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New Escapist Column! On “Cobra Kai” and the Future of the “Netflix Bump”…

I published a new In the Frame piece at The Escapist this evening. Because the new season of Cobra Kai arrived on Netflix last week, I thought it was worth taking a look at the show’s relationship to Netflix.

Cobra Kai is just the latest in a series of shows that have been “saved” by the streaming service, with earlier seasons struggling on other providers only for Netflix to find an audience and even take up the bill; Arrested Development, You, Lucifer and so on. However, things are changing. As companies like YouTube bow out of the streaming wars and as companies like NBC begin consolidating their broadcast and streaming wings, there’s both fewer of these gems produced and less room for Netflix to get the ones that are produced to larger audience.

You can read the piece here, or click the picture below.

New Escapist Column! On the “Karate Kid” Franchise as an Exploration of Hollywood’s Complicated History with the Martial Arts…

I published a new In the Frame piece at The Escapist this evening. The new season of Cobra Kai launched on Netflix today, so it seemed like a good excuse to take a look back at the Karate Kid franchise.

The Karate Kid franchise is often overlooked in discussions of the American action movie, particular the American martial arts movie. However, the films offer a fascinating snapshot of the tension that existed within Hollywood around martial arts during the seventies and into the eighties. The genre was largely imported from East Asia, however it was quickly reworked and reinvented as an American genre. Indeed, one of the recurring tensions within the Karate Kid franchise is the idea of appropriation – of who karate “belongs” to and what happens when others try to take it.

You can read the piece here, or click the picture below.