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118. The Kid – Virgin Media Dublin International Film Festival 2019 (#99)

Hosted by Andrew Quinn and Darren Mooney, The 250 is a fortnightly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT. This week, the pair are joined by Sarah Ahern, the programmer of the Fantastic Flix slate at the Virgin Media Dublin International Film Festival.

This time, Charlie Chaplin’s The Kid.

When a wandering tramp discovers an abandoned baby in an alleyway, he takes the young child into his care. The pair forge an unlikely familial bond, living at the margins of society, but it all threatens to unravel when the authorities become involved.

At time of recording, it was ranked the 99th best movie of all time on the Internet Movie Database.

The Kid is being shown as part of the Virgin Media Dublin International Film Festival. It will be shown in the Lighthouse Cinema, next Saturday 23rd February 2019. Tickets are available online. Any Irish listeners of the podcast interested in watching the film are more than welcome; the film is introduced in broad terms at the start of the podcast.

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New Podcast! Scannain Podcast (2019) #5!

It’s time for the latest Scannain podcast!

This week, I join Ronan Doyle, Jay Coyle and Alex Towers from When Irish Eyes Are Watching to discuss the week in film news. We have a broad and wide-ranging discussion of what we watched, including everything from John Carpenter’s The Fog to 3,000 Miles to Graceland to the work of Agnes Varda and some preemptive highlights of the upcoming Virgin Media Dublin International Film Festival. We also discuss a little bit about David Fincher’s Zodiac, which we all caught on 35mm at the Lighthouse.

In terms of film news, there is a lot to cover. The big story concerns the cinema-going habits of the Irish (and international) audiences. However, there’s also news from the European Film Market, including a number of prospective Irish films on sale.

The top ten:

  1. Second Act
  2. Escape Room
  3. Mary Poppins Returns
  4. Mary Queen of Scots
  5. Vice
  6. Glass
  7. The Mule
  8. A Dog’s Way Home
  9. Green Book
  10. How to Train Your Dragon III: The Hidden World

New releases:

You can download the episode here, or listen to it below.

 

Non-Review Review: Sleeper

Sleeper is an enjoyable Woody Allen film, coming from relatively early in the director’s career. He had yet to direct either Annie Hall or Manhattan, arguably his two most popular works, but was coming off a string of well-regarded movies. Sleeper is an affectionate look at many of the science-fiction movies that Hollywood was producing in the late sixties and early seventies, to the point that Allen himself actually sat down with Isaac Asimov to make sure the science-fiction elements of the script were kosher. However, Sleeper is remarkably fluid, allowing room within that framework for Allen to really explore any and all ideas that might possibly have occurred to him. The result is, to borrow a quote from the poster, a highly enjoyable and almost whimsical “nostalgic look at the future.”

Robot in disguise…

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The Mustache Must Dash: Random Thoughts on Green Lantern’s Facial Hair…

I’d like to take a moment to deflect attention away from the disappointing quality and box office returns on Green Lantern, and focus on a matter much more serious and important. You see, I noticed the most peculiar thing. The cast of Green Lantern features two major supporting players with that most oft-maligned piece of facial hair: the mustache. It strikes me as quite strange in this day and age (at least outside of National Mustache Month) to see so many key players wearing that delightfully old-fashioned piece of facial hair.

In fairness, their mustaches are the first indications that they're evil...

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In Good Humour: The Calamatous Case of the Comedy Classics…

The wonderful lads over at Anomalous Materials are running a tournament over the summer to find the best comedy of all time. Think of it as a world cup, for film nerds. However, the competition – like our quad-annual footie fest – has had its share of upsets. Most notable in an early round where Galaxy Quest triumphed over Some Like it Hot or the trumping of Arsenic and Old Lace by A Fish Called Wanda another day (the same day The General went home empty handed, losing to Mrs. Doubtfire) or Bringing Up Baby getting trounced by Little Miss Sunshine. There are more borderline cases, with The Apartment beating The Circus or The Great Dictator losing to The Graduate. However, the only victory for a “classic” classic film I could find was that of City Lights over A Christmas Story. This sparked a bit of discussion between those taking part (which is, in fairness, the rather wonderful thing about events like this), but it got us wondering: Is comedy a fickle mistress? Has what the audience expected from a comedy changed dramatically with the times? Are what many consider to be “classics” of the genre subject to this winds of change and popular taste?

Modern Times are tough for Charlie...

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When Did The Oscars Become a Lifetime Achievement Award?

There’s been a fair amount of hub-bub (it’s a word – I swear!) about these year’s presumptive Academy Award winners. I’ve been following the Oscar race since early last year, and I was as surprised as anyone when Sandra Bullock’s name came into the race, first as a nominee and then as the sure-bet winner, for her dramatic turn in The Blind Side. I was also, I must admit, a little chuffed when the ever-loveable Jeff Bridges moved to the head of his pack for is own turn in Crazy Heart. However, I’ve noticed a lot of people talking about these two nominees and one question seems to be coming more than others: do those favouring these performers believe that they deserve to win for these roles, or simple that they deserve to win for years as solid and respectable actors? Do these roles just offer us a chance to recognise their longterm contributions? And is that necessarily fair?

Don't worry, Colin, your time will come...

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Academy to Cut Honorary Awards from Telecast…

I’m going to give the expansion of the Best Picture category the benefit of the doubt and I don’t really care about the Original Song rules, to be completely honest, but I am a little ticked off at the announcement that the Honorary Oscars are being shunted back stage. Talk about completely missing the point – the Academy doesn’t seem to get that most viewers aren’t clamoring for that extra High School Musical song so badly that they’re shunt off someone who has made such a massive contribution to popular culture as to warrant the Honorary Award. I just don’t get this decision.

We want the Academy to take its hat off to Charlie Chaplin...

We want the Academy to take its hat off to Charlie Chaplin...

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