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David V. Reed’s Run on Batman – Where Were You On The Night Batman Was Killed? (Review/Retrospective)

23rd July is Batman Day, celebrating the character’s 75th anniversary. To celebrate, this July we’re taking a look at some new and classic Batman (and Batman related) stories. Check back daily for the latest review.

David V. Reed enjoyed a long run on Batman. While he’s probably more infamous for his rather mean-spirited attack on Batman artist and co-creator Bill Finger in the pages of The Amazing World of DC Comics only a year after Finger passed away, Reed did some interesting things with the character and world of Batman. Perhaps the most notable of these stories is the four-part Where Were You on the Night Batman Was Killed?, an ambitious four-part story offering multiple-choice takes on the death of Batman.

It could be argued that Where Were You on the Night Batman Was Killed? has been a very influential Batman story. David V. Reed’s four-part saga sets up a structure that has been emulated quite a bit over the history of the Caped Crusader. For example, Almost Got ‘Im from Batman: The Animated Series follows a similar structure, with four Batman villains boasting about almost killing Batman. And Neil Gaiman and Adam Kubert’s Whatever Happened to the Caped Crusader? features many different deaths for Batman.

Long live the Batman!

Long live the Batman!

There are even faint echoes of Where Were You on the Night Batman Was Killed? to be found in the pages of Grant Morrison’s extended Batman run – populated as it is with replacement Batmen, cabals of evil villains boasting about their crimes, and the almost-but-not-quite death of the Dark Knight. Published in 1977, Where Were You on the Night Batman Was Killed? is a four-parter that seems quite a bit ahead of its time, if a little clumsy in execution.

It’s a decidedly goofy concept, executed in a decidedly goofy manner, but it is also quite wry and astute and perhaps even a little prescient.

Batman drops in...

Batman drops in…

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Superman: The Animated Series – Legacy, Parts 1 & 2 (Review)

To celebrate the release of Man of Steel this month, we’re going Superman mad. Check back daily for Superman-related reviews.

It seems like I’ve spent far too long comparing Superman: The Animated Series to its direct predecessor, Batman: The Animated Series. However, it’s interesting how radically different Bruce Timm structured of the two shows. Batman came and went off the air with episodes that could only barely be described as a pilot and a finalé. On Leather Wings featured a Gotham still coming to terms with Batman, but it wasn’t an origin story. Judgment Day teased the possibility of closing Harvey Dent’s arc (and maybe killing off some recurring bad guys), but it didn’t offer too much else in the way of closure.

In contrast, Superman: The Animated Series opened and closed with two large-scale multi-part episodes designed to bookend the show, opening and closing the character’s arc. While Legacy doesn’t feel absolutely final, with plot points leading directly into Timm’s Justice League television show, it does offer a fitting end for Superman: The Animated Series.

He comes in peace.

He comes in peace.

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Non-Review Review: Superman Unbound

To celebrate the release of Man of Steel this month, we’re going Superman mad. Check back daily for Superman-related reviews.

Superman Unbound is a little disappointing. These direct-to-video animated films can offer brilliant and energetic takes on established comic book characters and stories. The recent two-part adaptation of The Dark Knight Returns and the animated version of New Frontier come to mind. However, Superman Unbound seems to be just treading water, offering a fairly generic Superman story with no real insight into the character and his world.

Up, up and away...

Up, up and away…

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Superman: The Animated Series – Knight Time (Review)

To celebrate the release of Man of Steel this month, we’re going Superman mad. Check back daily for Superman-related reviews.

It’s always fun to compare and contrast Superman and Batman, partially because they are two of the oldest and most iconic superheroes in popular culture, but also because the lend themselves to contrast. Superman is all smiles and primary colours, while Batman is shades of grey and shadows. It’s fun to see the worlds of the two superheroes overlap, if only because they are so radically different in tone, atmosphere, mood and content.

While World’s Finest brought Batman and the Joker to Metropolis to play with Superman and Lex Luthor, Knight Time sees the Man of Steel substituting in for an absentee Batman in Gotham.

I gotta get me one of those...

I gotta get me one of those…

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Superman: The Animated Series – Ghost in the Machine (Review)

To celebrate the release of Man of Steel this month, we’re going Superman mad. Check back daily for Superman-related reviews.

Ah, Lex Luthor. Luthor is, in the right hands, an absolutely fascinating character. The arrogant, ruthless, egocentric hero of his own story – the man who resents the world for not acknowledging his genius are recognising his boundless compassion. He’s a crusader against the alien threat that has lulled his city into a false sense of security, and he’s willing to make untold sacrifices in order to expose Superman as the menace that Luthor knows deep down that he is.

Well, not really. Luthor is a greedy and manipulative sociopath with delusions of grandeur and a ruthless streak a mile wide. However, there’s something quite intoxicating about the romantic mythology he’s created from himself. Ghost in the Machine is really the first time we’ve focused on a character taken in by that mythology, somebody won over by Luthor’s propaganda and his alpha male charisma.

Mercy Graves was never the break-out character that Harley Quinn was, but she’s another valuable addition to the DC universe made by Bruce Timm and the rest of DC animation. Ghost in the Machine is as much her story as Superman’s or Brainiac’s, as she finds herself caught in the middle.

Another day in the body shop...

Another day in the body shop…

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52 (Review/Retrospective)

To celebrate the release of Man of Steel this month, we’re going Superman mad. Check back daily for Superman-related reviews.

