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Millennium – Collateral Damage (Review)

This July, we’re taking a trip back in time to review the sixth season of The X-Files and the third (and final) season of Millennium.

Collateral Damage continues the weird healing process at work in the third season.

After spending so much time pretending that the second season never actually happened, the third season has finally accepted that there were story developments flowing from that season that the show needs to deal with. In some respects, Collateral Damage can be seen as a process of healing and integration for the third season of Millennium, constructing a story that manages to tie together all three seasons of Millennium together into something resembling a cohesive whole.

"A bloody fine mess you've gotten me into!"

“A bloody fine mess you’ve gotten me into!”

From the first season, Collateral Damage takes its introduction and basic premise. Collateral Damage begins in a manner similar to many early Millennium episodes. A sinister attacker stalks their victim and brutally strikes. We are then treated to a few extended suspense-filled sequences as the attacker’s designs become increasingly uncomfortable and nefarious. It is not too hard to imagine Collateral Damage as the kind of “serial killer of the week” episode that populated the early first season.

For the second season, Collateral Damage inherits its fascination with the Millennium Group and its depiction of Peter Watts. Collateral Damage marks the first point in the third season where Peter Watts feels like the character that we watched grow and evolve over the second season. This is a version of Peter who has so repressed his doubts and uncertainties that they threaten to explode if they are even acknowledged. It is a much more compelling character than the knock-off conspirator featured in episodes like Exegesis and Skull and Bones.

"Don't be afraid."

“Don’t be afraid.”

From the third season, Collateral Damage takes its fixation on the link between the Millennium Group and conspiracies involving the American government. Collateral Damage suggests that the Millennium Group is responsible for Gulf War Syndrome. It feels like a plot point from an episode of The X-Files – and arguably makes it an ideal third season element. The result is perhaps the most all-encompassing episode of the show ever produced. Collateral Damage is not the best episode of Millennium ever produced, but it is perhaps the broadest representation of the show itself.

If you were to pull back and examine Millennium from a distance, it might look a lot like Collateral Damage.

"Surgical strike."

“Surgical strike.”

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Non-Review Review: Superman – Doomsday

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. This is the very first of the “stand-alone” animated movies produced by the creative team that gave us the television shows. 

Superman: Doomsday is the first entry in the range of animated DC films featuring their iconic superheroes. The line has since ballooned to feature a wide range of other heroes, with movies focusing on Batman, Wonder Woman, Green Lantern and even the Justice League itself, but Superman seemed a logical place to start. Of course, the fact that the movie came from the minds that brought us Batman: The Animated Series and the rest of the animated universe (even if it didn’t share continuity) was also a solid indication. However, there’s very much a sense of a production team attempting to find their footing. Although it’s solidly entertaining on its own terms, the film feels like perhaps the weakest entry in the selection of films. 

Well, at least he can wipe it on his cape and no one will notice...

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