking Gareth Evans’ style.

Headed into danger.

The comparison does Headshot no favours. For all the similarities between the two films, the differences are telling. Headshot has a style that consciously evokes The Raid, but it lacks its streamlined efficiency. It has a number of impressive prop-heavy set pieces that call to mind the impressive work in The Raid, but it never embraces the loose and freewheeling style that made The Raid so striking. More than that, Headshot never manages the delicate balance between rudimentary character work and a solid story, leading to a film that feels both paper-thin and over-developed.

Headshot is a solidly middle-of-the-road martial arts slugfest, but it lacks the sheer “wow!” factor that made The Raid pop.

Bar none.

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Filed under: Non-Review Reviews | Tagged: film, headshot, martial arts, Movie, non-review review, review, the raid | Leave a comment »

Non-Review Review: The Raid 2

Posted on April 7, 2014 by Darren

The Raid is a modern action classic. It’s a rather simple premise executed with incredible flair – a bunch of cops find themselves trapped in a high-raise tower with an army of organised thugs, forced to fight their way to freedom. It’s not the most original of plots, but it works quite well as a framework upon which to hang some genuinely breathtaking martial arts set pieces. It was a showcase for director Gareth Evans and fight choreographers Iko Uwais and Yayan Ruhian.

The Raid 2 has much to recommend it – with Evans and his collaborators dramatically increasing the mayhem captured on screen. There are any number of memorable fight sequences contained within the film, with Evans, Uwais and Ruhian finding all sorts creative manners of dispatch. The stunts are bigger, the scale larger and the ambition more palpable. In terms of sheer action quotient, the bar has been well and truly raised.

It is a bit of a bloody mess…

Unfortunately, The Raid 2 lacks the elegant simplicity of its predecessor. Confined to a single building for one hundred minutes, The Raid was tight and claustrophobic – moving like a locomotive. Running almost an hour longer, The Raid 2 is rather bloated and overstated. Evans’ ambition extends beyond stunt work and fight sequences, and so he tries to craft a crime epic that seems half-way between Infernal Affairs and Only God Forgives, lacking the humanity of the former and the operatic sensibilities of the later.

The result is an overblown mess of a film that really comes together for a powerhouse final forty minutes. The last act of The Raid 2 manages to capture the frantic momentum of the first film, with a sense of constantly escalating scale and brutality. Unfortunately, the rest of the film doesn’t quite measure up.

Raiding the pantry…

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Filed under: Non-Review Reviews | Tagged: film, Gareth Evans, indonesia, martial arts, Movie, non-review review, review, the raid, the raid 2 | 2 Comments »

My 12 for ’12: The Raid (Redemption) & An Action Aesthetic…

Posted on December 20, 2012 by Darren

I’m counting down my top twelve films of the year between now and January, starting at #12 and heading to #1. I expect the list to be a little bit predictable, a little bit surprising, a little bit of everything. All films released in the UK and Ireland in 2012 qualify. Sound off below, and let me know if I’m on the money, or if I’m completely off the radar. And let me know your own picks or recommendations.

This is #12…

It’s a bit of a stereotype that critics don’t like action movies. It’s one of those handy clichés that gets trotted around whenever some mega-blockbuster brings in a ridiculously large number at the box office after a thrashing from the pundits. I can’t speak for the critics, of course, but I can tell you that the reason I disliked The Bourne Legacy or Transformers 3: Dark of the Moon had nothing to do with an innate dislike of action movies as a genre. I’m a big fan of action movies. However, like any other genre, an action movie needs to be done right.

The Raid does an action movie right.