I published a new In the Frame piece at The Escapist this evening. With the upcoming release of John Wick: Chapter 4, it seemed like a good opportunity to take a look back at the action franchise.
In modern Hollywood, the John Wick movies stand out from a lot of their competitors by embracing a very practical and material philosophy, leaning heavily on in-camera effects for maximum impact. However, the films are more than just a showcase for stuntwork as one of the industry’s most undervalued artforms. They are also an argument for stunt work as an artform unto itself, particularly in the way that they emphasis the importance of action as a means of storytelling and the way in which they frequently place their stunts in the context of more broadly-accepted forms of artistic expression.
You can read the piece here, or click the picture below.
Filed under: Movies | Tagged: art, ballerina, ballet, buster keaton, charlie chaplin, history, hollywood, in the frame, john wick, Keanu Reeves, Performers, silent cinema, stunts, stuntwork, the escapist |
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