If you are looking to get a taste of the shared universe that DC have created, a glimpse at the diverse characters and their overlapping worlds who have been cultivated as part of the publisher’s comic book line, then it’s very hard to go wrong with 52. A weekly series set in the wake of one of the company’s line-wide “everything changes” events, it offers a fascinating glimpse into the workings of the minor characters dealing with their own problems and issues in a world without Superman, Batman or Wonder Woman.

Published as fifty-two weekly issues, it serves as something of “a year in the life” of this fictional world. Written by four of the best writers in contemporary comics, each of whom has made outstanding contributions to the company’s output in the not-too-hazy past, 52 might not be the best or most consistent comic book that DC ever published, but it is one of the most insightful, original and fun.

Falling from the sky...

Falling from the sky…

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Superman: The Animated Series – The Way of All Flesh (Review)

To celebrate the release of Man of Steel this month, we’re going Superman mad. Check back daily for Superman-related reviews.

Although it was quite clear from The Last Son of Krypton that Superman: The Animated Series was going to be quite a different beast than Batman: The Animated Series, there were times when the show borrowed a trick or two from its older sibling. Particularly early in the show’s run, there were a number of “villain origin” episodes which seemed to emulate the more successful villain-centric stories from Batman: The Animated Series.

Fun and Games, the origin episode for Toyman, could easily have been adapted for the other show with a minimum of fuss. It was probably too similar, and a demonstration that Timm’s approach to Batman couldn’t be expected to work perfectly for Superman. Feeding Time and The Way of All Flesh are two single episodes designed to introduce two of Superman’s second-tier bad guys, the Parasite and Metallo.

While they retain a stronger sense of serialised storytelling than many of the Batman stories, there’s a very clear attempt on the part of the writers to humanise and almost empathise with these villains. The Way of All Flesh is probably the most successful, in part because Metallo has a great hook for writer Stan Berkowitz to mine, in part because he’s an interesting villain is his own right, and in part because it does this without seeming too much like an attempt to copy Batman: The Animated Series.

The real man of steel...

The real man of steel…

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Superman: The Animated Series – Blasts From the Past, Parts 1 & 2 (Review)

To celebrate the release of Man of Steel this month, we’re going Superman mad. Check back daily for Superman-related reviews.

Blasts from the Past feels like it should be a better episode. After all, Superman’s relationship with his Kryptonian heritage should be fodder for good drama. If you read Superman as a parable for the American Dream – the story of an orphan from far away who comes to America and makes something of himself – it’s always fascinating to look at that story from the other direction. What are Superman’s ties to Krypton, a planet destroyed before he could speak? Does he define himself as Kryptonian?

Some versions of the character’s mythology suggest that his outfit is Kryptonian armour. Most recent takes on the character suggest that the famous “S-shield” is the emblem of the House of El. There are a lot of interesting questions about how an alien from a dead world who has become the protector of Earth must see himself. Is he one or other, both, or neither? Most interpretations seem to opt for “both”, although the suggestion is that Kal-El leans more heavily towards Earth.

Blasts from the Past should be a vehicle to explore this, bringing back two Kryptonian characters and allowing Superman to interact with them. At the very least, perhaps it could be an exploration of how much a childhood on Earth changed Superman. Instead, it feels like a rather bland rehash of Superman II, just with some names changed.

Red sky in the... well, eternity, I guess...

Red sky in the… well, eternity, I guess…

 

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Infinite Crisis: Villains United (Review)

This month I’m taking a look at DC’s massive “Infinite Crisis” Event. Although it was all published in one massive omnibus, I’ll be breaking down the lead-in to the series to tackle each thread individually, culminating in a review of the event itself. Check back for more.

I have to admit that, as a rule, I have a great deal of respect for DC’s massive event-related tie-ins. Rather than typically offering expanded or deleted scenes from the main crossover, the tie-ins to their gigantic crossovers will frequently serve as prologues or epilogues to new concepts and relaunches. With Final Crisis, for example, Legion of Three Worlds served as prelude to a rebooted Legion of Superheroes and Rogues’ Revenge offered something of a hint of Geoff Johns’ return to The Flash. Infinite Crisis: Villains United is no different. While nominally the story of evil Alexander Luthor Jr.’s evil Secret Society, it’s actually something of a stealth pilot for Gail Simone’s Secret Six, introducing the characters and the concepts that would define the series.

Just an average day at the House of Secrets…

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A View to a Bond Baddie: Ernst Stavro Blofeld

To celebrate James Bond’s 50th birthday on screen, we’re going to take a look at the character and his films. We’ve already reviewed all the classic movies, so we’ll be looking at his iconic baddies, and even at the character himself.

Blofeld is unique among the Bond villains for his capacity to keep turning up. He’s appeared in more on-screen adventures than any other Bond baddie, and he survives in the popular imagination, with a lot of gossip about the next Bond film likely to debate whether or not they’re bringing Blofeld back. The character has endured in the public imagination as the Bond baddie, and he’s perhaps best immortalised as Micheal Myers’ Doctor Evil from the Austin Powers movies. However, watching his appearances again, I’m actually struck by how little consistency there is in the portrayal of his character, and I can’t help but wonder if the reason he endures is because of his versatility as an adversary.

Bond movies have a remarkable adaptability. They can be serious, campy, ridiculous, sombre, mature and juvenile, often all at the same time. As far as Bond villains go, Blofeld’s really the only villain who can compete with that.

He looks like the cat who got the canary…

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