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New Podcast! Scannain Podcast (2019) #5!

It’s time for the latest Scannain podcast!

This week, I join Ronan Doyle, Jay Coyle and Alex Towers from When Irish Eyes Are Watching to discuss the week in film news. We have a broad and wide-ranging discussion of what we watched, including everything from John Carpenter’s The Fog to 3,000 Miles to Graceland to the work of Agnes Varda and some preemptive highlights of the upcoming Virgin Media Dublin International Film Festival. We also discuss a little bit about David Fincher’s Zodiac, which we all caught on 35mm at the Lighthouse.

In terms of film news, there is a lot to cover. The big story concerns the cinema-going habits of the Irish (and international) audiences. However, there’s also news from the European Film Market, including a number of prospective Irish films on sale.

The top ten:

  1. Second Act
  2. Escape Room
  3. Mary Poppins Returns
  4. Mary Queen of Scots
  5. Vice
  6. Glass
  7. The Mule
  8. A Dog’s Way Home
  9. Green Book
  10. How to Train Your Dragon III: The Hidden World

New releases:

You can download the episode here, or listen to it below.

 

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Millennium – The Mikado (Review)

This May and June, we’re taking a trip back in time to review the fifth season of The X-Files and the second season of Millennium.

Glen Morgan and James Wong famously pulled Millennium away from its “serial killer of the week” format in its second season. While the label might be a little harsh (and perhaps a little exaggerated), it did hint at a recurring formula in the first season. Frank Black would be called in to catch a serial killer with a unique and distinctive modus operandi. The first season was littered with episodes built around that core format, wildly varying in quality. For every Blood Relatives or Paper Dove, there was a Loin Like a Hunting Flame or Kingdom Come.

The second season largely moved away from all that. Although Morgan and Wong occasionally made nods towards the classic format in episodes like Beware of the Dog, 19:19 or Goodbye Charlie, the second season of the show was a lot less formulaic and familiar. This is was a show that could transition from The Hand of St. Sebastian to Jose Chung’s “Doomsday Defense” to Midnight of the Century to Goodbye Charlie to Luminary. It seemed quite reasonable to suggest that the second season of Millennium was not as firmly attached to the concept of serial killers as the first season had been.

This is Avatar calling...

This is Avatar calling…

This makes The Mikado a rather unique instalment, arriving a little past half-way through the season. Written by Michael R. Perry, The Mikado is very much an archetypal serial killer story. There is a case from Frank Black’s past, lots of victims, some occult imagery, and even a ticking plot. In fact, The Mikado is probably the only episode of the second season that would arguably fit more comfortably in either the first or third seasons of the show. All you’d have to do is write out the character of Roedecker.

However, there is something decidedly big and bold about The Mikado. It is perhaps the most archetypal (and maybe the most successful) straight-down-the-middle “serial killer of the week” story that Millennium ever produced. After all, if you are only going to do produce one truly traditional “serial killer of the week” story in a season, you may as well go big. And you can’t go much bigger than the Zodiac.

It's all about the execution...

It’s all about the execution…

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