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New Podcast! The Time is Now – Season 2, Episode 15 (“Roosters”)

I have had the immense good fortune to appear on The Time is Now quite a lot lately, but was particularly flattered to be invited on to talk about Owls and Roosters, the big “mythology” two-parter in the late second season of Millennium. It’s an honour to join Kurt North for the second part of this conversation.

Owls and Roosters are two of my favourite episodes of television, because they demonstrate everything that Millennium did so well. They’re incredibly densely packed with information, in a way that really captures the sense of modern living – a constant influx of often contradictory stimulae that the individual often struggles to parse or process. In many ways, the second season of Millennium has aged remarkably well, capturing a sense of information overload in a manner that resonates even more strongly today than it did on broadcast.

As ever, you can listen directly to the episode here, subscribe to the podcast here, or click the link below.

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Millennium – The Mikado (Review)

This May and June, we’re taking a trip back in time to review the fifth season of The X-Files and the second season of Millennium.

Glen Morgan and James Wong famously pulled Millennium away from its “serial killer of the week” format in its second season. While the label might be a little harsh (and perhaps a little exaggerated), it did hint at a recurring formula in the first season. Frank Black would be called in to catch a serial killer with a unique and distinctive modus operandi. The first season was littered with episodes built around that core format, wildly varying in quality. For every Blood Relatives or Paper Dove, there was a Loin Like a Hunting Flame or Kingdom Come.

The second season largely moved away from all that. Although Morgan and Wong occasionally made nods towards the classic format in episodes like Beware of the Dog, 19:19 or Goodbye Charlie, the second season of the show was a lot less formulaic and familiar. This is was a show that could transition from The Hand of St. Sebastian to Jose Chung’s “Doomsday Defense” to Midnight of the Century to Goodbye Charlie to Luminary. It seemed quite reasonable to suggest that the second season of Millennium was not as firmly attached to the concept of serial killers as the first season had been.

This is Avatar calling...

This is Avatar calling…

This makes The Mikado a rather unique instalment, arriving a little past half-way through the season. Written by Michael R. Perry, The Mikado is very much an archetypal serial killer story. There is a case from Frank Black’s past, lots of victims, some occult imagery, and even a ticking plot. In fact, The Mikado is probably the only episode of the second season that would arguably fit more comfortably in either the first or third seasons of the show. All you’d have to do is write out the character of Roedecker.

However, there is something decidedly big and bold about The Mikado. It is perhaps the most archetypal (and maybe the most successful) straight-down-the-middle “serial killer of the week” story that Millennium ever produced. After all, if you are only going to do produce one truly traditional “serial killer of the week” story in a season, you may as well go big. And you can’t go much bigger than the Zodiac.

It's all about the execution...

It’s all about the execution…

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Do We See Too Much of a Film Before It’s Released?

Last month I bemoaned the fact that trailers give away too much of a film, but I’m starting to wonder if it isn’t just the general way that the Hollywood publicity machine works. I bring this up because I’ve been thinking a bit about Inception, which in opening this week. With the exception of the (rather excellent sounding) trailer, I’ve been trying really hard not to spoil the film for myself. And, in attempted to so, I’ve only really started to notice just how much of a movie we put on-line before its official release.

The internet is flooded with Inception clips...

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